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THE FIRST SURFERS

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"The First Surfers" is the very first chapter ofVolume 1 of LEGENDARY SURFERS, in portable document format (PDF), published in 2003 and again in 2005.



Chapter 1 of Volume 1 consists of a total of 15,425 words (887 kb), 5 pages of footnotes, images, and hyperlinks to other relevant material both within the LEGENDARY SURFERS website and elsewhere on the Net. The information contained in this eBooklet is the most concise, detailed information available about surfing's beginnings available anywhere.

To order your eBooklet "THE FIRST SURFERS" for just $2.95, please click on the Pay Pal icon below:




All order fulfillment is done manually, so please be patient in the case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings,


Malcolm Gault-Williams

TRADITIONAL HAWAIIAN SURF CULTURE

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Traditional Hawaiian Surf Culture takes a stab at collecting together all that we know about early surfing culture -- at least prior to and immediately following European contact in Hawaii, in the late 1770s. This chapter is the most concise, detailed information on the subject available anywhere, excepting Volume 1 of LEGENDARY SURFERS, itself.

This original LEGENDARY SURFERS chapter was written in 1999. The eBooklet version -- written in 2004 -- was revised at that time to include additional material.

Word count: 11,069; Total pages: 26 (888 kb)

To order your eBooklet for just $2.95, please click on a Pay Pal icon below:



All order fulfillment is done manually, so please be patient in the case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings,



Malcolm Gault-Williams



CONTENTS of What You Will Receive:


TRADITIONAL HAWAIIAN SURFBOARDS

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Four different types of surfboards came out of the Polynesian settlement of Hawaii and the evolution of Hawaiian culture which occurred during the period of the Long Voyages (300-1000 A.D.). Hawaiian surfboards had their beginning around or after this time. It is unknown how much the Hawaiian boards stemmed from the Polynesian.



The four types of Hawaiian surfboards were, in order of their length: the Olo, Kiko`o, Alaia and Kioe (aka Pae Po or Paipo). This chapter documents as much as is known about these boards and comprises the world's most complete information on the subject.

This LEGENDARY SURFERS eBooklet on Traditional Hawaiian Surfboards (aka "Ancient Hawaiian Surfboards") focuses strictly on the boards, their construction, composition and rituals surrounding their making and dedication. It is enhanced with additional material and images which make this eBooklet the best and most concise, detailed single-source on the Hawaiian surfboard of the pre-European contact period.

This original LEGENDARY SURFERS eBooklet was first published in 2003 and then revised in 2005 to include additional material.

Total pages: 18 (585 KB), including three pages of footnotes.


To order your eBooklet for just $2.95, please click on a Pay Pal icon:



All order fulfillment is done manually, so please be patient in the case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings,



Malcolm Gault-Williams





CONTENTS of What You Will Receive:

  Papa He`e Nalu
  The Olo
  The Kiko`o
  The Alaia
  The Paipo (Kioe)
  Wood Types, Collection, Shaping and Rituals
  Board Consecration and Ceremonies


DUKE PAOA KAHANAMOKU

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This LEGENDARY SURFERS chapter on “the Father of Modern Surfing,” Duke Paoa Kahanamoku, has been one of my most-popular over the course of the past 10 years. It contains all of Duke's life relative and specific to surfing, in addition to his other contributions. To my knowledge, there is no other source available - either in print or on the Net - that contains as much detailed information about Duke's life as a surfer.




“Duke Paoa Kahanamoku” was updated and expanded in 1999 and 2005, to replace a previous version that contained some factual errors. Please note that information about Duke's longest ride, the boards he rode, his surfing in Australia, and his surfing on the East Coast of the USA have all been corrected in this version. Many other sources on Duke - both published and on the Net - have this information in error.

Word count: 31,007; total pages: 64 (1.46 MB), including images and 8 pages of footnotes.


To order “Duke Paoa Kahanamoku” for just $2.95, please click on a Pay Pal icon:



All order fulfillments are done manually, so please be patient in the case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings.
I hope you enjoy Duke's story, and help spread the true Aloha Spirit that Duke, himself, helped foster throughout the world.



Malcolm Gault-Williams





Contents of What You Will Receive:

  Descendant of the Ali`i
  Barefoot Freedom
  Under the Hau Tree
  Bigger Boards for Bigger Surf
  "Riding the Surfboard," Mid-Pacific magazine, February 1911
  Freestyle Records Broken, August 11, 1911
  The Kahanamoku Kick Overseas, 1912
  The 1912 Olympics, Stockholm, Sweden
  1st Surfing on the East Coast, 1912
  More Than A Beach Boy
  Hawai`i's Ambassador
  Duke Surfs Freshwater, December 24, 1914
  Duke As Catalyst To Australian Surfing
  World War I
  Duke & Dad's Half Mile Ride of 1917
  Olympic Gold and Silver, 1920
  Coronadel Mar Save, June 14, 1925
  The Father of Modern Surfing
  Duke's 16-foot olo design
  Rabbit Kekai
  New Sheriff in Town
  Nadine (Nadjesda) Alexander Kahanamoku (1905-1997)
  World War II and After
  Physical & Financial Health, 1955-61
  Kimo McVay
  Twilight Years, 1962-68
  Duke Kahanamoku Surf Team
  The Passing, January 22, 1968
  Duke Swims Away



"Out of the water I am nothing" - Duke


"Duke attained his greatest surfing satisfactions and some of his greatest achievements as a rider after his 40th year." - Tom Blake


"Why not honor a living monument?" - Arthur Godfrey


"My boys and I, we showed 'em how to go surfing." - Duke, speaking about the Mainland Surfari of the Duke Surf Team


"Duke was Duke. His values came from the sea. He walked through a Western world, but he was always essentially Hawaiian. And because of the simplicity and purity of that value system, money was never that important to him." - Kenneth Brown


"Duke was not in the business of being a beachboy. But in the larger sense of the word - of a man who lived and loved the ocean lifestyle - Duke was, as far as I'm concerned, the ultimate beachboy." - Fred Hemmings


"He had an inner tranquillity. It was as if he knew something we didn't know. He had a tremendous amount of simple integrity. Unassailable in integrity. You rarely meet people who don't have some persona they assume to cope with things. But Duke was completely transparent. No phoniness. People could say to you that Duke was simple - the bugga must be dumb! No way. That's an easy way of explaining that. Duke was totally without guile. He knew a lot of things. He just knew 'em." - Kenneth Brown






Related Resources:


Read About Volume 1 of LEGENDARY SURFERS

Buy Volume 1 of LEGENDARY SURFERS!




The 1910s

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The period 1910-1919 was the first full decade following Surfing's Revival at Waikiki in the first years of the Twentieth Century. In many ways, we know less about the 1910s than we do the first decade of surfing's resurgence because, once the revival was underway, the growth of surfing became less dramatic, albiet more far-reaching. This chapter covers the events and the surfers of that decade in the kind of depth that cannot be found anywhere else.



"The 1910s" is 14,784 words long and comprises 42 pages in length (1.81 MB), including several pages of footnotes. It is formatted in Adobe Acrobat's free Portable Document Format (PDF) for easy viewing and printing from your computer. Additionally, the electronic file can be freely shared.





To order your eBooklet for just USD $2.95, please click on the PayPal icon (if not visible, you are probably viewing this on a mobile device; please order from the LEGENDARY SURFERS web site):



All order fulfillments are done manually, so please be patient in case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings.



Malcolm Gault-Williams




Contents of What You Will Receive:

  AUSTRALIA, 1800'S-1903
  1800'S RESTRICTIONS
  FIGHT FOR THE RIGHT TO OCEAN BATHE & SWIM
  WILLIAM HENRY GOCHER, 1903
  AUSTRALIA'S 1880'S BODY SURFING ROOTS
  AUSTRALIAN LIFE SAVING MOVEMENT, 1903-10
  PREDECESSORS OF THE SURF LIFE SAVING CLUBS
  1ST FORMAL LIFESAVING CLUBS
  SURF LIFE SAVING ASSOCIATION OF AUSTRALIA(SLSA)
  NEW ZEALAND, 1910
  WAIKIKI, 1910-1915
  A. R. GURREY'S SURF RIDERS OF HAWAII
  LONDONSNOTE SURFING'S GROWTH, 1915
  SOUTHERN CALIFORNIA, 1910-1919
  GEORGE FREETH AT REDONDO BEACH, 1909-1915
  GEORGE FREETH IN SAN DIEGO, 1915-1919
  USA EAST COAST, 1912-1919
  AUSTRALIA, 1911-1919
  1ST BOARDS IN AUSTALIA, 1912-14
  DUKE RIDES AUSTRALIA, 1914-1915
  DUKE AS CATALYST TO AUSTRALIAN SURFING
  CLAUDE WEST & DUKE'S SUGAR PINE BOARD
  THE SURF, DECEMBER 1, 1917

The 1920s

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During the period 1920-1929, the popularity of surfing continued to grow amongst the determined and dedicated. Surfing's revival during the previous two decades had gone by relatively unnoticed by the rest of the world, with the exception of Australia, New Zealand and the United States.



With the death of George Freethin 1919, surfing's spread was left to Duke Kahanamoku almost single handedly. From a surfing perspective, the 1920s was largely Duke's era and he dominated all news about the sport during that time. However, Duke was not alone. There were growing numbers of surfers at Waikiki, in Australia and California. Significantly, another champion swimmer named Tom Blake got interested in surfing and would become - second only to Duke - the most influential surfer of the next two decades. This chapter covers the events and the surfers of the 1920s in the kind of depth that cannot be found anywhere else.

"The 1920s" is 17,287 words long and comprises 46 pages in length (726 KB), including several pages of footnotes and historical images. The chapter is formatted in Adobe Acrobat's free Portable Document Format (PDF) for easy viewing and printing from your computer. Additionally, the electronic file can be freely shared with friends and family.



To order your ebooklet in printable Portable Document File format for USD $2.95 (delivered to your email address), click on the Pay Pal icon (if not visible, you are probably using a mobile device and will need to go to the LEGENDARY SURFERS website):


All order fulfillments are done manually, so please be patient in case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings!



Malcolm Gault-Williams




Contents of What You Will Receive:

  WAIKIKI, 1920'S
  WAIKIKIBREAKS
  WAIKIKIBEACH BOYS
  DUKE KAHANAMOKU
  OLYMPIC GOLD AND SILVER, 1920 & 1924
  HOLLYWOOD& SOUTHERN CALIFORNIA SURFING
  TOM BLAKE 1921-23
  BLAKE'S FALSE SURF START, 1921
  LAAC, 1921-29
  BALBOA & CORONA DEL MAR
  BEACON LIGHTS AT BALBOA
  TOM BLAKE, 1924-25
  BLAKE LIFEGUARDING, 1924 ON
  TOM BLAKE'S FIRST TRIP TO HAWAI'I, 1924
  BLAKE LIFEGUARDING AT SANTA MONICA
  THELMA, JUNE 14, 1925
  SAM C. REID (1908-1978)
  HOLLOW BOARD EVOLUTION, 1926-29
  ANCIENT HAWAIIAN TEMPLATES, 1926
  DRILLED-HOLES, 1926-29
  SOME OF THE LESSER KNOWN
  REDONDO & HERMOSA SURFERS
  HUNTINGTON & CORONADEL MAR SURFERS
  SHARK'S COVE, 1928
  SAN DIEGO SURFERS
  PACIFIC COAST SURFRIDING CHAMPIONSHIPS, 1928



TARZAN

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He was one of the great ocean paddlers of all time -- some say the greatest. An early California surfer, he was also a lifeguard, Waikiki haole beachboy, fighter, and -- later a Honolulupoliceman. He is credited with helping rediscover the North Shore of O‘ahu as prime surf territory and his inter-island paddles are the stuff of legend.

One day in the early 1980s, he walked out into the Californiadesert and left the beach and all who knew him forever behind. His name was Gene Smith, although he is best remembered by his nickname of "Tarzan," after the character immortalized by Edgar Rice Burroughs. Despite all that we know about him -- especially his paddling records -- he was such a loner, so different, and left surfing so strangely, that mystery surrounds his memory to this day.



Thanks to friends like Gary Lynch and members of the Smith family, I have been able to get a clearer picture of who legendary paddler Gene "Tarzan" Smith was, the accuracy of the legends that surround him, and a full inventory of his accomplishments. Much of this was published in two articles forThe Surfer's Journal:

  “Last Chapter: 'Tarzan' Smith"”,The Surfer's Journal, Volume 7, Number 4, Winter 1998.

  “TARZAN DEDUX: Chapter Fill-Ins From The Life of Gene Smith,”The Surfer's Journal, Volume 13, Number 2, Spring/Summer 2004. Photographs from the Smith Family photo album.

I combined the research for both printed articles into one chapter for the LEGENDARY SURFERS collection. This chapter contains all the information from the two articles, plus material that was left out due to space considerations with the magazine versions. Total length is approximately 14,200 words, comprising 38 pages, including footnotes and vintage photos from the Smith family collection (6.48 MB).


To order your ebooklet in printable Portable Document File format for just USD $2.95 (delivered to your email address), click on the Pay Pal icon (if not visible, you are probably using a mobile device and will need to go to the LEGENDARY SURFERS website):


All order fulfillments are done manually, so please be patient in case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings!



Malcolm Gault-Williams



THE MALIBU BOARD

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“The Malibu Board” ebooklet tells the story of how the prototype for today's longboard came into existence in the late 1940s. While Bob Simmonsset the stage for its development, his assistants and protoges Joe Quigg, Matt Kivlin, Tommy Zahn and Dave Rochlen came up with what we now refer to as “The Malibu Board,” or in Oceana as simply “Malibu’s”.



The design’s potential was not realized right away. It wasn’t until Dave Rochlen and guys like Melonhead (Porter Vaughn) and Leslie Williams started ripping Malibuapart with these boards. The whole story is covered in this ebooklet, available by ordering, below.



To order your ebooklet in printable Portable Document File format (PDF) for just USD $2.95 (delivered to your email address), click on the Pay Pal icon (if not visible, you are probably using a mobile device and will need to go to the LEGENDARY SURFERS website):


All order fulfillments are done manually, so please be patient in case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings!



Malcolm Gault-Williams




Contents of What You Will Receive:

  1946: Fiberglass & Resin
  .. Fiberglass
  .. Resin
  1947: Zahn, Quigg, Kivlin, Rochlen & Melonhead
  .. Tommy Zahn
  .. Joe Quigg
  .. Dave Rochlen
  The Darrylin Board
  Other Joe Quigg Designs, 1947-49
  .. 1st Pintail Gun, 1st Fiberglassed Skeg
  .. Foam Prototype
  .. Multiple Fins
  .. Grey Ghost
  .. MalibuPerpetual Surfboard
  .. Nose Rider & Ridicule
  1948
  1949
  .. Hot Curl Experiments
  .. Foam Experiments
  .. Simmons Styrofoam Sandwich Boards
  The "Birdman"& The Malibu
  Matt Kivlin & The Malibu
  .. Dave Rochlen
  Simmons Breaks It Off, 1950
  Joe Quigg in Later Years




TOMMY ZAHN: For The Pure Joy of It All

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"Figures like Tom [Blake] and Duke [Kahanamoku] are really historic figures... Had they never existed, the sport wouldn't be quite the same. And where can you find guys in this game who led such exemplary lives? These were the real contributors and innovators. I did none of these things... I surfed, paddled and swam for the pure joy of it all. I was successful in some of my ventures... all more or less forgettable. I tried (not always succeeding) in living an exemplary life. It was my pleasure to have been personally acquainted with figures like Duke, Tom, Pete [Peterson], Rabbit [Kekai], George [Downing], Joe [Quigg], Wally [Froiseth],Gene [Tarzan Smith]; but I have no desire to beome a 'professional-grand-old-man-of-surfing'" - Tom Zahn, November 5, 1989

"You will get your day of recognition when the long boards come back." - Tom Blake to Tom Z., August 1967



The complete, unedited biography of Tommy Zahn is available in printable ebooklet form for $2.95. The 24,792 word article (49 single-spaced pages) is the master copy of a smaller article that was originally printed in THE SURFER'S JOURNAL, Volume 9, number 2, Spring/Summer 2000 (sold out). Over 50% more material is included in the ebooklet version.




To order your ebooklet in printable Portable Document File format (PDF) for just USD $2.95 (delivered to your email address), click on the Pay Pal icon (if not visible, you are probably using a mobile device and will need to go to the LEGENDARY SURFERS website):


All order fulfillments are done manually, so please be patient in case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings!



Malcolm Gault-Williams




Contents of What You Will Receive:

  Boards, Boats & Lifeguarding
  As A Kid
  Tom Blake
  Pete Peterson
  War Years
  Pete's Plastic Board, 1946
  Hollywood & Marilyn
  The Islands
  Haole Treatment
  IslandInfluences
  George Downing
  Rabbit Kekai
  1947 - Zahn, Quigg, Kivlin, Rochlen & Melonhead The Darrylin Board, 1947-48
  The MalibuPerpetual Surfboard
  Paddling ChampMolokai to O‘ahu, October 1953
  Diamond HeadPaddleboard Race, 1954
  "Bounding the Blue on Boards"
  Catalina-to-Manhattan Beach Paddle Races
  Catalina-to-Manhattan, 1955
  Catalina-to-Manhattan, 1956
  Sculling
  Australia, 1956
  The Kivlin to Dora Connection
  Late 1950s, Early 1960s
  Catalina to Manhattan Beach Paddleboard Race, 1958
  Catalina to Manhattan Beach Paddleboard Race, 1960
  Catalina-to-Manhattan Beach Paddleboard Race, 1961
  Diamond HeadPaddleboard Race, 1962
  The Lifeguard's Lifeguard
  Skin Cancer, 1979
  1984's Almost Forced Retirement
  Paddling Mentor
  Jim Mollica
  Mike Young
  Craig Lockwood
  "Recollecting Zahn" by Craig Lockwood
  First Encounter
  Second Meeting
  Making Time
  Zahn's Other Side
  End of an Era
  Waterman Memorial
  Design Guru
  One For Pete
  Taplin Talk



Tommy listed "A few significant extracts" from his "Aquatic Sports Activities."  In his order, they are:

  2 times winner - Surf Life Saving Association (SLSA) of Hawaii Rough Water Swimming Championships
  4 times winner - Diamond Head Paddleboard Championships, Honolulu, Hawaii
  5 times winner - Catalina to Manhattan Beach Paddleboard Race
  Winner - 1956 International Rescue Board Race, Surf Life Saving Association of Australia
  2 times winner - Hermosa-Manhattan 2 Mile Roughwater Swim (age group)
  CIF Swim Finalist - High School
  US Navy Swim Team - San Diego
  First Senior Olympics 1 Mile, Run-Swim-run & Relay, 1980-82
And, in "Related Work Experience," in the order Tommy listed them:
  24 Years skipper of rescue boat Baywatch Santa Monica. Second highest rescue count of all 8 Baywatch stations.
  7 Years as Training Officer for the Lifeguard and Harbor Division, Santa Monica
  Part time Training Consultant for the California State Lifeguard Service, District 5, 1961-62
  Captain and Training Officer for the HonoluluCity and County Lifeguard Service, 1959; Reorganized the service

Also noteworthy, but unlisted by Zahn:

  Pacific Coast Dory Championship, twice



DORA

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Of all the surfers of the Sixties, Miki Dora was, by far, the most notorious. Dora had started making a name for himself in the Southern California surfing scene of the "Pre-Gidget Era," in the mid-1950s. By 1957, he was already well-known throughout the surfing world. As champion surfer and fellow Malibu rider MikeDoyle reminds us: "the unrivaled king of Malibuin those days was Mickey Dora, 'Da Cat.'" The way Dora rode was widely emulated and his attitude toward the commercialization of the sport was eventually shared by many of us. Dora was extremely influential throughout the 1960s and 1970s. His "legend" continues on, despite his death in January 2002. And, although less so than in those days of yore, the Dora mystique continues to effect surf culture -- more so than we know or some would care to admit.
The LEGENDARY SURFERS ebooklet on Miki Dora simply titled "DORA" is taken from the popular on-line chapter at LEGENDARY SURFERS and enhanced with 50% new material (16,586 words), updated following Miki's passing.

To order your ebooklet in printable portable document file format (PDF) for USD $2.95 (delivered to your email address), click on the Pay Pal icon below (if not visible, you are probably using a mobile device and will need to go to the LEGENDARY SURFERS website):


All order fulfillments are done manually, so please be patient in case there may be a delay. Should you have any problems with your order, please comment at the bottom of this posting and I will be sure to get it.

Aloha and Thank You for Your Interest in My Writings!



Malcolm Gault-Williams



Contents of What You Will Receive:

  GARD CHAPIN
  CRY BABY AT THE SLOUGHS
  JOE QUIGG'S 5TH PINTAIL
  THE TWO MICKEYS, 1954
  PRE-GIDGET MALIBU
  GIDGET, June 27, 1956
  BIG SURF OPENING NIGHT, CULVERCITY, 1957
  A BURNING MISTAKE, MARCH 8, 1957
  DRAG RACING
  THE KIVLIN STYLE
  DORA & EDWARDS
  COMPETITIVE BUT NON-CONTEST
  THE HUMAN TABLE, SEPTEMBER 3, 1958
  THE TRESTLES PASSWORD
  GIDGET,THE BOOK, 1957
  SHOOTING GIDGET, 1958-59
  RIDE THE WILD SURF
  "RECLUSE ON A CROWDED DAY," AUGUST 1963
  THE MID-1960S
  WAVES YOU CAN'T MAKE, 1962
  CORKY'S PERUVIAN ESCAPE
  "DA CAT" MODEL
  SWASTIKAS & TENNIS, BEVERLY HILLS, 1964
  BRUSH FIRES
  P.O.P. PIER, 1968
  SALTWATER
  TRAVELLING THE 1970s and '80s
  JAIL TIME, 1983
  DA CAT MODEL RE-ISSUE
  DORA'S END
  DORA IN RETROSPECTIVE

LEGENDARY SURFERS: 2004-2014

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LEGENDARY SURFERS: 2004-2014 by Malcolm Gault-Williams

This Portable Document Format (PDF) collection of all postings at the LEGENDARY SURFERS website over the past eleven years marks my continued move toward more digitized publication. It is notable in several respects:

  • This “ebook” is completely portable on electronic devices, in a format compatible for reading on any ebook reader. Unlike the content on the website, the content in the ebook is not dependent on a connection to the Internet. You can even take it to the beach!
  • The 1,172 pages (6.25 MB) contain text, images, and internal and external hyperlinks. The internal links function on their own and are particularly helpful when selecting posts in the Contents or following Footnotes to source references. To use the ebook’s external links, yes, you’ll need to be connected to the Internet.
  • Because the ebook is basically an electronic file, it can be easily shared with friends and family. I have not set any restrictions on its replication as long as normal copyright rules are respected. This ebook makes a great gift from you to other surfers you know who appreciate a more detailed look into the history of surfing.
LEGENDARY SURFERS: 2004-2014 is just $4.95, using PayPal. Since I do all order fulfillment myself, please be patient with an occasional delay in getting your ebook to you. If there is ever a problem with your order, you can always reach me via the comments section at the bottom of this webpage (if the PayPal icon does not appear, you are probably reading this from a mobile device and will need to go to the LEGENDARY SURFERS website itself):


I sincerely hope you enjoy this collection that represents eleven years of LEGENDARY SURFERS posts on the Internet. Please feel free to add any comments you may have about it. I always love to hear back from my readers!

Isabel Letham, 1915

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The following was written by Fred Pawle, for The Australian, December 27, 2014, under the title: "Legend and fib combine as Isabel Letham surfs into history on wave of fancy."
THE wave Isabel Letham caught at Dee Why beach, Sydney, on February 6, 1915, was neither long nor spectacular. According to one newspaper account of it, she spent most of the ride “toppling backwards”, and in the end fell off.
But, in one of the strangest twists in Australian sporting history, it was enough to get her into the Australian Surfing Hall of Fame, an honour usually reserved for people whose contribution to the sport spans an entire lifetime.
She achieved this status by embellishing the story of her Dee Why ride to make it far more significant than it was. Her audience — the surfers of Australia — were convinced by her story because, for reasons I’ll explain later, they desperately wanted it to be true.
Oral storytelling, particularly about new and radical experiences, forms a large part of surf culture. As a result, surfers, who are not the most literary bunch, are prone to exaggeration. But even by their hyperbolic standards, the Letham story is extraordinary. The truth, as usual, is even more fascinating .
A reassessment of Letham is overdue, partly because her status in surfing has become ludicrously high, and partly because the centenary of her alleged achievement is approaching, and it would be a shame if the planned celebrations on Sydney’s Freshwataer beach on January 8 commemorated a fallacy.
These are the known facts of that historic summer of 1914-15. The great Hawaiian Duke Kahanamoku, a gold-medal-winning swimmer at the 1912 Olympics in Stockholm, was invited to Australia to compete in races in Sydney and Brisbane. While he was here, he also put on demonstrations of “surf shooting” in the Hawaiian style (riding a surfboard while standing), of which he was at the time one of the world’s best practitioners and protagonists.
By far the most significant public demonstration was the first one, at Freshwater, Letham’s home beach, on January 10 1915, which was attended by about 400 spectators. For a long time afterwards, this was considered the day Australian surfing was born.
A month later, another demonstration was held at Dee Why Beach, a few kilometres north. On this occasion, Letham, 15, a keen young ocean swimmer and a bit of a tomboy, was invited to ride tandem with Kahanamoku, which she did, making an impression on all three journalists present, as well as the crowd of thousands.
“When ‘the Duke’ stood up the sight was grand,” Sydney’s The Telegraph said. “Later, Kahanamoku came in standing on his head, and at another time carried a lady passenger.”
The Sydney Morning Herald also confirmed it: “He was accompanied at intervals by Miss Letham, of Freshwater, and it was a rare sight to watch both swimmers on the surf board.”
The Referee, a sports newspaper, said Letham’s ride with Kahanamoku was the “more sensational spectacle” of the demonstration, but only because it showcased the Hawaiian’s skill — Letham spent most of the ride “toppling backwards”. The ride ended when both Letham and Kahanamoku wiped out.
In the late 1940s, as surfing began its ascendancy within Australian culture, this story of the ungainly tandem ride at Dee Why became conflated with the Duke’s surfing demonstration at Freshwater, which was beginning to acquire newfound historical significance. Stories began to be published placing Letham front and centre at the Freshwater event.
The Sydney Morning Herald in 1948 said that Kahanamoku had taken Letham “out with him (at Freshwater) and they would come right into the beach with incomparable grace and precision”. A similar account appeared in a book called Surf Australians Against the Sea, by C. Bede Maxwell (1949). In 1959, Heroes of the Surf, a history of the Manly Surf Lifesaving Club, said Kahanamoku “took three waves with her (Letham) standing on the board in front of him”. None of these publications cites sources.
Yet the only surviving contemporaneous newspaper account of the Freshwater demonstration is by W. Corbett of The Sun, who wrote in some detail about Kahanamoku teaching two Manly swimmers how to surf by themselves. Had Letham ridden tandem with Kahanamoku that day, it is inconceivable that Corbett wouldn’t have mentioned it.
The arrival of mass-produced fibreglass boards in the 1960s helped surfing to explode in popularity, and with it the Letham myth took off. In 1968, the Daily Mirror published a story about Kahanamoku’s visit, which focused on the Freshwater demonstration; Letham is quoted as saying that as she and Kahanamoku took off on the wave it “was like looking over a cliff”.
“But after I’d screamed a couple of times he took me by the scruff of the neck and yanked me to my feet. Then off we went down that wave,” she said. For the next two decades, she continued to repeat the story, with only minor variations, in print interviews, an oral history and a video recorded in 1986. She collected most of her own clippings into a personal archive, which was donated upon her death to the Dee Why public library, where they remain. Those clippings are punctuated with notes by Letham correcting minor mistakes by the various journalists. In none of the clippings does she dispute the increasingly accepted fact that she surfed with Kahanamoku at Freshwater.
The story was even embellished without Letham’s input. A book called The Surfrider, edited by Australian journalist Jack Pollard and published in the mid-1960s, claimed that Letham not only rode with Kahanamoku, but managed to sit on his shoulders as well. This claim is made in the book’s foreword, which is attributed to Kahanamoku, but according to Geoff Cater, one of Australia’s leading surf historians, the foreword is almost certainly Pollard’s own work. In it “Kahanamoku” says: “There was a tiny girl in the crowd that day who by her manner seemed more excited than all in the crowd. I put her on my shoulders and we made a few good rides.” Shoulder-riding, Cater says, didn’t become popular until the 1940s, when long hollow boards made the trick easier to perform. This detail has since been repeated at least twice, both by surf journalist Phil Jarratt, in A Complete History of Surfboard Riding in Australia (2013) and That Summer at Boomerang (2014).
But why all this credulity and exaggeration? To answer that, one needs only to look at the rest of Australian surfing history. It’s filled with blokes. Not just any blokes, but yobbos. Australian surfing history is mostly a procession of aggressive, arrogant, hard-drinking, drug-abusing, brash dudes whose obsession drove them wild, sometimes literally. Our brand of surf culture propelled Australia to some world titles and gave us a distinct national character on the pro tour and the various surf meccas around the world, but it came at a cost. The Letham story was a perfect foil. At last, Australia had its own Gidget! A tomboy who rode with Duke! But even this new development couldn’t escape the inevitable male fantasy — if they rode a few waves together, could they have also, you know…? Letham never married or had children, and later in life was still expressing her reverence towards him, saying he “is still in my heart”.
This year, Phil Jarratt published what some male surfers were probably already thinking. That Summer at Boomerang is a historical novel centred on Kahanamoku’s 1914-15 tour. In the introduction, Jarratt says “all the events depicted actually happened”. The book then goes on to describe a series of increasingly flirtatious encounters between Letham and Kahanamoku, ending with a sad dockside farewell during which Letham’s eyes get “misty” and Kahanamoku hugs her “tight for long seconds” and kisses her on both cheeks, saying, “I’m going to miss you, young lady”.
Letham herself repeatedly gave the impression that she, if not Kahanamoku, established a deep emotional bond on the day they supposedly rode together at Freshwater. But Sandra Kimberley Hall, Kahanamoku’s official biographer, is not convinced. Any romantic interaction between a 15-year-old white girl and a 24-year-old dark-skinned Hawaiian in Australia in 1915 stretches the bounds of plausibility, she says. “Nowhere in Duke or Isabel’s archives is there anything that would lead researchers to believe there was a romance, a fling, or even a friendship between the two of them,” she says. “It’s laughably ridiculous.”
Hall says Letham’s claim to have ridden with Kahanamoku at Freshwater is similarly fanciful. “It sems that at some point in time, Isabel confused Dee Why with Freshwater,” she says, adding that it was “unlikely” that the pair rode tandem at Freshwater.
Two weeks after the Dee Why demonstration, Kahanamoku left Australia. Letham persuaded her father, a master builder, to make her a board like Kahanamoku’s. She and her friend Isma Amor, a fellow surfer tomboy from Manly, began spending weekends at remote Bilgola beach on Sydney’s northern beaches surfing and earning the label “wild young things”.
Jarratt’s book describes Letham’s later, fruitless attempts to reconnect with Kahanamoku, stopping in Waikiki, but not finding him, on her way to the US in 1918, where she worked for a while, trying to break into the film business, before returning home to be with her dying father. She returned to the US in 1923, where she finally and briefly saw Kahanamoku again. She has said nothing of this meeting, one of three they would have before Kahanamoku died in 1968, aged 77. The romance, if there was one, was never rekindled. Letham stayed in California and became a highly respected swimming coach at the glamorous Women’s City Club in San Francisco. She sailed home to Australia in 1929 and continued coaching swimming and water ballet. She died in 1995.
Surf historian Peter Warr interviewed Letham at length between the late 1980s and early 90s. He says Letham was still obsessed with Kahanamoku even then. “It was much more than a teenage girl’s puppy love,” he says. “She was still infatuated with him.” Letham smiled as she recalled Kahanamoku, Warr says. “She started talking about her feelings for him. I said, ‘that’s wonderful that you kept these feelings all these decades,’ and she just said, ‘oh, he’s in my heart’.”
Warr compares Letham’s love to that of other women from her generation who fell in love with soldiers who died in battle, then never married. “It was a much more controlled society back then,” he says. But asked by Warr if she would have liked to marry Kahanamoku, Letham hinted that a more conservative process was at work. “She said she would have if circumstances had allowed. By that she meant the White Australia Policy. It would have been a scandal.”
Cater has a different theory: Letham used her lifelong devotion to Kahanamoku as a cover for her own sexual orientation. “It was a perfect blanket,” he says. “She had the story that she met him as a teenager and never looked at another man. The evidence is more than plausible that she used the story to cover up her own sexuality.”
If Cater is correct, Letham’s story to cover up her own taboo same-sex secret grew so big that it earned her in 1993, induction into the Australian Surfing Hall of Fame, alongside real surfing legends like four-times world champion Mark Richards and seven-time champion Layne Beachley. Letham’s entry on the Hall of Fame’s website repeats the dubious story about Freshwater, saying she “never forgot the exhilaration of that first ride”.
This historical ambiguity creates a dilemma for the organisers of Duke’s Day, the three-day celebration commemorating the centenary of Kahanamoku’s visit, starting on January 8 at Freshwater. One of the highlights of the celebration will be a re-enactment of the now mythical Letham-Kahanamoku ride. Duke’s Day committee chairman Stephen Bennett says the Letham story, which had been “relayed through the generations”, is beyond doubt. “It is hard to believe that the story about Isabel would have been perpetuated unless it was true as there were so many eyewitnesses who were present,” he says.
The most overlooked person in all of this is Tommy Walker, of Manly, who is increasingly seen as the real first surfer in Australia, riding a board he bought for $2 in Waikiki during a trans-Pacific crossing.
Cater’s website quotes The Telegraph describing surfing at Manly Beach in January 1912, three years before that supposedly historic day at Freshwater. “A clever exhibition of surf board shooting was given by Mr. Walker, of the Manly Seagulls Surf Club. With his Hawaiian surf board he drew much applause for his clever feats, coming in on the breaker standing balanced on his feet or his head.”
Sadly, the centenary of this event, which is more significant and plausible than Letham’s ride at Freshwater, went past uncelebrated.

1940s: World War II

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The following is a draft of my first chapter in my work-in-progress: LEGENDARY SURFERS: The 1940s, volume four in the series:


1943; photographer unknown


The surfing decade of the 1930s ended with the United Statesentry into World War II, following the Japanese bombing of Pearl Harbor on December 7, 1941.[1]

The war was already well underway, having begun in Europe in September 1939. The Japanese and Chinese had been at war even before then.

World War II was a global war that more or less lasted from 1939 to 1945. It involved most of the world’s nations, including all the great powers of the time that subsequently formed two opposing military alliances known as the Allies and the Axis. The Second World War was the most widespread war in human history, with more than 100 million people serving in military units. In a state of “total war,” the major participants placed their entire economic, industrial, and scientific capabilities at the service of the war effort, erasing the distinction between civilian and military resources. Marked by significant events involving the mass death of civilians, including the Holocaust and the only use of nuclear weapons in warfare, it resulted in 50 million to over 70 million fatalities. These deaths make World War II by far the deadliest conflict in all of human history.[2]

The Empire of Japan aimed to dominate East Asia and was already at war with the Republic of China by 1937. The world war is generally considered, however, to have begun in September 1939 with the invasion of Polandby Germany and subsequent declarations of war on Germanyby France and Britain. From late 1939 to early 1941, in a series of campaigns and treaties, Germany formed the Axis alliance with Italy, conquering or subduing much of continental Europe. In the early stages of WWII, Germany and the Soviet Union partitioned and annexed territories between themselves of their European neighbors, including Poland

At this point, the United Kingdom, with its empire and Commonwealth, remained the only major Allied force continuing the fight against the Axis, with battles taking place in North Africa as well as the long-running Battle of the Atlantic. In June 1941, the European Axis launched an invasion of the Soviet Union, giving a start to the largest land theatre of war in history, which tied down the major part of the Axis’ military forces for the rest of the war. In December 1941, Japan joined the Axis and attacked the United Statesand European territories in the Pacific Ocean, quickly conquering much of the West Pacific.[3]

“In 1940, going into ‘41,” Palos Verdes Surfing Club member and San Onofre regular E.J. Oshier back-storied, “it more and more looked like there’d be a war.” War was already underway in Europe and in Asia

“There was a couple of guys from Oakland that had started surfing, that I could go down with. They never got very good, but they were very good friends of mine. They decided they were going to enlist in the National Guard. At that time, you serve a year in the National Guard and you could get out and you’d served your time, right? Except it wasn’t right (laughs). I thought, that’s a good idea. I’ll get in with one night a week with the National Guard. So, I did that and everything was going fine until December 7, 1941,” the Japanese bombing of Pearl Harbor, outside of Honolulu, Oahu.

“That day… was a beautiful day at Santa Cruz,” E.J. remembered. “I was out at the Rivermouth, where the San LorenzoRiverempties out. There’s pictures of me in Doc Ball’s book taken at the Rivermouth.” Back in those days, the Rivermouth could get really good.

“Oh, it was phenomenal!” praised E.J. “It was absolutely machine waves. In the winter, a big sand bar would build up off the San Lorenzo River, you know, sort of a narrow triangle and the waves would hit the peak of that triangle, out there at a good distance offshore and start to build. The shoulders would just taper off magnificently, like they were right out of a machine. There’d usually be a set of 3 or 4 waves, then a lull. You absolutely couldn’t go wrong.

“I was out there having a wonderful time. I surfed a few hours and one wave I took close to the point. Some guy ran over and say, ‘Hey! You better get out of there and get back to your car and go back to San Louie Obispo –” where the National Guard armory was – “The Japs just bombed Pearl Harbor! Everybody gotta get back to their camps!’ Well, there went my ‘year.’ It ended-up five years in the army instead of one year [in the National Guard],” E. J. laughed about it. “I was surfing the day they bombed Pearl Harbor.”

“… It was such a good day. The sun was out, it was warm, and the waves were beautiful. And that was the last time I surfed Santa Cruz. Never had an opportunity to surf it, again. But, I had a lot of good surf there [during those two years].”[4]

Another Palos Verdes Surfing Club member, LeRoy “Granny” Grannis remembered the day well, also:

“We were down at the beach on December 7 of 1941. A whole bunch of us down there, right next to Hermosa Pier. I don’t know what we were doing; playing volleyball or something. All of a sudden – somebody had a radio – and we heard over the radio that the Japanese had bombed Pearl Harbor and we all looked at each other and we knew that nothing would ever be the same. Eventually, just about all of us ended up in one branch [of the armed forces] or another.”[5]

With the bombing of Pearl Harbor, what had been the United States’ material and psychological support to counter worldwide imperialism and fascism turned into an active alliance against the Axis – Germany, Japan and Italy. Suddenly, as writer Leonard Lueras put it, “most of the beach boys who had hitherto spent their every bit of free time on the blue became, by Executive Order, boys in blue.”[6]

U.S. President Franklin Delano Roosevelt’s Declaration of War speech to Congress:

“Yesterday, December 7, 1941 - a date which will live in infamy - the United States of America was suddenly and deliberately attacked by naval and air forces of the Empire of Japan.

The United States was at peace with that nation and, at the solicitation of Japan, was still in conversation with its Government and its Emperor looking toward the maintenance of peace in the Pacific. Indeed, one hour after Japanese air squadrons had commenced bombing in Oahu, the Japanese Ambassador to the United Statesand his colleague delivered to the Secretary of State a formal reply to a recent American message. While this reply stated that it seemed useless to continue the existing diplomatic negotiations, it contained no threat or hint of war or armed attack.

It will be recorded that the distance of Hawaii from Japan makes it obvious that the attack was deliberately planned many days or even weeks ago. During the intervening time the Japanese Government has deliberately sought to deceive the United Statesby false statements and expressions of hope for continued peace.

The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. Very many American lives have been lost. In addition American ships have been reported torpedoed on the high seas between San Francisco and Honolulu.

Yesterday the Japanese Government also launched an attack against Malaya. Last night Japanese forces attacked Hong Kong. Last night Japanese forces attacked Guam. Last night Japanese forces attacked the Philippine Islands. Last night the Japanese attacked Wake Island. This morning the Japanese attacked MidwayIsland.

Japan has, therefore, undertaken a surprise offensive extending throughout the Pacific area. The facts of yesterday speak for themselves. The people of the United States have already formed their opinions and well understand the implications to the very life and safety of our nation. As Commander-in-Chief of the Army and Navy, I have directed that all measures be taken for our defense.

Always will we remember the character of the onslaught against us. No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.

I believe I interpret the will of the Congress and of the people when I assert that we will not only defend ourselves to the uttermost but will make very certain that this form of treachery shall never endanger us again.
Hostilities exist. There is no blinking at the fact that our people, our territory and our interests are in grave danger.

With confidence in our armed forces - with the unbounded determination of our people - we will gain the inevitable triumph - so help us God.

I ask that the Congress declare that since the unprovoked and dastardly attack by Japanon Sunday, December seventh, a state of war has existed between the United Statesand the Japanese Empire.”

World War II had profound effects on all of American society, including surfers. As Solberg and Morris wrote in A People’s Heritage, “Although the United States was never totally mobilized for war, World War II produced far greater government intervention in the nation’s economic and social affairs than during World War I or the depression. As a result, the years 1941-45 altered radically the country’s self-image, restoring the self-confidence Americans had felt before the Crash. The years between Pearl Harbor and Hiroshimawere a time of ferment leading to new values for the American people economically, socially, and in their technological outlook.”[7]

“World War II cramped surfing’s style for long, too long,” Duke Kahanamoku told his ghost writer, Joe Brennan. “Most all of the able-bodied young men who had been contributing to the fast development of the sport wound up in the military service or in defense plants. It was a time of vacuum for surfing.”[8]

“The ocean itself became off-limits to civilians,” wrote surf writer Craig Stecyk, “as many [surf spots]… were sealed off in the name of defense. Malibu became a Coast Guard base. Point Dume was dynamited and occupied by military observers. San Onofre beach was pressed into duty as a Marine training area. Panic ruled the coast. The Elwood oil field near Santa Barbarawas shelled by a Japanese submarine. Another marauding coastal raider surfaced off OceanPark.”[9]

Concertina wire strung along Waikiki beach and other beaches of Hawai’i and Californiasymbolized the shutdown surfing suffered during the ensuing war years. Since surfing was considered impractical and self-indulgent and most surfers were in the armed services -- mostly the Navy -- no surf contests were held during the war years of 1941-1945.[10]

In one of the stranger chapters of surfing’s history, it was toward the end of the Second World War that surfboards were seriously considered for use as an instrument to advance military objectives.

After the United States Marines suffered over 50% casualties in the taking of Iwo Jima in the summer of 1945, the Navy brought several Naval Combat Demolition (NCD) teams to CampPendletonto learn how to use surfboards. It has been suggested that the Navy was, in part, inspired by Gene “Tarzan” Smith’s paddling between the Hawaiian Islands on his paddleboard, unassisted.

Hot Curl surfer Fran Heath credited his fellow Hot Curler John Kelly with the idea of using surfboards militarily. Both became members of an Underwater Demolition Team (UDT) during the war. “We considered using surfboards for reconnaissance missions,” recalled Fran. “That was Kelly’s idea. But, boards are too easily spotted from low-flying aircraft and there’s no protection if you’re spotted, so that idea was scrapped.”[11]

Another idea that ended up with surfers involved was the formation of Naval Combat Demolition teams. These were different from the UDT’s which were more sabotage/espionage oriented. The NCDs were “created when the Navy realized how many casualties were being caused by landing craft grounding on unchartered reefs and other underwater obstructions during Pacific island invasions.”

The NCD teams consisted of 30 highly trained frogmen. The job of the NCDs was “to swim in to the beaches of Japanese-held islands in the dead of night, reconnoiter the reefs and other obstructions, chart them or blow them up and swim back to their ship or submarine before the sun came up. The NCD teams never gained the fame enjoyed by the Navy’s Underwater Demolition Teams, the parent of today’s Navy Seals. Perhaps the reason for this is the NCD teams spent most of their time swimming, whereas the UDT’s, like the Seals, did some of their best work above the high tide mark.”[12]

“The Navy perfected the NCD surfboard in the summer of 1945,” Larry Kooperman documented. “Its first mission was to be the reconnaissance off the coast of Japan in preparation for the invasion of the Japanese homeland by units of the United States military. These Warboards were hollow wooden surfboards built of a thin layer of redwood over a wooden frame. They were about 14 feet long and weighed about 60 pounds. They were camouflaged so as to be almost invisible in the night-dark water. Built into these boards, between the frames, was a depth sounder. Each board was to be equipped with a two-way radio that was used to relay the depth sounder’s readings to the mother ship.”[13]

In late summer 1945, the NCD teams were “ready to paddle to war.” However, the atomic bomb drop on Hiroshima on August 6th and on Nagasaki three days later preempted the need of the Warboards and they were never used operationally.[14]

A more lasting war technology that was to effect surfing profoundly was the development of the neoprene wetsuit. According to Bev Morgan, the neoprene wetsuit was invented by Hugh Bradner for use by Underwater Demolition Teams during World War II.[15]

With masks, fins and now wetsuits, underwater sabotage became a reality. Although short-lived, another technological advance was the Lambertson Lung. This “most primitive self-contained rig,” as Fran Heath put it, “enabled you to swim underwater without leaving the telltale string of bubbles typical to the scuba.”[16]

And then there was fiberglass and resin... 





[1] Gault-Williams, LEGENDARY SURFERS, Volume 3: The 1930s.
[2] See http://en.wikipedia.org/wiki/World_War_II
[3] See http://en.wikipedia.org/wiki/World_War_II
[4] Gault-Williams, Malcolm. Interview with E. J. Oshier, October 10, 1998.
[6] Lueras, Leonard. Surfing, The Ultimate Pleasure, designed by Fred Bechlen. Workman Publishing, New York, ©1984, p. 109.
[7] Solberg, Curtis B. and Morris, David W. A People’s Heritage, ©1974, John Wiley & Sons, p. 179.
[8] Kahanamoku, 1968, p. 45.    
[9] James, Don, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 16.
[10] Lueras, 1984, p. 109 and 111.
[11]  Gault-Williams, Malcolm. “Legends of the Hot Curl.” Fran Heath quoted.
[12] Kooperman, Larry. “Wave Warriors of the Navy,” The Surfer’s Journal, Volume 1, Number 2, Summer 1992.
[13] Kooperman, 1992.
[14] Kooperman, 1992. These may have been what Fran Heath referred to as “Kelly’s idea.” See Chapter 12, “Legends of the Hot Curl.”
[15]The Surfer’s Journal, “Undercurrents,” Volume 1, Number 3, 1992, p. 125.
[16] Gault-Williams, Malcolm.  “Legends of the Hot Curl.” Fran Heath quoted.

1940s: Pioneers in a Changing World

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[draft second chapter of volume four: LEGENDARY SURFERS: 1940s]


The 1940s – especially after the war – marked the transition from “The Pioneers” to a whole new generation of surfers, some of whom took off from where their elders had left them and some who just marked new tracks in the waves, themselves. The surfing pioneers had been the ones who took surfing and made it into a modern lifestyle. These were guys like “the Father of Modern Surfing” Duke Kahanamoku, innovator Tom Blake, Whitey Harrison, 1930s champion Pete Peterson, paddling legend Tarzan Smith, surf photog extraordinaire Doc Ball, Canoe Drummond and others of their age less well known.


Duke Kahanamoku (1890-1968)


In 1936, Duke had been elected Sheriff of the City and County of Honolulu. A largely ceremonial position. “He was a shoo-in candidate,” wrote Duke biographer Grady Timmons, “elected to thirteen consecutive two-year terms – often without campaigning and more than once while he was not even in the Territory of Hawaii. Being sheriff required him to run the jail, issue summonses, and act as coroner, but for the most part the job was honorary and paid little.”[1]

“After a day at the sheriff’s office, Duke headed for the beach. He rode the surf when it was up, went for long swims when it was not, and played surfboard polo and volleyball at the Outrigger Canoe Club. Duke was forever breaking records for athletic longevity. Up until he was fifty, he rode big surf along with small, and up until 1950, when he turned sixty, he was Waikiki’s best canoe steersman. During the 1940s, he guided the Outrigger Canoe Club to seven straight championship seasons.”[2]

“Long before his days as a competitive athlete were over,” Timmons wrote, “Duke stepped gratefully into the role of being Hawaii’s unofficial ambassador. Whenever there was a famous person in town – a movie star, a king, or the President – Duke would always take him for an outrigger canoe ride.”[3]

A “great change… took place in Duke’s life while he was sheriff,” emphasized another Duke biographer, Joseph Brennan, referring to the entry of Nadine (Nadjesda) Alexander into Duke’s life.[4]

“Nadine was the first child of vaudeville performer George B. Alexander and the Australian opera singer Olive Kerr,” surf writer Sandra K. Hall wrote in a Longboard magazine obituary for Nadine in 1997, “and grew up as a ‘showbiz’ child with natural talents as a pianist and dancer. She had moved to Honoluluin 1938 to teach Latin and ballroom dancing to ‘high society’ at the Royal Hawaiian Hotel. Shortly thereafter on WaikikiBeach she first met Duke…”[5]

“Nadine Alexander was a worldly and sophisticated dance instructor at the Royal Hawaiian Hotel when Duke married her in 1940,” Timmons explained. “At the time he proposed, he told her that she would be marrying a poor man. Later she confessed, ‘I didn’t know then how poor he really was.’”[6]

“Very soon after they began dating,” Brennan wrote, “Duke was wholly enchanted. She was fair and beautiful, dancing into his skull at night. She laughed a lot – deep, bubbling laughter. When he looked at her his heart rolled over. By this time Duke’s hair was iron gray, but he still had his golden smile and athlete’s body.” She was about 17 years younger than Duke. They married on August 2, 1940, just a few days before his fiftieth birthday.[7]
“Nadine was good for Duke,” assessed Joseph Brennan who helped him write his autobiography. “She gave him the balance he needed and the freedom he could not do without.”[8]

After the war, Duke’s life became slower-paced, in keeping with his age. In 1948, he did one more Hollywoodmovie, the Wake of the Red Witch and in 1950, he licensed his name to an aloha-shirt manufacturer in an attempt to “finally attain some financial status.”[9]
Entering his sixth decade, “What time he could spare from his duties” as sheriff, “was spent in the surf.” In 1950, the Outrigger Canoe Club threw “Duke Kahanamoku Day” on his birthday and had the biggest party in the club’s history, to that point.[10]

“Even when his physical ability started to wane because of his age,” 1960s world champion surfer Fred Hemmings recalled, “he excelled because of his knowledge of the ocean and what he was doing. I’d watch him surfing when he was older. He was always at the right place at the right time. He always caught the good wave.”[11]

Duke’s wave knowledge covered the wide spectrum of surfing, outrigger canoeing, and body surfing. Duke confirmed that many of the breaks now commonly associated with surfing were first tested by body surfers.

Duke and friends would “body surf, like, Waimea and Sunset and those places… once in a while we used a board, but very seldom. And we don’t think of carrying a board with us because it’s kinda heavy and so we take a ride around island and look at these waves. And some of those waves on… the north side is terrific. And Waimea – we used to go down there and ride body surf all the time.”[12]

“Did you use fins?” Meaning, was this after 1935?

“Oh sure,” Duke confirmed, adding how they used to do what we would call an “El Rollo,” today. “I used to come down and twist right like a seal and come right in and then bodysurf. We used to go down to Makapu because it’s much heavier and stronger [for bodysurfing], you see. And we used to get these waves and twist right around and get on our back and then right side up and then come right in on the waves.”[13]

By this time, the gravitation from the southern breaks at Waikiki to the powerful big western break of Makaha had taken place, lead by Hot Curl surfers like Wally Froiseth, Woody Brown and George Downing. In the mid-1960s, Duke was asked about the difference between the north, west and south shores of O’ahu. Duke gave a glimpse of what it was like to ride big waves in the early days. He had both respect for the later generations of surfers and a reverence for Makaha, which had become the major big wave spot by the late 1940s and early 1950s. From Makaha, surfers moved on to the NorthShore in the 1950s:

“Well, I tell you,” Duke said, “you see they run in seasons – summer, the waves are terrific out here (Waikiki) and it’s very quiet on the north side. And just the other way – when it’s rough over there it’s smooth on this side. But the waves over there on the north side are terrific.

“You speak of Makaha. Makaha – we used to ride them, but we never rode the boards like the boys are doing today [middle 1960s]. These chaps are catching waves right in the middle of the dog-darn breaks and then they go straight down and then they get mixed up with the foam. But, what we used to do in those days was we used to sit close to the edge and every time we caught the wave we slid off without having to get mixed up in the foam. And that’s how we used to ride it (Makaha) either to the right or left. And these boys who ride them now, well, they just ride them like – ah, well – they’re just wild! They’re going all over. They’re going way beyond us in riding these trick boards [balsa or foam].”[14]

“You speak about these boards,” Duke continued, talking about the Malibu boards that came out in the early 1950s. “The first [Malibu] board I tackled was Peter Lawford’s board when Peter first came to Honolulu. He brought this board – and I see a picture of Peter right here, now – and we swapped boards right out there at Canoe surf. I took one wave and it was kinda tricky… Well, I thought I better stick to my own solid board, which is steadier and easier to manage. Well, I said to Peter, ‘you better give me my board and you take your board back.’ And that’s the swap and that’s the last time I ever rode on these tricky boards they have [now].”[15]

Duke continued to talk about the early days at Makaha, in the 1940’s, when the guys rode it without board fins:

“When we rode in those days, we had no skeg. And, as I say – why – we used to catch them on the edge. As a matter of fact, if you were in the center, then maybe the skeg would help so you won’t skid. But, I don’t know, sometimes I get into the middle of it and – not too good, I get mixed up – but, I don’t slide off, like a lot of people think that they’d skip and go spinning around. No, you just slip down and… get dumped off.”[16]

Asked about the worst wipeout he could remember, Duke answered:

“Gee, the worst wipeout I had, I think, was right out there outside the Public Bath… The waves were big that day. I dunno, about 25-feet I guess. And they were coming fast, one right after the other. And [on this one particular set of waves] I thought I was [done with the rest of] my life. I got caught in these waves and, geez, I took my breath and, gee, I thought to myself the only way I can save myself is not to struggle, not to fight the wave and just, well, just be cool and just figure not to give too much effort; just sit and wait for the waves as they come in, and just duck as they doggone hit you, and just hold your breath before you do that. And, then if you go under, five or six feet, it’s nothing under there. The whirlpool is not that deep. I mean the water pool. It doesn’t go down any deeper than four or five feet. So, if you get underneath that, you’re safe and these waves go by. Well, this doggone wave – these waves were coming in so fast that I was almost ready to call help and I said, well, I better hang on and God will help me and keep me afloat and then I’ll be all right. And that’s what happened.”[17]

Duke was asked about how they handled gremmies – beginning surfers – back when he was actively riding. “You old time surfers have many wonderful courtesies toward fellow surfers,” the SURFER interviewer said and then asked, “What, for example, would you do for a young fellow who came out and maybe couldn’t handle it?”

“Well,” Duke answered, “we older fellows – we’d make it a great thing to take care of these kids. The youngsters – we would send back into shore. I know a lot of the boys. Tough Bill, my brothers, and many of these fellows – they’d come out and we’d know they can’t handle the big waves, so we’d send them back in shore.

“And we’d say, ‘you stay there until you’re big enough and then you come on out.’ I’ve seen that done. And when they got a little older, and after three or four years experience out surfing in the canoe, they got out by themselves and we let them go. But, we always tried to take care of – don’t care who they are, malahini [tourist, non-Hawaiian] or anybody. And every time we see them getting into difficulty in handling the board or got into the wrong spot, we used to tell them, ‘you go over there, or you go over here, which is easier for you.’ And, they would take a lot of the information we give them and that’s that.”[18]

“Well,” Duke added, “to me I think we have to teach a lot of these kids first to be gentlemen; gotta be clean cut youngsters, you know; and keep the rule and never get in trouble; and try to help one another; and not try and hog the doggone waves, you know. There are so many waves coming in all the time, you don’t have to worry about that. Just take your time; wave come, let the other guys go, catch another one. And that’s what we used to do. We see a fellow’s coming in and we see some other fellow there first, we say, ‘now you’re here first, you take the first wave’ and that’s what we used to do.”[19]



Tom Blake (1902-1994)


Even by the Second World War, the two most influential surfers were Duke – whose rise in surfing began shortly after the turn of the century – and Tom Blake, who came along about twenty years after Duke began.

Between 1939 and 1942, Tom was still shuttling between the U.S. Mainland and Waikiki. He even put in some time with the motion picture industry in Paramount Pictures’ Devil’s Island (1939) and Wake Island (1942).[20]Afterwards, he enlisted in the U.S. Coast Guard, despite being forty years old. He didn’t have to enlist in the Coast Guard, but he did so because, as he put it, “it was the thing to do.”[21] Everyone was pulling for the war effort in the ways they thought they could make their best contributions and, for Tom, it was involvement in the ocean in some way. He enlisted as a temporary reservist on August 27, 1942 and after boot camp and training, he was sworn into the U.S.C.G. regular reserve. Shortly after that, he was appointed a squad and then a platoon leader. He continued to rise in the ranks for the duration of his enlistment, at one point commanding a company of 54 men.[22]

Tom’s Coast Guard work amounted to coastal watch in California and WashingtonState and handling explosives. He left a two-page log of his various tours, written on the inside pages of his Bluejacket’s Manual. These pages document that he first went to boot camp in Wilmington, then to San Clemente Island, California. He spent the fall of 1942 and part of the winter of 1942-43 at Point Arguello, finishing the winter at Port Hueneme. At the beginning of the summer of 1943, Tom developed pneumonia and was hospitalized. Afterwards, he went to DogAdministrationSchoolin San Carlos, where he graduated and then went on to serve at the Naval Air Base in Oak Harbor, Washington, in September 1943. From there, he went for training at Ault Field in CloverValley. Later, in command of forty men and twenty dogs, he established a beach patrol at SwiftBeach, located on the Rosarita Straits, in Puget Sound. Early in 1944, he took charge of the kennels at OakHarbor and was stationed at the Naval Air Station on Whidbey Island. In early summer, he was assigned to the explosive detail at Alamedaand San Francisco. From there, he went on to explosives loading in Richmond by the end of the summer.[23]

“Knowing the beaches so well,” Tom said, “that’s how I got in… As usual, I took my work too seriously… Most everyone else was trying to get away from the Draft [meaning combat duty]… [My advice to you:] Don’t take it too seriously [anything]; spread it out… I worked day and night. I looked over 40-to-50 men; sent them out on patrols and checked to see that they were on patrol… Later on, we got in on the ammunition loading,”[24] which “used to scare the hello out of me,” Tom admitted.[25]

While serving in the United States Coast Guard for three years during World War II, Tom not only gained training handling dogs and expertise in “the unloading of captured Japanese ordinance,” but also taught swimming and ocean rescue.[26]Because of a Headquarters’ ruling on over-age discharges, all enlisted men over the age of 42 were allowed to return to civilian life in the summer of 1945. It was thus that, at the age of 43, Tom received his honorable discharge on July 7, 1945, in Long Beach, California.[27]

As soon as Tom was done with his military service, he headed for the beaches: first, Waikiki; then Palos Verdes, in Southern California, and then Miami Beach, Florida. A Honolulu newspaper clipping noted his return to civilian life: “Also returning home Sunday was Tom Blake, who has come back ‘to do some surfing’ after an absence of five years. It was Mr. Blake who developed the hollow surfboard about 15 years ago, and for devotees of the sport who have found surfboards among the ‘shortages’ of these past years, he brought good news.

“‘I can promise that we’ll have a supply of boards here soon – and at reasonable prices,’ Mr. Blake declared. He added that wood is still scarce but that satisfactory boards are now being fashioned of plastic [fiberglass] and aluminum. For the past three years, the local man has served with the coast guard from California to Alaska. He was released from the service a few months ago with the rating of specialist, first class, and said he plans to remain in Hawaiiindefinitely.”[28]

For most people, “indefinitely” means for a long time – not so for Tom Blake. Through the rest of the 1940s, he logged time back on the Waikiki Beach Patrol, but also put in summertime work in various aquatic roles at Palos Verdes.

The Palos Verdes peninsula is as unique as Waikiki, in its own way. Situated between Santa MonicaBay and SanPedroBay, Southern California, it had once been an island during pre-historic times. Uplift of the land mass, combined with sedimentation in the Los AngelesBasin, caused the island to be connected to the mainland. As a result, a series of thirteen distinct marine terraces rise in succession from sea level to 1,480 feet. In the 1800s, the peninsula comprised the rancho of the Sepulveda family. It was later developed in the 1920s as an elegant subdivision of residential estates, incorporating as the City of Palos Verdes in 1939.[29]

The San Pedro News-Pilot recapped Tom’s association with Palos Verdes in a 1949 article: “At Palos Verdes peninsula, Blake is back on familiar ground. He was in charge of recreation and swimming at the Palos Verdes Estates Swimming Club in 1941 and 1946. During the war he served with the U.S. Coast Guard aboard an ammunition transport.”[30]

Three articles Tom wrote in the late summer of 1947 give a more detailed picture of his work at Palos Verdes in the late 1940s. He was mostly headquartered at Malaga Cove on the northeastern-most part of the peninsula, which is closest to the city beaches of Torranceand Redondo.

In “‘End of Season’ Swimming Pool Notes,” Tom recaps the summer, writing: “Signs of fall have appeared at Malaga Cove. A large flock of wild ducks circled the bay the other day and headed south; one of those clear days when the distant Santa Monica Mountains seem so close and the sea so blue. The ocean temperature dropped 70 degrees to 68 degrees, and the pool water from 79 degrees to 73 degrees. The season has brought many carefree, happy hours to the children of Palos Verdes. Some have added inches to their height and chest measurements, due in part to the deep breathing and stretching required by swimming. Well-fed and full of fire, they descended on the pool every day, each seeking a means of expression suitable to his age and experience. Some indulged in plain and fancy diving off the one-meter board; groups of a half dozen played tag by the hour. Tossing an unsuspecting person into the tank gives a great degree of satisfaction to the older boys but it is all in the spirit of fun and a girl feels neglected if not thrown in.”[31]

Tom went on to write about the “Mile Club” and the subject of dedication: “Still others swim laps, 52 or more, to make membership in the ‘Mile Club.’ This is a considerable feat, as evidenced by those who fail to swim the required distance… A handsome perpetual trophy is being readied to be given to the boys or the girls; whichever has the most ‘Mile Club’ members.”[32] In describing the Mile Club in more detail, Tom wrote in a subsequent article: “The latest fashion at the Palos Verdes Swimming Pool is to achieve membership in the ‘Mile Club.’ This is an honor group, each of who must swim a mile to qualify. There are no strings attached, and with this goal in mind, kids who never had the incentive to swim the full length of the pool are now navigating a full 52 lengths or more, thereby gaining a greater measure of health and physical benefit that inevitably accompanies a vigorous swim in the open air.

“Boys and girls, some only 10 years old, have seen fit to make the club and various means of locomotion are resorted to in covering the distance. Means include the standard crawl and back strokes, with and without fins. The fins are definitely an asset to any swimmer, not because of the added speed but because they encourage swimming distance by making it easier to move through the water. Many have not been content with swimming one mile but have gone on to strive for a pool record. Mike Eaton and Walter Tilley, ages 12 and 13, have made the longest swims to date. Mike swam an even five miles while Walter chalked up three and a half miles. The rivalry is just beginning and indications are that Walter will slim down a bit before he accepts defeat. The charter members of the ‘Mile Club’ are: Stevie Voorhees, Walter Reese, Jr., Jack Burton, Skeet Stevens, Peppy Peppard, Eddie Riley, Mike Eaton, Buddy Long, Walter Tilley, Mike Neushul, Bill Hadley, Tom Blake, Corky Bjorklund, Peggy Stenzel, Rita Kennedy, and Louise Hastrup.”[33]

Tom’s third article from the end of the 1947 summer was entitled “Swimming Pool Closes After Successful Season,” and it was printed in the Palos Verdes News, September 1, 1947. “An unusually enthusiastic crowd attended and took part in the Labor Day races at the Swimming Club,” he began, “to finish the season with a sunny summer day that topped a perfect record of such days for the months of June, July and August. While highways and public beaches were jammed with city dwellers, the residents of our community found plenty of room to relax and cool off at the club, as well as enjoy seeing the children display their swimming prowess.

“Winners of the mile club cup for 1947 were decided three minutes before the deadline of 1:30 o’clock, when young George Powloff came through with the deciding mile swim, giving the boys 38 members to the girls 37. The girls will have another chance next season, as the trophy will be up again in 1948, the Lord willing. High mileage prize, a gold medal, went to Mike Nushul, age 13, for his total of 25 miles. Mike had the making and temperament of a future champion swimmer, if he gets the breaks. Jack Burton was second, in spite of hard luck, a recent three-day illness, with a total of 22 miles for the season. Ken Gardner won third medal with 7 miles. Other high milers among the boys were: Skeets Stevens, 6; Mike Eaton, 5; Walter Reese, 5; Ebbie Rechtin, 4; Walter Tilly, 3 ½; Corky Bjorklund, 3; Ed Hiesman, 3 in the pool, and an undetermined number in the ocean. It was 2 miles for Buddy Long, Stevie Voorhees, Bill Stewart, and Buzzie Thompson. With the girls, high miler was Virginia Lane with 3 ½ miles; Prusilla Eaton, Margot MacKusik and Louise Hastrip, 3 miles; Rita Kennedy, Leslie Ann Lebkicker and Joan Williams 1 ½ miles. This made a total of 150 miles; it all adds up to health, strength of body and character to those who did the swimming.”[34]

In his writing of pool competition, Tom referred to the importance of keeping to “the golden rule.”[35] That Golden Rule was the one most of us, hopefully, live by: Do unto others as you would want them to do unto you. In his later years, especially after the war, Tom lived by the true Christian ethic, more than many church-going Christians did then and now. He was an example of a man who came to face life head on and was at peace with it. He made other comments akin to the Golden Rule, such as “Don’t say anything if you do not have positive comments,” or “They are doing the best they can, with what they have.” He would also say, “Stick your head up and somebody will take a shot at it.” Tom’s meaning was clear: if one becomes too vocal about certain issues, he should be prepared to pay a price.

Tom’s domain was the Malaga Cove beach and the Roessler Memorial Swimming Pool, a salt-water pool built in 1926.[36] The area had been one of the cradles of Southern Californiasurfing in its earliest days. Just next door to Palos Verdes, Redondo Beach, beginning in 1907, had been where George Freeth had demonstrated surfing the most and built up a core group of lifeguards and surfers that later helped pollinate the rest of Southern California.

By the mid-1930s, just to the west of Malaga, Bluff Cove became the prime spot to ride particularly large waves. It was even sometimes referred to as “Little Waikiki”[37]and became a favorite spot of those early Southern California surfers who were members in the Palos Verdes Surfing Club. By the late ‘30s, some of the men regularly surfing Bluff Cove included: Pete Peterson, Tulie Clark, Gard Chapin, Bud Morrissey, LeRoy Grannis, Doc Ball, Adie Bayer, E.J. Oshier, Grant Leonhuts, Jim Bailey, Johnny Gates, Al Holland, Fenton Scholes, Jean Depue, Hornbeck, Jim “Burhead” Drever, Hal Landes, Hal Pearson, Johnny Dale, Art Alsten and others like Tom Blake.[38]

Tom was certainly not the only surfing innovator the 1940s produced. Another was Jamison Handy, who remains relatively unknown to this day. Tom first met Jam Handy when Handy was an Olympic champion, many years before in Detroit, just before Tom began his life as a surfer and wanderer.

“It was [later] in California[before the war] that he got into some surfing,” Tom said of Handy. “I was making boards then and he come to me for a board and I sold him a board. It was a good board, too, a big tandem board. It was very heavy, though. And then he built his wife a balsa board, which is very light, so she could carry it down the Palos Verdes Cliffs. They used to drag’em [the redwood boards] or put’em on their back [in a sling].

“And that board he made for his wife was balsa and very soft. Every time she’d use it, it’d get a ding in it. He [Tom’s emphasis] got the idea to cover it with fiberglass. He knew about fiberglass before it even hit the [West] Coast [after the war]. He sent the board back to some friends of his – back East [on the East Coast of the U.S.] – who had fiberglass. And that was the first fiberglass board ever made. A lot of our guys have claimed that, you know, but he was the first.”[39]

In 1949, Tom made a switch from the Palos Verdes Swimming Club on the north side of the peninsula to the Portuguese Bend Club, further to the south. “Tom Blake,” wrote one sports columnist from the San Pedro News-Pilot, on April 11, 1949, “former national distance swimming champion and inventor of keeled surfboards and hollow paddleboards, is the new director of recreation and swimming at Portuguese Bend Club on Palos Verdes peninsula. Blake, who was with the Waikiki Beach Patrol in Honolulufor 10 years, was national 10-mile swimming champion in 1922. That same year, swimming for the Los Angeles Athletic Club, he finished second to Johnny Weismuller in the sprint and middle-distance events… For the past two years, he has been with the Waikiki Beach Patrol.

“At Portuguese Bend Club, Blake will teach and coach swimming and will be in charge of all swimming and recreational events, including pool swimming, surf and paddle boarding, sailing, shuffleboard, paddle tennis and croquet. Blake is planning club swimming and paddleboard races for the Fourth of July weekend. Blake developed the hollow paddleboard in the middle 1920s while working in Honolulu. He still holds the basic patent on the board, which has largely replaced the far heavier solid paddleboard. In 1935, Blake invented the keel-like stabilizing fin for surfboards. He also developed the aluminum torpedoes now used by beach lifeguards for rescue work. He reduced the weight of rescue torpedoes from 10 to two and three-quarters pounds.”[40]

Tom continued with the Portuguese Bend Club through the summers of 1949 and 1950,[41] but he did not stay with the job beyond that. He said it was because he “couldn’t stand to see kids in trouble every day,”[42] meaning children who would get in the pool without learning to swim, first.

If people who knew Tom or knew of him thought he was “out of the game,” traveling between Palos Verdes and Hawai’i and doing little else, they found themselves highly mistaken on the morning of Sunday, June 20, 1948. It was on this day that Tom made a dramatic paddle across the Golden Gate, the opening to the sea from San Francisco Bay, California. The board he rode was a Bob French hollow that Pete Peterson had reshaped. The environment in which he paddled was a very swift-moving and dangerous current.

Following his feat, one San Francisco newspaper publicized: “Surfboard Ace Plunks Across Golden Gate in 13 Min., 45 Sec.” The article went on: “Tom Blake who twenty-odd years ago was national long-distance swimming champion, returned to old scenes here from Hawaii one day last week with an idea to sell. He sold it yesterday by paddling across the Golden Gateon a twenty-pound surfboard. (Nup, no oars.) Blake’s idea was that the Red Cross convention here might be interested in use of the paddleboard for rescue work. Cal Bryant, the organization’s national director of water safety, who looked on from the bridge as Blake plunked his way through more than a mile of choppy water in 13 minutes 25 seconds, said afterward that it looked like a good idea to him.”[43]

Tom returned to Waikiki during the non-summer months of the second half of the 1940s and also visited Miami. Floridasurfer Dudley Whitman recalled that “Tom… had a hotrod,” a really well-built machine, in the years immediately after World War II; the machine was probably bought with his savings from the Coast Guard service. “I don’t think he ever did any of the construction himself, but he usually had an unusual vehicle of some type. I visited him when he was a lifeguard at the Palos Verdes Club in Palos Verdes… I didn’t really spend hardly any time with Tom in Hawaii. But… [at one point,] he was going to Hawaii with us, and we were driving out [across the U.S.] in a 1936 convertible with two surfboards on top. Of course, in those days you made your own surfboard rack. The car happened to be a convertible and we drove the whole way with the top down. We had to take a solemn oath that we wouldn’t allow three to sit in the front for insurance reasons. When we got, I think, to about New Orleans, Tom had had enough of riding in the back, and he decided that he would go it alone... We parted good company and he said he would make his own way. I guess he didn’t like driving 90 miles an hour, which was pretty fast in those days, and sounds kind of irresponsible. But, I guess at 17 years of age, and a brother who was four or five years older, those kinds of things could happen. I’ll never forget, he [Tom] had a beautiful, tremendous telescope.” Tom had been scanning the horizon and viewing the night sky for many years. “He made me a present of it at that time. We were good friends and we had a lot of fun; had a lot of experiences together.”[44]

Blake returned to Waikiki.

“In the early days, as I remember it,” Tom put his post war return to Waikiki into perspective, “the most important surfer, and the most important admired surfer, and the hero of all of us was Duke, on account of him being an Olympic swimmer and so forth. He had brothers who were also good surfers, Sam and Sergeant. [His brother] Louis surfed, of course, and brother Little Bill. Also, in the early days, after… the ‘Kahanamoku Period,’ George Downing was one of the most outstanding surfers that I remember. He had no fear of the surf, small or large. He could ride any kind of surf, small or large. And there was Scoop Tsuzuki, who took the first big surf camera pictures over there. And there was Don James, with his long lens taking pictures. And Woody Brown, who developed the catamaran, which was not new, because the early Hawaiians came to the Islandsin catamarans. But he developed a small one, about fourteen feet long. I remember he took me out on a ride on it and I was astonished at the speed of it. It was very fast. Woody would go up and down the beach… He’d ask somebody if he wanted a ride in his catamaran for a dollar. He made a few dollars that way. It was really worth it. It was absolutely astonishing the speed of that thing. Finally, Woody got the idea of commercializing on it and he built… a big one, forty feet long, and he took passengers out from Waikiki. They would go out in the deep water, way out around Diamond Head. He made a good living at it. Others started to copy it, and finally Joe Quigg started making catamarans, made some good ones. Joe was a great photographer, incidentally...”[45]

When Tom returned to O’ahu, he again “made boards under the Waikiki palm trees” and also engaged in “night surfing and swimming. My main work was obtaining food and shelter.”[46]“We used to pull on an old wool, tight fitting sweater at Waikiki, in March, when the cool trade winds whipped off shore around Diamond Head.”[47] It was during this period that he made a koa calabash cup for the Hawaiian paddling championships. “Carved it out of a solid block of wood,” Tom noted, “and hoped it would stimulate paddleboard racing between Californiasurfers and Hawaii. Do not know who has it now.”[48]

Tom recalled some notable rescues he made at Waikikiafter the war:

“1) Henry Lum, on a big surf day at Waikiki. Henry went out about 10:00 A.M. with Wally [Froiseth], George [Downing] and others. To Public. Henry was lost. He finally drifted in (Ewa side) by 5:00 P.M. way outside Popular break. A big set got him, but he managed to hold his board. He was about gone. I saw him through my big glasses from the Moana balcony. I got out my big Kalahuewehe board and went after him. Reached him outside First Break. He said, ‘I can’t get in.’ I put him aboard my fourteen foot board, turned his board loose, and made the Outrigger Club. Henry was cold, stiff and incoherent. Put him in a hot shower and he revived. His board was brought in by another surfer.”[49]

“2) Scoop Tsusuki (photographer). Got outside First Break, Waikiki, on a big day. Then, got tired and frightened and could not get back in. As usual, in the afternoon. I was watching from the Moana 7th floor balcony with my glasses... I spotted Scoop, watched him awhile, got my fourteen-foot board and went after him. Picked him up at First Break and made it in through the waves; his board brought in by another. He was very grateful for the assist. So was Henry.”[50]

About Tom’s famed board Kalahuawehe, California lifeguard, surfer and paddler Tommy Zahn said, “He was still riding that in 1951, when I was down there [at Waikiki]. It was cedar. It looked like it was a Rogers, except it was all cedar. 14-feet, 23 ½-inches wide…”[51] Tommy continued: “Did he ever tell you what he did to it? You won’t believe this. I guess he was sentimentally attached to it, because he decided he was going to go to a short board, so he cut the thing down to 11-feet and all he used [from the original] was the deck and he built a completely new fiberglass hull underneath it. But he still used the same deck made of cedar. One of his experiments.”[52]

Of all the Blake manufactured boards, Tommy Zahn liked the Rogers the best. “The Thomas Rogers… were the best I have ever seen,” he wrote, noting the “‘Tom Blake Approved’ brass drain plug positioning and ‘Hawaiian Paddleboard’ stenciled on the nose. I think these were the most beautiful (and desirable). I, myself, had the ‘Streamlined Lifeguard Model’ that I used for training and in actual lifesaving at my station… The Catalinas and L.A. Ladder Company models… are inferior to the Mitchells and Rogers. Ironically, Tom realized more royalties from Catalina and L.A. Ladder than all of the others… Every high school woodshop had the Popular Mechanics plans…”[53]



Preston“Pete” Peterson (1913-1983)


The number one surfer in California, Preston “Pete” Peterson was shaping and selling surfboards when the U.S.entered World War II. The boards “he sold shaped for the price of thirty-five dollars,” recalled surf photographer Don James. “Units sanded and coated with five coats of Val Spar Marine Varnish went for a few dollars more… Pete liked to drop his girl off at the tile factory in Malibuand then surf the break all day. At five o’clock he would paddle back in and chauffeur his lovely girlfriend back home.”[54]

When the United States entered World War II in 1941, Pete initially got a deferment because he was married and worked in public safety. However, Pete’s marriage to his first wife Arlene was not successful and while in the middle of the rocky marriage, he was inducted into the U.S. Navy, on February 18, 1943.

By June, Pete had passed all his training in San Diego, testing well due to the fact he was already an accomplished waterman. Because of his lifeguard lieutenant experience and being skilled at handling small craft, Pete was sent to New Orleans to qualify as a Ship Fitter, with the non-commissioned rank of Petty Officer Third and Second Class.[55]

Pete completed the New Orleanstraining and took a two-week leave to visit his son in Santa Monica. Santa Monica’s Captain Watkins reinstated him at the beach for five days so he could earn a little extra money and while there Pete took young Matt Kivlin with him to ride Malibufor Pete’s last surf session before going back on duty with the Navy.[56] This may have been Kivlin’s first taste of Malibu, the break whose style master he would become.

Pete went back to train in New Orleans and earned his Petty Officer First and Chief. By November 1944, he had completed both the Navy’s demanding Diving School, its Firefighter’s School and Velocity Power Tool School, going on to qualify as a Diver Second Class.[57]

Pete again had a short leave back in Santa Monica where he lifeguarded for a few days and then shipped out on the U.S.S. Pandemus bound for the Philippine Islands. By March 1944, the U.S. Navy was operating out of Olongapo in Subic Bay in the newly liberated Philippines. Pete was stationed there as well as on board, anchored off the islands of Saipan, Iwo Jima and Okinawa. His skills were in high demand and his crew of fitters and divers worked around the clock, often times right next to other crews removing dead bodies from the areas to be worked on. If the repairs were successful, the ships are put back in action. If not, they were sent back to Subic for further fixing. Pete was responsible for heavy repair work, often working underwater, also helping to remove bodies, welding in hard-hat diving gear under conditions so difficult he would never talk about them afterwards. “My dad never spoke of the war,” attested his son John, “even about his service.”[58]



Gene “Tarzan” Smith (1911-1986)


Sometime before the United States entered World War II, legendary paddler Gene “Tarzan” Smith came to know a son of the Alexander Hume Ford family who owned a yacht named the Altair. While Gene was on a long distance sailing trip on the Altair, a devastating storm struck. One of the crewmembers was lost, along with all belongings, and the yacht disabled. Fortunately, the remaining crewmembers, including Tarzan, were rescued by another ship and towed to Pago Pago. In New Zealand, without passports or money, Gene was taken in by the mother of noted actor and swimmer Jon Hall. He resorted to boxing as a way to earn money which eventually got him to Australia and then back to Hawai’i.[59]

Gene was married twice while at Waikiki– briefly both times, not surprisingly. His first marriage started off this way: due to his brawny good looks and water skills, he was able to land some small movie parts as a swimmer. While doing that, he met – amongst others – his first wife Evelyn Thorn, whom he married in 1937. Evelyn was a movie starlet of the time and notable for having taken the place of Faye Raye in the movie Tarzan. It’s possible that this may have been a contributory factor to the popularity of Gene’s nickname, but that is just conjecture on my part. At any rate, Gene’s marriage to Evelyn lasted only a short time.

Later, he met Katharyn Agness Billhardt when she was vacationing in Honolulu. They met and got to know each other for a short time before she had to go back to the U.S. Mainland. Not long afterwards, Katharyn returned aboard the steamship Lurline and Gene even paddled out to greet her. When her affluent father heard that his daughter planned to marry the infamous Gene “Tarzan” Smith, he threatened to disown her. Undaunted, she married Gene in 1941, anyway. She probably should have listened to her father, as the two divorced after only two years together.

Gene had just turned 30 when the Japanese attacked Pearl Harbor. Switching from the beach to the pavement in an amazing twist of fate for a brawler, Gene got a job as a policeman in the Honolulu Police Department. While there, he became close friends with the sheriff. No doubt for other reasons as well, Gene ran afoul of his own fellow policeman by not only being the one haole on the force, but also the one closest to the sheriff.

One fateful night, Gene took a date to the Royal Hawaiian Hotel and later dropped her off at home. While the night was still young in his mind, Tarzan went to a downtown bar for a few drinks with the sheriff. After the sheriff went home, Gene continued to drink until drunk. Four of his fellow H.P.D. officers caught him in an alley outside the bar and beat him brutally, breaking his jaw, one of his legs and causing a severe concussion to the head. It took four of them to do all this to a wasted Tarzan. Gene ended up in the hospital for a number of months and, according to his family, never fully recovered. His sister Phyllis said that this episode caused him to become deeply paranoid and schizophrenic from that point on.[60]

A local restaurant owner named Spence Weaver cared for Gene during his recovery and let him live on his boat moored at Ala Wai harbor. Gene had taught Weaver’s two sons how to surf.[61] A local attorney took up Gene’s case and sued the Territory of Hawaii successfully. Gene was awarded lifetime care, including medical, dental and lodging.[62]

With lifetime care awarded him but a life nevertheless severely beaten, Tarzan’s trail grew faint after World War II. It was not a short trail, but one of a good forty years more – most of which we know very little about. It was a time when the man who was a mystery even to his friends perhaps became a mystery to himself. Throughout the three decades spanning the early 1950s into the early 1980s, he remained a legend to those who knew of him and a loner to those who actually knew him.

It would appear that the first part of his remaining three decades was spent around Honolulu and the later part back in Southern California, where his life at the beach had begun.



“Doc” Ball (1907-2001)


On April 19, 1941, less than a year before the United States entered the war, Doc married Evelyn Young, an attractive registered nurse. Their first child Norman was born in 1942 and their second child John Jr. followed in 1943.[63]

“When the United Statesdeclared war in December 1941,” wrote Gary Lynch, “it broke the back of the California surfers’ life-style. The Californiasurf clubs disbanded and almost every able-bodied man enlisted in the armed services. Many of the fascinating personalities of the 1930s would never be seen again. The war took some of the best men surfing had to offer, leaving a trail of waste and broken dreams. If not for the persistent efforts of Doc with his camera we may never have known what the life and times of the first wave of California surfers was like.”[64]

World War II certainly “Shut it out for a while,” Doc agreed. He, himself, joined the Coast Guard and became ship’s dentist on the U.S.S. General Hugh Scott, AP136. “His photographic skills soon became known,” Gary wrote, “and he was given a new Speed Graphic camera. As the official ship’s photographer he photographed much of the South Pacific.”[65]

“During September 1944,” Doc recalled a memorable moment during the war, “I got a big surprise. While I was out on the South Pacific someone said the new issue of National Geographic had my surfing photographs in it. Sure enough, there they were.”[66]

Doc credits Owen Churchill for helping provide some enjoyment during those war years, through his invention of the Churchill swim fins. “He was the one that did it,” Doc told me when I asked him if it was Frank Roedecker or Churchill who first invented the swim fin. “He [Churchill] came over here during World War II and I got acquainted with the guy. I got a couple of original fins from him.” He invented the swim fin “just before World War II,” Doc added, saying, “I think he was more of a diver than a surfer. He was of French origin, I believe… We’d take ‘em [swim fins] aboard ship. When I’d get out into that hot water of the South Pacific, why, I’d go diving and swimming and riding a wave or two; body surfin’. They were somethin’ else!”



“Granny” Grannis (1917-2010)


Just before the war began, at age 23, Granny got a job as a laborer at Standard Oil in El Segundo and worked his way up to boilermaker. In his free time, he continued to surf until World War II blew the entire Californiasurfing scene apart.[67]

“We were down at the beach on December 7 of 1941,” Granny vividly remembers much in the same way a later generation surfer might remember where he or she was when we first landed on the moon or terrorists attacked the WorldTradeCenterand the Pentagon on 9/11. “A whole bunch of us down there, right next to Hermosa Pier. I don’t what we were doing; playing volleyball or something. All of a sudden – somebody had a radio – and we heard over the radio that the Japanese had bombed Pearl Harbor and we all looked at each other and we knew that nothing would ever be the same. Eventually, just about all of us ended up in one branch [of the armed forces] or another.”[68]

In 1943, while his brother Don patrolled Malibu as a Marine, Granny joined the Army Air Force and trained to be a pilot. Toward the end of the war, he became a flight instructor. After the war, he toyed with becoming a commercial pilot, but opted to go back to Standard Oil. He then went to work for Pacific Bell Telephone, where he worked in management for 31 years before retiring in 1977.

Meanwhile, Granny and Katie had a family on their hands, which meant that surfing and hanging out at the beach became less of a priority than raising four kids.[69]



E.J. Oshier (1916-2007)


E.J. Oshier once told me proudly that San Onofre before the war was a “… procession of parties and surfing.”[70]

The “golden years” at San Onofre are generally considered by ‘Nofre veterans to have been between 1936 and 1943,[71] when the area was owned by Rancho Santa Margarita and leased as a fishing camp. “Back then it was part of Rancho Santa Margarita,” a later Nofre regular Stan King recalled, “and a guy named Frank at the Texaco station charged us a quarter to get in. We usually snuck in, and he’d swipe our clothes while we were out surfing and hold them until we paid the two bits.”[72]

“Believe me,” emphasized E.J., “Back before the war, at the [Palos Verdes] Cove and at San Onofre, the Aloha Spirit was very prevalent. Everybody knew everybody. Your friends were out in the water with ya! There weren’t that many other people. And, so everybody got along, rode their waves and went in and got a jug of wine or a guitar or ukelele and that was a good day.”

“Now, again, the Palos Verdes group were entirely different,” from the San O group, E.J. again emphasized. “We [in the Palos Verdes Surfing Club (PVSC)] used to have an annual dance, a ‘Hula Luau’ we called it… The San Onofre group would never do anything like that cuz they didn’t want to act as a group. They just wanted – they were all independent spirits and they didn’t want any part of an association type thing. Yet, they got along as well as the more formal PVSC guys. It was just a different approach.”

“Well, you know, I’m the kind of guy – if I like somebody, I can make them like me pretty well. And I really, really liked the PVSC guys… But, also, I could switch over to that crazy ‘Nofre bunch which were pretty goofy, you know. There were a lot of wild things [that went on].”[73]

“I was really unique – in a true sense – being a pivot,” E.J. said. “In the winter, I’d be exclusively with the PVSC guys and have a wonderful time and love ‘em all. Then, when summer came, I was down ‘Nofre and I was buddies with everybody down there and everybody loved me and I loved them. But, none of the other guys seemed to switch back – you know, have that ability to be right at home with both groups. That really was, I think, unusual… I got the best of both worlds.”[74]





[1] Timmons, 1994, p. 32.
[2] Timmons, 1994, p. 32.          
[3] Timmons, 1994, p. 32.
[4] Brennan, 1994, pp. 185,187 and 188.
[5] Longboard Magazine, Volume 11, Number 12, May/June 1997. Obituary by Sandra K. Hall. Nadine passed away on July 17, 1997.
[6] Timmons, 1994, p. 33. Nadine Alexander quoted.
[7] Brennan, 1994, pp. 185,187 and 188.
[8] Brennan, 1994, p. 189.
[9] Brennan, 1994, p. 195.
[10] Brennan, 1994, p. 201.
[11] Timmons, 1994, p. 32. Fred Hemmings quoted.
[12]SURFER Magazine, mid-1960’s interview with Duke Kahanamoku.
[13]SURFER Magazine, mid-1960’s (1963) interview with Duke Kahanamoku.
[14]SURFER Magazine, mid-1960’s (1963) interview with Duke Kahanamoku.
[15]SURFER Magazine, mid-1960’s (1963) interview with Duke Kahanamoku.
[16]SURFER Magazine, mid-1960’s (1963) interview with Duke Kahanamoku.
[17]SURFER Magazine, mid-1960’s (1963) interview with Duke Kahanamoku.
[18]SURFER Magazine, mid-1960’s (1963) interview with Duke Kahanamoku.
[19]SURFER Magazine, mid-1960’s (1963) interview with Duke Kahanamoku.
[20] Newspaper clipping, May 19, 1942, “Waikiki To ‘Wake’”. Tom hand wrote on it: “June 1942.” This section on Tom Blake taken from TOM BLAKE: The Uncommon Journey of a Pioneer Waterman.
[21] Lynch, Gary. Thomas Edward Blake Interview, April 1988. Tom’s notations.
[22] Blake, Tom. “Log of Thomas E. Blake, Sp. 1/c, U.S. Coast Guard,” Tom’s short personal log.
[23] Blake, Tom. “Log of Thomas E. Blake, Sp. 1/c, U.S. Coast Guard,” Tom’s short personal log.
[24] Lynch, Gary. Interview with Tom Blake, June 26, 1988.
[25] Lynch, Gary. Interview with Tom Blake, June 26, 1988.
[26] Lynch, Gary. Biographical Sketch of Tom Blake. Tom’s own written notation.
[27] Blake, Tom. “Log of Thomas E. Blake, Sp. 1/c, U.S. Coast Guard,” Tom’s short personal log.
[28] Honolulu newspaper clipping, “Tom Blake Back,” 1945.     
[29] California Coastal Resource Guide, ©1987, State of California, p. 302.
[30] San Pedro News-Pilot, “Portuguese Bend Club Names Blake,” April 11, 1949, p. 9.
[31] Blake, Tom. “‘End of Season’ Swimming Pool Notes,” pubication “the News” unknown. 1947.
[32] Blake, Tom. “‘End of Season’ Swimming Pool Notes,” pubication “the News” unknown. 1947.
[33] Blake, Tom. “Swimming Pool has ‘Mile Club’ Activity,” publication unknown, August 14, 1947. Mike Eaton went on to become a renowned paddler and shaper.
[34] Blake, Tom. “Swimming Pool Closes After Successful Season,” Palos Verdes News, September 1, 1947. Tom noted he was then Director of Pool Activities, working at a rate of $200/month, from June 15 to September 1.
[35] Blake, Tom. “Swimming Pool Closes After Successful Season,” Palos Verdes News, September 1, 1947.
[36] California Coastal Resource Guide, ©1987, State of California, p. 302.
[37] Ball, John “Doc.” Early California Surfriders, ©1995, p. 41.
[38] Ball, John “Doc.” Early California Surfriders, ©1995, pp. 39-64.
[39] Lynch, Gary. Interview with Tom Blake, July 25, 1988, Washburn, Wisconsin. The Florida connection may have been the Whitmans.
[40] San Pedro News-Pilot, “Portuguese Bend Club Names Blake,” April 11, 1949, p. 9.
[41] See Portuguese Bend Club, Rancho Palos Verdes, announcement May 1950.
[42] Lynch, Gary. Interview with Tom Blake, June 26, 1988.
[43] San Francisco newspaper clipping, newspaper unknown, June 21, 1948.
[44] Lynch, Gary. Interview with Dudley Whitman, May 10, 2000.
[45] Lynch, Gary. Interview with Tom Blake, April 16, 1989, Washburn, Wisconsin.
[46] Lynch, Gary. Thomas Edward Blake Interview, April 1988. Tom’s notations.
[47] Blake, Tom. Postcard to Gary Lynch, October 29, 1986, from Washburn, Wisconsin.
[48] Lynch, Gary. Thomas Edward Blake Biography Interview, April 1988. Tom’s notes.
[49] Blake, Tom. Letter to Tommy Zahn, p. 7.
[50] Blake, Tom. Letter to Tommy Zahn, pp. 7-8.
[51] Lynch, Gary. Interview with Tommy Zahn and Chauncy Granstrom, July 27, 1988.
[52] Lynch, Gary. Interview with Tommy Zahn and Chauncy Granstrom, July 27, 1988.
[53] Zahn, Tommy. Letter to Gary Lynch, June 2, 1988. Some Rogers boards had the drain plug aft, some in the bow. Most were on the bow.
[54] James, 1996, p. 136. Don’s written caption to Pete Peterson and Jack Fuller at the Venice Pier, 1940, on p. 95.
[55] This section on Pete taken largely from LEGENDARY SURFERS Volume 3. See also Lockwood, 2005-2006, p. 58.
[56] Lockwood, 2005-2006, pp. 58-59.             
[57] Lockwood, 2005-2006, p. 59.
[58] Lockwood, 2005-2006, p. 59. John Peterson quoted.
[59] Foster, Steven. “Gene ‘Tarzan’ Smith Pictorial Biography,” December 16, 2003. Power Point presentation. In Australia, John Hall’s mother, 30 years Gene’s senior, took him in until he could make it back to Hawai’i. This section on Tarzan is taken from LEGENDARY SURFERS Volume 3: The 1930s.
[60] Foster, Steven. “Gene ‘Tarzan’ Smith Pictorial Biography,” December 16, 2003.
[61] Foster, Steven. Email to Malcolm, January 3, 2004.
[62] Foster, Steven. “Gene ‘Tarzan’ Smith Pictorial Biography,” December 16, 2003. Some say Gene was let go by the Department because of how he roughly handled people in the line of duty. Given his personality, this probably went on to some degree, but was not the cause of his separation from the H.P.D.
[63] Gault-Williams, Malcolm. Interview with John “Doc” Ball, January 10, 1998.
[64] Lynch, Gary. “Doc Ball, Legendary Lensman,” April 10, 1990.
[65] Lynch, Gary. “Biograhical Sketch of Dr. John Heath Ball,” February 2, 1989. See also Gault-Williams. Doc was very specific on the vessel number. He said he’d never forget it: U.S.S. General Hugh Scott AP136.
[66] Lynch, Gary. “Doc Ball, Legendary Lensman,” April 10, 1990. Doc Ball quoted.
[67] Photo: Grannis -- Surfing’s Golden Age, 1960-1969, ©1998, p. XII.
[68] Gault-Williams, Malcolm. Interview with LeRoy Grannis, Carlsbad, California, 26 June 1999.
[69] Photo: Grannis -- Surfing’s Golden Age, 1960-1969, ©1998, p. XII.
[70] Gault-Williams, Malcolm. Interview with E. J. Oshier, October 10, 1998.
[71] Cowell, 1994, p. 14.
[72] Longboard, Volume 4, Number 5, November/December 1996, p. 18. Stan King quoted. Two bits equals one quarter ($0.25).
[73] Gault-Williams, Malcolm. Interview with E. J. Oshier, October 10, 1998. E.J. mentioned there was one PVSC guy he didn’t get along with, but I didn’t catch the name.
[74] Gault-Williams, Malcolm. Interview with E. J. Oshier, October 10, 1998.

Woody "Spider" Brown (1912-2008)

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Aloha! And welcome to this chapter of LEGENDARY SURFERS covering the life and aloha of legendary surfer Woody Brown!


This fifth chapter of LEGENDARY SURFERS: The 1940s, originated over a decade before his passing (in 2008), as a biography in The Surfer's Journal, Volume 5, Number 3, Fall 1996, pp. 94-107, with photos by Bud Browne.




Since that time, I've added the full text of what I originally wrote about Woody and combined it with other source material.

For some additional links about Woody, especially at the time of his passing, please visit also:



Woody was truly an incredible person. I will always cherish my good fortune to have spent time with him, talking and surfing. Enjoy his story and please spread the stoke that Woody embodied!


5. “Woody” Brown (1912-2008)


Woodbridge Parker Brown was born on January 5, 1912, into a wealthy family of Wall Street brokers, in New York City. “We were a Mayflower family, the New York 400, Social Register, all of that. My mother’s side traces back to some guy who came over with William the Conqueror [to the British Isles],” Woody told surfwriter Ben Marcus, adding, “It’s a bunch of baloney as far as I’m concerned.”[1]



Gliding, Betty and La Jolla


In his formative years, Woody fell in love with flying and left school at age 16 to seek it out. “When I was a kid, I ran away from home; quit school. I couldn’t stand school. I wanted to fly so bad.” Woody began hanging around Curtis Airfield, on Long Island, New York, where Charles Lindbergh was preparing for his historic trans-Atlantic flight in 1927. 

“Yeah, I met him out there at the field. I helped him with his airplane before he took off for Paris. He was my hero.” At Curtis Airfield, Woody slept in hangars, cleaned oil leaks and did whatever he could to be around airplanes. He learned to fly but gave up mechanized flight when he discovered gliders.

“Soaring appealed to me because it’s like surfing or sailing. It’s working with nature; not ‘Brute Force and Bloody Ignorance.’ You know, you give something enough horse power and no matter what it is it’ll fly. Flying was brand new, then! Every time you took off it was an experiment. You didn’t know what was gonna happen. Every flight was a brand new flight. So, it was real exciting.”

“As a kid I was always worried about finding truth,” Woody told Ben Marcus. “I was unhappy. I didn’t understand why men were stealing from each other and killing each other and why the world had so many problems. The flying sort of gave me a break. I could get off the earth and way up in the clouds and sky, away from everything.”[2] As Woody put it, flying helped him “get away from the Earth... There is no crime or hatred when you fly. The truth is central to me.”[3]

The happiness Woody sought was found in his marriage to an independent-minded English woman named Elizabeth Sellon. “Betty felt the same as me,” Woody fondly recalled. “She hated cities and big-shot money deals and all that society stuff. We said, ‘Let’s get together and get out of here and go to California, where the men are men and the women love it.’ So we did.”[4]

Woody bought a glider for $25 and left New York with Betty Sellon and her daughter Jenny, California bound.[5]

“We left New York in ’35; went to La Jolla. I had a cousin out there and they got us a place to live. We stayed there in La Jolla for five years. The happiest time of my life!

“My first wife was just a wonderful person; one of those freak women who just, you know, lived for me; to take care of me. I didn’t realize it at the time. I took things for granted, you know?  I was just young, dumb and stupid. But, she was such a wonderful woman; whatever I wanted to do, ‘Oh, yeah! I’d love to do that, too!’ But, now I know damn well she didn’t want to.”[6]

They drove to Californiain 1935,[7] trailing Woody’s glider behind a Chrysler Airflow. Settling in La Jolla, Woody made just enough of an income to support his wife and his dedication to gliding. He was the first to launch a glider off the cliffs above La Jolla, convincing a local businessman to lease what became TorreyFlightPark, above Black’s Beach; what much later became the Torrey Pines Glider Port.[8]

Yet, gliding was not all fun and games. “I died two or three times already, you know. I had a mid-air crack-up in my glider and I lived through that; so did the other guy. Miracle as it was, it took his wing right off and smashed my whole nose. I thought, ‘Well, we’re just going down’ and then, suddenly, ‘Hey, man, you’re still flying!’ And I cleared the rubbish away and I’m still flying! So, there was a big, steep place on the mountain ahead. I just flew right up and just glided in. I took a tremendous chance cuz my tail surfaces were gone and I knew that any minute I’d lose control, eh? But, ‘Get down quick as you can, anyway you can.’ So, I lay right down on the fucking mountain like that. That was one time.[9]

“Then, in the desert, a kid brought over a very bad ship and we wouldn’t help him put it together. We told him, ‘No, no, no! This ship is not made to fly in these violent heat waves.’ ‘Thermals,’ we called ‘em. There’s an airforce base there now.

“So, he put it together and he towed and flew a little bit and we wouldn’t have anything to do with it. My ship was strong and so was my friend’s, Johnny Robinsons. And so, we were flying there and no trouble. We got the thermals and everything. But, he’d bought this new instrument called a variometer. In those days, we didn’t have any instruments hardly, see. But, they’d just made a new one and he bought it; cost hundreds of dollars. He was a rich guy, see.

“So, he said, ‘Won’t you come up with me just onceto show me how to work this variometer?’ Cuz he was a greenhorn, see; didn’t know much about flying. So, like a damn fool, I said, ‘Alright, I’ll go up with you just once to help show you how to catch a thermal.’

“We got up there on the tow line and hit this thermal and I said, ‘OK, now! See, it’s lifting up your right wing, so you turn to the right! Now, turn to the right! Come on, turn right!’ And he said, ‘I’m sorry, Woody. I cannot. The wing’s come off.’ That’s all I can remember. We came down with no wings at all and we lived through it. It broke his legs in two or three places. His arms were all broke up and I had a brain concussion; broke my windpipe. There was some tubing I went up against and hit my head and I was out for eight hours.

“The only thing that saved us was that this glider was a terrible thing. It had a huge wing and it had wires going up top – called ‘cabane.’ Wires up on top to hold her on the ground and then flying wires, underneath, when it lifted, see, instead of struts. So, it had all that stuff. So, when the wings came off, this tremendous area of these wings were going around like helicopter blades, see? They kept flying around on the end of these wires and that kind of broke our fall, so we didn’t come down quite so hard, with no wings at all. That’s the only reason why we lived through it. So, that’s the second time.

“And, then there was that time out there with Dickie Cross...”[10]

About Woody’s near-death experiences, legendary Hawaiian surfer Rabbit Kekai declared: “That guy pancaked a glider... and walked away. Just like he [later] did at WaimeaBay. That guy is charmed.”[11]

Woody’s attention was drawn to surfing as soon as he arrived in La Jolla. “I started surfing right away,” Woody recalled. “I first made these solid redwood planks, you know. You’d stand in the shallow water and shove off just like a Boogie board [body board].

“But, then I began to go, ‘Gee, man, if you could just have a board that would hold you up; instead of, like, solid planks – you’d get an inch and a half plank from a lumber company and whittle it out. It wouldn’t hold you up at all, but when you got going on a wave, it was alright; couldn’t stand up, just lie down. I thought, ‘Gee, if I could float, then I could catch ‘em before they’re breaking. This way, I’m just catching white water.’ All the time, just standing in the shallow water. I thought, ‘Gee, then you could catch ‘em way out there and ride ‘em all the way in.’

“So, that’s when I made the hollow little plywood box; about 9 feet long and about 4 inches thick. It was great. I could paddle out there and catch the waves and ride.”[12] The year was 1936. Woody, using glider construction techniques, built his first surfboard out of plywood. It was hollow, 9 feet long, 4 inches thick and 22 inches wide and he had yet to hear about Tom Blake.

Don Okey, one of San Diego's first surfers and a high school student at the time, told a newspaper reporter years later that “Woody and Towney Cromwell began surfing La Jolla in 1936 on those boards Woody built. Surfing in San Diegoreally began then.”[13]

Woody recalled the first La Jolla surfers. “Towney Cromwell, Don Okey – they all started cuz’a me, you know. They saw me out there and wanted to surf, too. Towney wanted to build a board like mine, so I helped him.” Woody told me about Cromwell’s death. “He got killed in an airplane accident in Mexico. He was with Scripps oceanography; wonderful little kid; wonderful, fine little boy. They were gonna take off at an airport down there. There were thunderstorms and the pilot said they’d have to delay the flight because of the thunderstorms. Unfortunately, they had an official of the Mexican airlines on board and he said, ‘Aw, this is my airline and when I say “go,” you go!’ The pilot said, ‘Hey, it’s too dangerous to go.’

“‘Hey, you wanna get fired? Either you go or you get off the job.’ So, the pilot went anyway and they flew right into the side of a mountain; killed ‘em all, including poor Towney.

“It’s like that old joke where there’s two guys about to board a flight and one guy says, ‘Aw, you know, when it’s time for you to go, it’s time for you to go and there’s nothing you can do about it. Nobody can change it.’ The other guy says, ‘Yeah, that’s OK, that’s swell, but I don’t want to be there when it’s the pilot’s time to go.’”[14]

“Woody and a guy named Bob Barber discovered North Bird Rock and Windansea and other famous spots,” remembered Don Okey. “Woody was a real mild-mannered guy, he never talked about himself or bragged, but he had a lot of guts. He was riding big waves even before he got to Hawai‘i.”[15]

“I’ve seen 20 foot waves in California; Bird Rock, Windansea. The biggest place was down at PB – PacificBeach; that point there where the sand beach comes up to that rock point, where La Jollastarts, you know? There’s houses there, now, but it used to be all bare. We built a shack there and you climbed down the cliffs to go out. They form out there off the rock point and then swing in. But, the point would make ‘em break way out and they’d have a nice shoulder going in. You’d pull out before you got to the regular break. I’ve seen that20-25 feet. Being a point, I’m sure it was 25 feet.

“Another big wave spot was DanaPoint. Every time I went to DanaPoint, there were no waves, but I’m sure [Lorrin “Whitey”] Harrisongot ‘em that size.”

“I used to like Bird Rock,” Woody recalled, “because there was a peak out there; there was a coral head. These swells would come in and pucker up and break there and then it was deep water all around. So, you could ride it in and it would quit and you’re in deep water. So, you paddle back again. That was kind of nice. If you lost your board, it didn’t matter, the board would just float around in deep water. That I like. That was good. I didn’t want to lose my board. My hollow board out of plywood, it would get smashed if it hit the reef like at Windansea.”

After his first hollow construction, Woody, “built a better one. It was still a plywood box, but not quite so thick and a little wider and 10 feet long. It had a nice vee bottom and a little, small skeg on, which was probably one of the very first in the world,” Woody told me, crediting Tom Blake with the first fin in 1935. Woody – still not knowing about Tom’s innovations of the hollow board and skeg – made his first surfboard keel, “about ‘36 or ‘37, somewhere in there; about the same time. But, I didn’t know anything about him and his experiments with adding fins to surfboards. See, we were all separated out. I was in San Diego and he was in L.A., way up there.”

Thinking back on how this second “plywood boxresponded in the surf, Woody exclaimed, “It was just like these modern kids’ boards, now! I’m amazed, you know. Don Okey wrote to me from California and said, ‘You know, Woody, that old board you had, it was a wonderful board. It was so good, I feel we should make a duplicate because I think it was a forerunner of the boards, today.’ He said, ‘I’m gonna make another one.’ He asked me for the drawings. I sent him what I could remember and he built one. When I went over there [in 1993], he had one built! Exactly the same. And I rode it! And, you know, it was just like these boards, today. You don’t have to use your foot, you just lean and turn it like that! And, boards in those days, aw, you couldn’t do that. It rode really good! And, yet, that was way back in ‘36! Amazing, just amazing.”[16]

“I always made my boards to be the fastest board in the world, because I put my aerodynamics into the understanding of the design, eh? Same thing, the air or the water; more or less. So, I made my boards faster and faster. Finally, I even ground them down and polished them with jeweler’s rouge and everything; polished the surface. Oh, that made a big difference. Of course, now they’re all finished that way. The commercial board is all finished off nice and smooth.”

I asked Woody when he recalled the first balsa boards arriving on the scene. “Oh, I think it was about ‘40, about the time just before I left La Jolla. The boards were big Swastika boards; big wide square tails; slide ass, no skegs. Skegs were just starting.

Of the partial balsa wood boards, “I remember in La Jolla,” Woody said, “some of the boys brought ‘em down from up in L.A.They were balsa/redwood; redwood off the side, balsa in the middle; heavy as hell; 60 pounds. I had this little hollow board and it only weighed 12 pounds, so I could maneuver around these guys. They could hardly turn those big hairy things before I’d change direction without even putting my foot in. In the old days, you had to put your foot in the water in order to turn.”[17]

“Those five years in La Jolla were the only joy I’ve ever had in my life,” Woody told Ben Marcus.[18]“My wife got pregnant and was expected to deliver around the same time I was supposed to compete in a big glider meet in Texas. I told my wife I’d stay with her, but she told me to go.” Woody admitted to me, “I didn’t want to go to the glider meet, but she was such a wonderful woman, she said, ‘Don’t be stupid! There’s nothing you can do here.’ Oh, I know – now I know – she would have loved to have me there. But, at the time, she said, ‘No, honey. I don’t need you here. You go. You’ve gotta go. It’s important because everybody’s expecting you to be there. You’re the top man! They all want to compete with you!’ And she talked me into it, bless her little heart. And, so I went.”

In Texas, in 1939, Woody flew his Thunderbird 263 miles to national and world gliding records for altitude, distance, maximum time aloft and goal flight. As a result, he even received a telegram of congratulations from then-President Herbert Hoover.[19]

“They all laughed at me at the [Wichita Falls, Texas] airport,” Woody told me. “Yeah, when they asked, ‘Well, where ya going? Where’s your destination?’ I said, ‘Oh, Wichita, Kansas.’ Three states away! You see, nobody had even gone across onestate. All the airplane guys laughed. ‘Ho, ho, ho! It takes us all day to go over there. You’re going in that?!’ But, boy, when I came back, there wasn’t a sound. Nobody said anything. They shut up, boy! 263 miles. That was a world record.”[20]

“When he landed [back] in Texas,” wrote world champion surfer Nat Young, “he was given a hero’s welcome, inundated with telegrams, and paraded through the streets of Wichita Falls with a police escort and a brass band.”[21] Job offers for flying of all kinds also came his way. “Oh, boy, I could have had anything I wanted,” he told me. However, Woody was more concerned about his wife. “The day after I got back from Texas, Betty went into labor. Thank goodness I was there.” Even so, the woman he loved so much and who loved him so much died after giving birth to their son.[22]

Woody told me that they had originally been fearful of having children, “Because American women have the highest death rate of childbirth than any nation in the world. So, I was kinda scared and said, ‘Nah! Honey, you don’t want to take the chance.’ But, she said, ‘Look, I had one before.’ She was married before; had a cute little girl when I married her [Jenny]. She said, ‘When I had Jennifer, the doctor told me, ‘You should have plenty of children, it’s so easy for you; you can have a lot of children.’

“So, when she told me that, what could I say? ‘OK, honey.’ So, that’s how we had a little boy. But, she died. Some organ came out and the dumb doctor didn’t realize it. They gave her transfusions and ice to stop the bleeding. Finally the doctor called a specialist and he came down and he found the organ that had come out and he put it back in again and the bleeding stopped. But, it was just too late. Her heart couldn’t take any more. Her heart gave out.

“And, boy, I just cracked up,” he told me as he had told others. “You know, I just couldn’t take it cuz we were so happily married. It’s the only happiness I’ve had in my life was the five years with Betty in La Jolla.”[23]

Seeing Woody, his energy, his optimistic spirit, his feelings of love for people around him, I had a hard time seeing this man only happy for five years out of his life. Perhaps he exaggerated, but certainly there can be no denying that he loved his first wife to an extraordinary length.



Hot Curls


“Our boy [Jeffrey] lived but I couldn’t take care of him. I couldn’t take care of myself,” Woody told Ben Marcus.[24]“I couldn’t sleep; quit flying; quit everything,” Woody told me. “I just started bumming around the world. I was dyin’. I told the Lord: ‘I can’t take it anymore.’ So, he goes: ‘Why don’t you go to Tahiti? You’ve always wanted to.’ You know, we always hear about the magic of ‘the South Seas.’ Next day, I was on the boat. I got my passport and everything. I left my car, the garage, my home, glider, everything. I don’t know what happened to them. I just walked out and left everything. When you’re off your rocker that way, you know, you don’t know what you’re doing.”[25]

“So, I came over to Hawai‘i and started over again. But, it took awhile,” Woody admitted. He never made it to his original destination of Tahiti. Instead, he got virtually stranded on O‘ahu in September 1940, just before the United Statesentered World War II. “Yeah, I was on my way, but I couldn’t get out of the country. During the war, they wouldn’t give you a visa to leave the country. You couldn’t get a passport. So, I stayed here, in the Hawaiian Islands.

“Surfing saved my life because I’d go out all day; Waikiki. I’d just go out on my board in the morning and sit out there all day long and surf. Lunch time, I’d dive down and get seaweed off the bottom to eat and just stay there ‘till late evening; sunset. Then, I’d go in and I’d be able to sleep a little cuz I was so damn tired from being in the sun and surfing all day. And, I survived!”

Surfers even that far back had somewhat of a bad rap. “You see,” Woody told me, “when I first surfed and came over here, surfing was looked down upon. ‘Oh, you surfing bum!’ or ‘Don’t have anything to do with him, he’s a surfing bum.’

“The missionaries were the ones that told the Hawaiians, ‘Oh, that’s just horrible, you’re just wasting your time on that sort of thing.’ Terrible thing, you know. It kind of killed the spirit of the Hawaiian people, just like missionaries killed the spirit in everything they did; took away all their customs, eh?

“Yet, I laugh. The Hawaiians should have sent missionaries to the Mainland, instead of missionaries coming over here; because, theyunderstood Christ better than the ‘religious’ people do! Cuz, they had love for every body. They loved everybody! But, the religious people said, ‘No, no. Just love the good people. All these other guys are going to hell.’ Well, of course, the Hawaiians knew nobody was going to hell. They loved everybody, which is the real Christ, you see.”[26]

“I didn’t know a soul,” Woody told Ben Marcus. “I got a bicycle and went all around O‘ahu and the different islands – Maui, the BigIsland, Kaua‘i – just bumming around, lost. The old Hawaiians were such wonderful people. I’d stop in front of a house and ask if I could stay for the night and they’d say, ‘Oh sure! Sure! Come in!’ Then they’d treat me like a king and didn’t want me to go. I didn’t have any friends until I met Wally Froiseth and them.”[27] Woody told me one Hawaiian man even broke down in tears, begging Woody to stay.

“The missionaries changed the Hawaiian people,” Woody repeated. “They were beginning to be like us Mainlanders, when I first came over. They lost their beautiful ways. Like I told ya, when I went around the island, they cried when I left. If I go around, now, nobody’s gonna cry for me or ask me to stay there for nothin’; they pay for everything I’m doin’. No way, man! Hawaiian, haole, or anybody else.”[28]

Raised as an atheist, Woody didn’t fight in World War II because of his pacifist beliefs. “I was a conscientious objector during the war. I wouldn’t fight, no matter what. I told ‘em, ‘Look, I’ll go down there as a Red Cross. I’ll go right in the front lines.’ That didn’t worry me. ‘But, I ain’t gonna carry no gun and I’m gonna rescue any body, no matter whether he’s a German, an American or a Japanese. It doesn’t matter what he is. If he’s dying and needs help, I’m gonna help him.’ They didn’t like that. They put me ‘4-F cuz I had broken my neck flying and it bothered me all the time.”[29]

So, instead of fighting, Woody rode around most of the major Hawaiian Islands, befriended by the island people. “His first wife had passed away back in California,” recalled Rabbit Kekai for The Surfer’s Journal, “and when he first came over here he slept on the beach just like a typical haole guy. We sorta took a liking to him. He had a balsa board he used to knee paddle. He’d come out surfing with us guys and we had fun together. We sorta took him in under our wing. He had a lot of knowledge of board building... It was mostly Wally and Georgie [Downing] who befriended him.”[30]

“You know,” Woody told me of his earliest days surfing in the Hawaiian Islands, “in the old days, there was nobody out there, you were the only one. You were just hopingsomebody would come out, cuz there wereno surfers, then. So, you were all alone; lucky if you had one guy with you.

“So, you were always hoping – glad to see someone come out. ‘Oh, yeah! Come on, come on!’”

“It’s different, now, isn’t it?” I asked.

“Yeah,” he replied with a laugh. “You’re wishing they would go in!”[31]

When Woody settled back in near Honolulu, he was befriended mostly by what Wally called “The Empty Lot Boys” who had grown up to be associated as “Tavern guys” and the ones who had come up with the hot curl design.

“Yeah,” Wally said about befriending Woody, “because he was into surfing. Anybody who was that interested in surfing, you know, we’d take ‘em in; help ‘em out – that thing about helping each other. We were so enthusedabout the surf. We liked it so much, we just wanted everyone else to enjoy it.”[32]

Woody came to the Hawaiian Islands only three decades after “Surfing’s Revival” at Waikiki, on O‘ahu’s south shore. When he arrived, the action was still on the south shore. While it’s generally agreed that Hawaiians surfed the northern shores of their islands before the Twentieth Century,[33] ancient Hawaiian legends identify only a relatively small number of surf spots on the north shores of the islands. In contrast, locations on the southern shores were many. In ancient times the place to be was the Kona Coast, on the southwestern coast of the Big Island of Hawai‘i, which, for instance, has more named surf breaks than the entire island of O‘ahu.

When Woody arrived, surfing’s center was the Kala-hue-wehesurf at Waikiki,[34] known in the ancient days as Kou.[35] Yet, because of how the Hawaiian Islands catch seasonal swells, and because of the daring of a handful of big wave pioneers, it was NorthShore and Makaha winter conditions that became synonymous with big wave surfing. And it was Woody Brown who helped lead the way.

Beginning the set of interviews I had with Woody, on Maui, I mentioned that both Duke Kahanamoku and Tom Blake – both of who Woody got to know – had said and written of Waikiki getting some size, upon occasion, and was there any truth to it?

“Oh, heck yeah. Oh yeah!” Woody exclaimed in his energetic style. “My goodness, it broke all the way across before I got there. These crazy guys I was telling you about,” he referred to the Hotcurl guys,“about four or five of ‘em – it was so big one year that it was closed out all the way down the coast, the big ocean liners couldn’t come in and out of Honolulu Harbor; way over 30 feet.

“So, these guys, they were so much guts, you know, they went up to Black Point. Well, at Black Point, there’s a rock cliff that goes right down to the water. It’s deep right up to the cliffs. So, the waves don’t break. The swells just come up and hit the cliff. So, what they did, they went out on the cliffs and when a set went by, they threw their boards off the cliffs and dove in and swam out. They got outside of everything that way and went around in front of Waikiki– oh, probably a mile out in the blue water. The waves were big and, of course, there’s no shoulder; one break all the way down to HonoluluHarbor. But, they didn’t care about that, they just shook hands and said, ‘Well, OK, in case we don’t see each other anymore...’ They shook hands and caught a wave or got the axe and swam in eventually. I tell ya, man, talk about guts! But, that’s brainless, ya know?”[36]

I asked him if he was talking about Wally Froiseth, John Kelly and Fran Heath.

“They were the main ones,” Woody agreed. “Let’s see, there was also Russ Takaki, a Japanese boy, and a Korean boy whose name I forget, but those were the main guys who would go out when it was that big. No one else would even think about going out. They found all the big places around O‘ahu, before I came in 1940,” Woody said with that twinkle he had. “They were going in the ‘30s, you see, and it seemed like the surf was the biggest in the ‘30s. Gradually, it’s been going down ever since. The world cycles change, you know. The surf comes bigger in different places in the world because of cycles. We haven’t been ‘civilized long enough to keep record of these cycles – maybe thousand year cycles, see. We don’t know.”

“Don’t you think it’s just that people get used to the size?” I asked him.

“No, oh no, no. They were much bigger. Like I say, the boats couldn’t come into HonoluluHarbor. Well, I’ve never seen that in the whole 50 years I’ve been here. And, yet, that was like that back in the ‘30s.

“And then, when I used to go Castle, it was 25 feet. It wouldn’t break unless it was over 10. Now, like my friend Wally Froiseth says, ‘Well, Woody, there’s no more of those big surfs.’ We just don’t get it like that anymore, for some reason. As I say, I think it’s cycles. There’s all kinds of cycles that we’re just now beginning to understand...”[37]

In 1940, the typical Hawaiian board was a redwood and balsa plank, 10-to-12 feet long, with wide tails and no skegs. I asked Woody what he was riding when he first came over to the Islands and met the Hot Curl guys. “Oh, I used to build my own there, of course. At first, we had the old balsa board. I’d left my plywood box in La Jolla. So, we rode old balsa/redwood boards. But, they were so big and heavy and clumsy. I remembered my wonderful little light one, so I started building something similar, out of balsa wood; lighter.

“By then, Wally and them had learned to shape ‘em so they wouldn’t slide ass. At first, you know, all the boards in the old days would slide ass in big waves. You’d go out in big waves and try to lay it in. You’d have to go down to the bottom, you know. If you tried to lay it in, in the curl, it’d flip right out.

“So, one day, Kelly and Wally came in after a big surf at Castle and the boards slid tail and all that and they couldn’t ride. He got mad and picked up his axe and said, ‘I’m gonna start chopping the board right here!’ He hit it and he whittled the tail down to about this big and said, ‘Now I got it.’ And, of course, it was a little vee tail at that point, after he whittled it down.

“He went out there and he could ride right up there in the curl and it wouldn’t slide tail at all. He had perfect control of it. So, then we started making a long board called Hot Curl boards, see. That was where the hot curl board came from, cuz you could ride right up in the curl, [track] right up in the top, instead of being way down at the bottom. You could ride right up where there’s more power, eh? To get across. That changed the whole of surfing, see. Now, you could go out in big waves and control it.”[38]

Even though Tom Blake had invented the fin, a.k.a skeg or keel, for surfboards in 1935, they had not been immediately adopted. In fact, fins on surfboards were not generally adopted until well over a decade after Blake and Woody first came up with theirs. Hot Curls filled the transition period by making it possible for surfers to hold their edge in the curl, without skegs.

“There were no skegs then,” Woody reiterated. “What’s his name [Blake] had [invented it], but nobody used it. He put it on his hollow boards [which he first invented, also], cuz the hollow boards would slide tail, too. But, Wally and those guys had no respect for the hollow board because it couldn’t ride big waves. I mean, it was dynamite in a big wave. You know, the wave would just take it away like it was nothing; no control at all; too big and clumsy and flat. It would slide all around. Of course, with a skeg, you could control it.

“Wally and them had small, little boards, about 9-10 feet, whereas the hollow boards were 12, 14, 15 feet. Duke’s [olo] board was 20 feet long! It weighed 200 pounds! I couldn’t even pick it up and carry it! Of course, it was wonderful for Castle. I mean, once that bugger dropped in, you know, and started going, you just hold on and try to stay with it. It would just take off!

“The hollow boards – they never used ‘em in surf over 8 feet. After that, they were uncontrollable. So, Wally and them had great disdain for them. They wouldn’t have anything to do with’em. So, they wouldn’t have anything to do with the keel [skeg] either. ‘What do you want a keel for? We don’t need a keel.’ Which was true! The Hot Curls didn’t need a keel.

“The Hot Curl was there when I got there. Then, I learned to whittle mine down like theirs, because mine would slide ass. You couldn’t ride big waves without the vee tail and I liked to ride the big waves, right? So, I had to whittle mine down. Wally helped me, he showed me. Then, I perfected it more and more. Because, I was interested in the speed. Wally wasn’t too interested in increased speed. He just liked to hang up there in the curl and get up there and just get chewed!

“Well, that’s fine, but when you got a long ways to go, you want to get across. I didn’t want to just go a little bit and then get the axe, eh? So, from my aerodynamics I knew that too steep a curl will suck air, will drag, eh? The more you flatten out the curve, the faster you can go. So, with my boards, I’d flatten out the belly and get it flatter ‘n flatter. Well, that made it stiff and hard to turn, but it made it fast.

“My super board was 12 feet long and weighed 80 pounds, but, boy, when that bugger would drop into the wave, man, you’d just have to hold on to stay with it. You’d take off so fast, which is great when you’ve got a half mile of curl to get across!”[39] Woody added that the board was, “made from chambered redwood. It had a 3-inch vee tail and thin rails made of spruce. The nose and tail were oak. It weighed 80 pounds, but that weight was good in the big surf.”[40]

“Woody’s one of the guys who really worked at changing the boards,” Wally confirmed. “I always credit him for increasing the speed of the boards, you know; to the point where we started to back off. They were just going too goddamn fast...”[41]

Woody also built boards for others, just like he had done in La Jolla. “I used to build surfboards to sell and I used to sell ‘em for $35 bucks, brand new. Isn’t that amazing? And, still make money. Solid redwood boards, know what I mean?”

“We used to have a fella by the name of Brownie [Barnes], an Hawaiian guy, and he used to have a redwood plank; a solid redwood plank. It was a nice, light piece of redwood. It was good! I couldn’t surf on it cuz I’m a knee paddler, see, but it held him up alright. He used to swear by that board. Even after we got balsa boards, he wouldn’t let go of that old redwood. He kept surfin’ it until he died!”[42]

Woody reiterated that the breaks off Waikiki could get big and recalled the “Father of Modern Surfing,” Duke Kahanamoku. “He was just about the only one of the old timers who would go out in those big waves. Yeah, other guys, other beach boys, like I told ya, when it got 10-12 foot, that was it. They wouldn’t go out any further. Duke would. He went out to Castle, even. He was probably the first one, except for the kings in the old days.

“You know something real interesting –” Woody’s voice dropped lower than was usual, which was not that often because the way he talked, you always felt upbeat. “I’ll tell ya: in the old days, only the kings were allowed to surf at Castle surf. Nobody could go out there except the kings. That was where the kings surfed. You know, when I used to ride my board out there, I’m telling ya the truth: I felt somebody on the board with me. Boy, I didn’t see anything, but, boy, it was there! With me, riding that wave. It was spooky, I tell ya. Just like the king was there on my board, riding again; which may be, because, you know, a lot of people claim they’ve seen these kings in a whole procession, walking on the trails.

“In fact, I’ll tell ya a little thing. Right above the tunnel on Maui, a guy told us there’s an old Hawaiian trail that goes by the tunnel and the ocean there, all the way over to Maalaea, across the top of the mountain; a short-cut trail, instead of going around the water. The Hawaiians used to go over that way. And the old Hawaiian trail is still there! So, we told ‘em, ‘Oh, is that so?’

“‘Oh, yeah!’

“‘We’d like to try it.’

“‘Well, I don’t know where it starts, but if you go by the tunnel and leave your car there and climb up and just go straight up the mountain above the tunnel, you’ll come to it; you’ll stumble onto it.’

“So, we did that. My daughter’s husband Rick Gavin and I, cuz he was interested, too. So, we did that. We climbed up this mountain, see. We’re struggling up through the rocks and the grass and everything. We said, ‘Well, maybe that guy’s giving us the run-around.’ We didn’t find anything. And we look up there and I said, ‘Wow! Look! Look at all the people!’ And there was a whole procession of people walking along, up above us; up on the mountain. And they were going into a valley. It looked like they were going to come right out near where we were gonna be and we would meet’em. There was a whole procession of them. There must have been 20 of ‘em! And, they had big, long robes and stuff on. ‘Wow,’ I thought, ‘what are all those people doing here?’ Cuz, few people knew about the trail, apparently.

“OK, so we kept walking up and they disappeared from inside from where we were. We couldn’t see them anymore, but they were heading up the trail where we were going to intercept them, see. So, all of a sudden we came onto the trail at this point. There it was. We were on the trail, the old Hawaiian trail. It’s wide! Wider than a car. All nice and neat, just like a highway. We went to the right and I figured, ‘Oh, boy, we’re gonna meet all these people’ cuz they were coming toward us. We walked all the way around the trail, all the way clear down to Maalaea and there was not one soul. You can take it any way you want, but that’s the facts. And I told Rick, ‘Where’s all these people? We should be meeting them.’ He said, ‘Oh, maybe they went the other way.’ I said, ‘Well, they were headed this way, they weren’t going the way we’re going.’ He said, ‘Well, I don’t know, maybe they went the other way.’ It didn’t seem to bother him, but it bothered me, because, you know, we had to meet ‘em. They couldn’t just disappear. Twenty people? How they gonna just disappear? But, they did! We never saw’em. So, who knows?”

I agreed with Woody that he wasn’t the first or last one to see Hawaii’s “night walkers.” 

“Yeah, yeah,” he responded. “That’s what I mean. How you gonna say it’s not true? If you’ve seen it yourself, you gotta believe it, don’t cha? If somebody tells ya, ‘Nah, nah. You’re just imagining,’ that’s one thing, but when you’ve seen it yourself, well, you’re kind of a little more convinced. And I saw all those people. We both saw ‘em. And they had all funny kinds of costumes on. They didn’t look like white people, today; you know, with regular clothes like we wear; shorts or something. They had these long, funny kind of robes. I don’t know, my friend, I don’t know.”[43]

In the early 1940s, Woody married his second wife Rachel, a Hawaiian.[44] Rabbit Kekai told of their basic lifestyle at this point: “Then he married one of the Hawaiian ladies down here, one of the best hula dancers your’d ever see. He hooked up. Maw Brown we called her. She raised two kids. And Woody was a good provider. They lived over the Waikiki Tavern. The Waikiki Surf Club was down on the side, where Woody, Wally, myself, John Lind were charter members, everybody was there. So, he used to stay up there and he used to take care of us kids, my brother Jamma and I. In certain ways we took care of him and in certain ways he and Maw took care of us. Woody shaped good boards, balsa, balsa-redwood.”[45]



NorthShore Rediscovered


The first ones to ride rarely get the credit, especially if there is no photographic evidence. Most surfers do not realize that the North Shore of O‘ahu was surfed hundreds of years before Europeans arrived in the Hawaiian Islands in the later part of the 18th Century. We also tend to forget that the North Shore of O‘ahu was being ridden in the 1930s and ‘40s before the arrival of Californians and other non-Hawaiians, who would make big wave surfing on the North Shore known around the world. While those who later rode it in the late ‘40s and early ‘50s get the notoriety for having been “the first,” it was really the Hot Curl guys who were the first ones in the Modern Era to actively pursue big waves all over O‘ahu – including the North Shore.[46]

Duke Kahanamoku and others occasionally rode big surf at Waikiki in the 1910s and ‘20s, but it was the Hot Curl surfers that were the first ones to actively seek big waves wherever they might be on O‘ahu; surfers like Wally Froiseth, John Kelly, Fran Heath, Doug Forbes and a little later Russ Takaki, George Downing and Woody Brown.

With the Hot Curl “modifications proven out,” Fran Heath emphasized, “we were then in a position to meet the challenge of the stronger, steeper, and most unforgiving NorthShore waves... The NorthShoreis unpredictable. The waves there can come up within an hour’s time... and the rip tides. Oh, man, you gotta watch out for those.”[47]

The Hot Curl guys were driven not only to improve their boards, but to seek bigger and bigger surf and so they began to look outside their realm of Waikikiand Black Point for surf spots that would challenge them further. It was then that they found Makaha, on the western side of the island. According to Fran’s recollections, they weren’t surfing Makaha solid “until ‘38 or ‘39, about the time Wally got the job as lighthouse keeper at Barber’s Point.”[48]

Just before, they had first tasted the NorthShore.

Froiseth, Kelly, Heath and a few other stalwart comrades tried SunsetBeach, on the NorthShore. “It was a year or two later [after the first Hot Curl surfboard was cut], when we first started to go to the NorthShore,” Fran said. “We first tried Waimea in ‘39 or ‘40. Thatreally separated the men from the boys!” Fran’s eyes shone, remembering those first days at the spot that would become synonymous with big waves on surfing’s famed NorthShore. “It took us a while to figure out if we could handle Waimea. Even after we began riding it, I never took a left slide.”[49]

“... maybe ‘38; basically the same time,” as the first Hot Curls, Wally said. “I was still in high school.

“This is the way it happened with us: A guy named Whitey Harrison – he and Gene Smith went out to Hale‘iwa one day. This was, like, around ‘37 or ‘38, whatever it was. They went out to Hale‘iwa. It was a big day. And they both almost drowned.

“So, Gene Smith was telling us about this. ‘Oh, Christ! You ought to see these waves!’

“Me and my gang, we hear that – ‘Hey, let’s go!’ So, the next weekend we go out there, you know, but Hale‘iwa wasn’t thatgood, but SunsetBeach was good, so we just went Sunset.

“At that time, there wasn’t a name or anything. We just saw a good surf and went out. It was just when we started to have our Hot Curl boards.”[50]

Southern California surfer Lorrin “Whitey” Harrison surfed O‘ahu, on vacation, a number of years during the 1930s. Even as early as the winter of 1932-33, he had witnessed big surf on the NorthShore, at Hale‘iwa.[51] Old timers generally credit Whitey and another Mainlander – Gene “Tarzan” Smith – as the guys who first “rediscovered” the North Shore as a surfing area, in 1938 – most notably Hale‘iwa and Sunset Beach.[52]

Paumalu – now known as SunsetBeach– is a spot on the NorthShorenoted for excellent surf both in the modern era and in the times of the ancient Hawaiian legends. It is likely that the North Shore of O‘ahu has always been ridden at one time or another – at least since the first Polynesian settlers made their home in the Hawaiian Chain. Unnamed surfers must have been surfing the area, if only on and off, all the way through. We know that guys like Andrew Anderson were living at Mokule‘ia and surfing there in the 1920s and ‘30s. But, in relationship to the surfing movement of the Twentieth Century, it wasn’t until Whitey and Tarzan made the call that the NorthShorewas put on the surfing map.

“Well, like I say,” Wally reiterated about who was first in the Modern Era, “Whitey Harrison, Gene Smith... Whitey came over to the islands two or three times. He came in the early ‘30s. We were surfing Castle – ‘31, ‘32, somethin’ around there. I mean, he was a good surfer.

“My brother and I, Dougie Forbes... Fran, of course, Kelly – there were really only a couple of guys who went NorthShore after Whitey and Gene. It was just too much for the other guys...”[53]

“Nobody went to the NorthShore,” Woody told me about when he arrived and later. “We were the first ones to go there. Wally and John Kelly told me, they said, ‘Oh, there at [what’s now SunsetBeach], there’s big waves over there.’”[54]

“Nobody used to go out there,” legendary surfer and beach boy Rabbit Kekai said. “Then the town guys started to go. The pioneers I would say would be George Downing, Wally [Froiseth], Henry Lum, Woody Brown...”[55]



The Death of Dickie Cross


After Woody Brown joined with the rest of the Hot Curl guys, he nearly lost his life (again!) and a young friend he was surfing with definitely lost his. It was on a fateful December 22, 1943 that Woody and a well-known surfer named Dickie Cross paddled out at Sunset on a rising swell. Up to this time, Sunset was only ridden by the Hot Curl guys and this was Woody’s third or fourth time surfing the NorthShore.

“My friend and I,” Woody related to me, “we thought, ‘Oh well, it’s winter time.’ There’s no surf in Waikikiat all, see. So, we got bored. You know how surfers get. ‘Oh, let’s go over there and try over there.’ That’s how we got over there and got caught, because the waves were 20 feet.

“Well, that wasn’t too bad, because there was a channel going out, see. The only thing is, when I looked from the shore, I could see the water dancing in the channel, eh? I thought, ‘Uh, oh. Boy, there must be a strong current there, cuz the waves are piling in the bay from both sides,’ causing this narrow channel going out. Then, it opened up. So, we thought, ‘Gee, boy, well let’s just go sit in the channel a little ways from the beach and see how strong the current is. If it’s not too strong, we can paddle back in, then:  no worry, eh?’

“So, we did that. We went out. We sat in the channel and it wasn’t too bad. We could paddle in any time. ‘So, OK,’ there was 20 foot waves breaking on each side. We went out to catch these waves and slide toward the channel. The only trouble was, the surf was on the way up. We didn’t know that. It was the biggest surf they’d had in years and years, see, and it was on the way up. Twenty feet was the smallest it was gonna get, but we didn’t know! I mean, it looked good!

“So, we got caught out there! It kept getting bigger and bigger and bigger and, finally, we were sitting in this deep hole where the surf was breaking on two sides and coming into the channel. The channel opened up into this big deep area where we were and the surf would break on two sides and we were trying to catch’em.

“Then, all of a sudden, way outside in the blue water, a half mile out from where we were – and we were out a half mile from shore – way out in the blue water this tremendous wave came all the way down the coast, from one end to the other. It feathered and broke out there! We thought, ‘Oh boy, so long, pal. This is the end.’ But, we were sitting in this deep hole and so we watched these things come in. The white water was rolling, oh, what – 20 feet of white water, eh? Rolling in and just before it got to us, it hit this deep hole and the white water just backed-up. The huge swell came through, but didn’t break. Oh, boy! Scared the hell out of us! Well, there was a set of about 5 or 6 waves like that. So, after the set went by, we said, ‘Hey, let’s get the hell inside. What are we doing out here? This is no place to be! Let’s get in!’”[56]

Told another way, Woody said in an interview with surf writer Bruce Jenkins: “A bunch of us surfed Sunset in the early ‘40s. We were the first ones. The day my friend Dickie Cross lost his life was one of the biggest I’d seen, a swell coming up to 20 feet or more. As it turned out, this was one of the biggest swells ever. It washed out the old Haleiwa Restaurant and did a lot of damage on both sides of the highway. But we didn’t have any idea it would escalate like that. The channel at Sunset looked negotiable in the middle of the bay, so we figured it was safe to go out. This was late afternoon, and we were all alone out there.

“Just when we got out beyond the break, a tremendous set appeared on the horizon, maybe a mile out. It looked to be over 100 feet of water. It was just one wave, all the way from Sunset down toward Waimea, as far as we could see. Here we are, sitting outside a 20-foot break, but inside this wave. Dickie and I just said to ourselves, ‘This is it. It’s all over.’

“The wave came in, but it turned out there was a great, deep hole in the reef out there. The wave dissipated in the middle. Now we realized, hey, we’re still alive, let’s get the heck out of here.”[57]

“So, we tried to paddle in, eh?” Woody continued, making paddling gestures. “As we came in to this channel, it got narrow in there. We’re paddling and paddling and finally we stopped for a minute to rest and my friend says, ‘Woody, you know where we are, don’t’cha?’ I thought about it and, oh, wow, we hadn’t moved one damn foot. All that paddling and we were right where we were before we started paddling. We couldn’t get in. That’s how we got caught out there.

“You have to be very careful of these channels. When the waves get big, the rip current just pours out of there, out of the bay. You can’t get in.”[58]

Woody told Jenkins, “We figured if we lost our boards coming in through the white water, we’d never make it in, so we’re digging like mad in the channel, for maybe 20 minutes. Finally Dickie sat down and rested. ‘You know where we are, don’t you?’ he said. And I knew. We hadn’t moved an inch. We were in the exact same place where we started. Now it’s starting to get dark, with huge sets coming in every 10 minutes, so we figured we’d better get outside of everything and make our way down to Waimea.”[59]

Wally Froiseth picked up the story: “They went out at Sunset and it got bigger and bigger and they couldn’t get in. Then it got just like all the way across where there’s no break in the surf, just continuous. One of those huge days. So they paddled down the coast and they paddled all the way to WaimeaBay.”[60]

“Anyway, we didn’t know what to do,” Woody admitted to me. “So, finally, we decided, ‘Well, there was only one thing to do. We gotta wait until that huge set goes by’— which is only about every 10 minutes – ‘then, we’ll paddle like hell to get outside of ‘em and then paddle down the coast and come in at Waimea.’ When we went by Waimea before we went out, it was only 20 feet. The whole bay was open, right, it was just breaking on the point, more or less. So, we feel, well, we’ll come-in over there; big beach break, there.

“The only trouble was, it didn’t work that way. By the time we got there, it kept getting bigger and bigger. It went up on the Haleiwa Restaurant and it wiped out the road at Sunset. It was the biggest surf they’d had in years and we were stuck out there.”[61]

I mentioned to Woody that George Downing swears the waves were 40-foot that day, breaking over a shelf in 80 feet of water,[62] and asked him if he thought the estimate was in there.

“Yeah, I think, easy. On the way down, while we were paddling down to Waimea, we got out OK, past the big sets at Sunset, you know. And so we started to paddle down the coast. This guy who was with me, a young kid – he was only around 17 – he was just a gutsy young guy. One of these guys: all guts and nothing up here; just, ‘ummm.’

“So, we’re paddling down and he keeps workin’ in! I said, ‘Hey!’ Boy, you know, I’m lookin’ as we’re paddling down and I’m saying, ‘Look, the surf is breaking right along a line where we are, ahead of us and behind. We’re right in the line of this break. We better move out more, yet.’

“‘Nah, nah, nah! That’s alright.’

“He wouldn’t move out. I could see we were in a boneyard! So, I pulled and said, ‘Well, I’m gonna move out. Come on!’ I went out about a hundred yards further than him and we paddled down like that, side by side.

“Then what I was afraid might happen didhappen. In other words, a set came where wewere – a big, tremendous set. Boy, outside of us there was just a step ladder as far as you could see, going uphill. Oh, man! I scratched for all I was worth. It took 8 or 10 paddles up the face of the waves, it was so big. You could paddle 10 paddles and you’re still going up the face of the wave. Oh, wow!

“I got over ‘em – I got over all the sets – and I sat down and looked to see where Dickie was, cuz he was inside of me! Boy, I couldn’t see him because the waves were all in the way. You know. And then, the last wave I saw him come over the top and it was so steep, his board and him just flew in the air and came down on the other side. Then he paddled out to me and I said, ‘Dickie, you think you could have lived through that?’

“He said, ‘Hell no!’

“So, then I said, ‘How big do you think these waves are out here?’ We agreed we thought they were 60 feet.”[63]

“Dickie was just a young boy, but man... he had so much guts. He also had his own way of doing things. As we headed west, we were getting big sets ahead and behind us. I moved out maybe 100 yards, and I figured he’d come out with me, because in a situation like that, you want company. But he didn’t. I think he was just too tired. All of a sudden this massive set came in, right on top of us; just a big, blue step ladder. I got over the last one, and I saw him go over the top, but his board flew maybe 60 feet in the air.”[64]

“Well, then we kept going down the coast, see,” Woody said to me, entirely engrossed in retelling the tale, “and he was with me. As we got close to Waimea, he starts coming in, again, see. I said, ‘Hey! Hey! No!’ Cuz we had agreed we’d go out in the middle of the bay, where it was safe, and sit there and watch the sets go by and see what it looked like. Then we could judge where to get in and what.

“But, no! He starts cutting in, cutting in, and I hollered at him, ‘Hey, hey, don’t go in there. Let’s go out in the middle!’

“‘Nah!’

“He just wouldn’t pay any attention. It seemed like it was his time; just like something was calling him, you know? Because, look at how he was acting, eh? Even though he had almost got caught and admitted he couldn’t have lived through it, and still he was cutting in, again. It was just like it was his time to go. I don’t know.”[65]

“Now we’re down at Waimea and it’s really getting late. I was sitting outside, because at this stage, the 20-foot sets off the point were the small ones. And Dickie, you talk about guts, he kept pulling in toward the inside, determined to catch the wave of his life and make it through this thing. As I look back, I believe destiny was calling. It just seemed like this was Dickie’s time.”[66]

The clarity with which Woody remembered this fateful surf was amazing to me. “Anyway, he cut in and cut in as we went up. When we got to the point, there were 20 foot waves breaking there all the time and then these big sets would come every 10 minutes. So, he was going in and I would see him go up over these swells and come back out off the top. The next one would come and he’d disappear and then I’d see him come up over the top and it looked like he was trying to catch‘em. Yeah, that was the only thing I could think of.

“Finally, one wave he came up over the top, he’d lost his board. ‘Oh, boy,’ I thought, ‘Oh, gee, two of us on my little cut-down board!’ – I’d cut it down – and I was exhausted.”[67]

Woody recalled to Bruce Jenkins, “The next thing I knew, he’d lost his board. He was just swimming out there. I kept yelling, ‘Come on out!’ ... All I could think of was, if I can save my board and share it, we might have a chance.”[68]

The way in which Woody told the story with such animation seemed to almost take me there. Woody: “I thought: ‘Two guys on one board? What chance do we got, now?’ But, I told him, ‘Come out, come out!’ It sounded like he said, ‘I can’t, Woody, I’m too tired.’ That’s what it sounded like. But then, he started swimming out towards me, so I started paddling in to catch him to pick him up on my board.

“Well, you know, at a time like that, in that kind of big waves... you’re watching outside all the time, right? Your eye’s out there, cuz you never feel safe. So, I’m paddling in and one eye’s out there and one eye’s on him to pick him up. All of a sudden, his eyes see the darn mountains coming way outside in the blue water, just piling one on top of another, way out there. I turned around and started paddling outside for all I’m worth because I figured if I lose that board, too, then what chance do we got? Two guys swimming, eh? My only chance is to save the only board we got. So, I turn around and I’m paddling out and I’m paddling towards the first one coming in and it keeps coming in, getting bigger and steeper and higher and getting a little white on the top. Well, I saw that I just wasn’t gonna make it – you know – it was just cresting already. And so, just as it came to me, I threw my board and just dove down and headed for the bottom. That’s your only chance in a big wave is to get downin the deep water.

“I could go 30 feet in those days and I got way, way down in that blue, blue water and, boy, I could feel myself being lifted up like this and drawn back again. I could see the white water boiling down underme and behind me. I’m 30 feet down and the white water’s still boiling 30 feet down! You couldn’t live through that. I was just lucky I was just out beyond it just enough.

“I got up to the surface. The next one was coming and I swam like hell toward it. Luckily, they broke in the same place and I dove down and got under it; a whole set, about five of ‘em. Then, when they went by, I started looking for Dickie, cuz he’s been inside of me. Oh, boy. I hollered and called and looked, swam around, and there was no more Dickie anywhere. It’s getting dark, now, too! The sun’s just about setting...”[69]

Wally Froiseth told Nat Young: “Well, they were sitting there when this huge set came. Dickie started to paddle for it, to take off on it. And Woody told him ‘no, no, don’t take it, it’s all the way across the bay. There’s no chance of you going any place.’ But the last thing he saw was Dickie dropping into it; we never saw him again. The wave outside of Woody was bigger yet. He had no chance to get out of it. It must have been a huge wave because, you know, they were both good surfers and they could read the swells...”[70]

Woody repeated this part of the story for Bruce Jenkins: “And then, from way outside, comes this set. All the people on the beach were calling it 40 feet, and I wasn’t gonna make it. I shoved my board and headed for the bottom.

“I could dive 30 feet easily in those days. I had done it regularly, diving for fish. But this was a new experience. I was in clean, blue water, but it was still pulling me toward the bottom. It was so deep, I saw white water coming up below me. Eventually, I got to the surface. I really have no idea how. The whole set was that way; they all broke in roughly the same place. I looked around frantically for Dickie, but there was no more Dickie. That’s the last I ever saw of him.”[71]

“So, I’m swimming,” Woody told me, “and I think, ‘Well, I’m gonna die, anyway, so I might just as well try to swim in, because, what the hell, I’m dead, anyway, if I’m gonna float around out here.’” Woody was so exhausted, he took his trunks off to reduce drag. For a moment, he thought about sharks but quickly told himself, “Oh, that’s ridiculous,” because chances were he was going to die, anyway, why worry about sharks?

“There were no surfers on the NorthShore in those days. Nobody knew we were out there and there were no boats. I thought, ‘Hell, I’m dead, anyhow. I’ll do what we said. I’ll swim out to the middle of the bay and I’ll wait and watch the big sets go by and after a big set goes by, then I just try swimming and hope to God I can get in far enough that when another big set comes in I’ll be where it isn’t so big and strong.’

“And that’s what I did. I was just lucky when the first one came. I’m watching it come, bigger and higher and higher and it broke way outside, maybe 4-5 hundred yards outside of me. I said, ‘Well, maybe I got a chance.’ So, I dove as deep as I could go, again, and I just took the beating; a terrible beating. And it was terrible. And when I couldn’t stand anymore – black spots are coming in front of my eyes – I just started heading for wherever it looked lightish color. You know, you didn’t know what was up or down. Wherever it looked kind of a light color, it might look like down, but ‘that’s where I’m headed for.’ And I got my head up!”[72]

Woody backed up a bit and told Jenkins about his shark thoughts: “Now it’s getting dark, and I’m thinking about sharks. I figured, what the heck, I’m gonna die anyway, I might as well try to swim in, and I took off my shorts to reduce the drag. I mean, sharks? At that point, what difference does it make? Now here comes another set, breaking maybe 100 yards outside of me. Another terrible beating. I was just down there, you know, where you don’t know what’s up, down, sideways, anything. But as the set went on, I dove a little shallower each time. I found that it was pushing me in that way.

“When I got inside, I saw the way the current was running. Just like a raging river, so fast, along the beach. I knew if I got too far over (toward the rocks), it would pull me right back out. I just battled for all I was worth. Somehow, barely conscious, I got to the sand and crawled up the beach on my hands and knees.”[73]

Woody concluded his retelling of the story with me, recalling the very end of his struggle: 

“So, I figured, ‘Man, if I lived through this one, I got a chance!’ Cuz each one, I’m getting washed in, eh? So, each time I dove a little less deep and I saw it was washing me in.”

I told him I assumed he was facing out, diving into the wave each time. “Yeah, you’re watching ‘em come. Oh, yeah, sure,” he replied. “So that at the last minute, you dive down before it gets to ya.

“So, they washed me up on the beach. I was so weak, I couldn’t stand up. I crawled out on my hands and knees and these army guys came running down. The first thing I said to them was, ‘Where’s the other guy?’ They said, ‘Oh, we never saw him after he got wrapped up in that first big wave.’ That was their words. ‘Wrapped up in that first big wave.’ I figured from that, this guy [Dickie] had so much guts, he tried to bodysurfthe wave. Because, otherwise he would have dove down. Why didn’t he dive down under it? If he got ‘wrapped up’ meant that he was up in the curl, right? How else would you express it? So, I figured he tried to bodysurf.”[74]

That was Woody’s third brush with death.

“The worst part about it was telling Mrs. Cross that her son had died,” Woody told Ben Marcus. “That was one of the most terrible things I’ve ever had to do. It was three days before Christmas. I didn’t have much aloha for the NorthShoreafter that, and no one surfed it for years and years after Dickie died.”[75]

“We never found any part of Dickie. He just vanished. We did find the board, just shattered to pieces…

“I was never quite the same after that. It was a month or two before I could even go out at Waikiki, and from that point on, I found Makaha a lot more to my liking. Sure, I went back to the NorthShore, but never with the same old fire.”[76]



Makaha


The quest for big surf and nothing but big surf began with the birth of the Hot Curl surfboard in 1937. “The idea, then,” said Fran Heath, “was to get the biggest wave you could; to get in the curl; to get in the tube.”[77]

Yet, a half decade after the first Hot Curls were cut down, Dickie Cross’ death and Woody Brown’s near drowning sent a shock wave throughout the small community of island surfers riding big waves, reminding all that the danger in riding big surf was very real. For the first time, a surfer was lost during obvious big surf and swell conditions. There was a point that could be reached where what once had been a rideable wave was no longer. Or, still, could big Waimea be ridden? What was the biggest wave that could be ridden? No one knew for sure. In fact, we still don’t know as we push the size limits ever more. Following Dickie Cross’ death at Waimea on December 22, 1943, one thing was for sure: the NorthShore became off-limits for nearly another half decade.

After Dickie Cross'’s death, Woody “didn’t care to go” to the NorthShore“anymore. Later, with Wally and them, we went to Makaha. We found that place there and that was better. It had big waves – 25 feet – but, they were out on a point. Makaha had a nice wall across the bay and a nice shoulder you could make all the way across. It even had a channel to go in and out. So, you can’t beat that. The shore break was awful. Oh, God! The shorebreak was so bad, 8-10 feet on the bare sand! You just threw your board away and swam in. You weren’t about to go in with your board, you know?”[78]

Makaha was and continues to be one of the last ethnic Hawaiian strongholds, resting among the valleys fringing the West Side of O‘ahu and wedged between Kaena Point, the WaianaeRange and Kamaileunu Ridge.

The Hot Curl guys had first started surfing Makaha around 1938, shortly after the first Hot Curls were cut,[79] but the gravitation to Makaha really took place “after that episode with Dickie Cross,” Woody Brown said, “over there on the other side of the island. Wally and them said, ‘Well, there’s a good place at Makaha. Come on, we’ll go over there.’ So, we went over there. That’s when we started surfing there. They had surfed there a couple of times. At least they knew about it. That was good surf; that was really good.

“But, after that thing with Dickie Cross, I was so scared of waves, I couldn’t even go out at Waikiki in little 2 foot waves. I was terrified. It took me a month to gradually be able to go out again.”[80]

“We discovered – at least for us – Makaha,” Wally Froiseth told me. “We were diving there with Dougie Forbes and my brother and all the rest of us. Spearfishing. And all of a sudden, the swell began to rise and it got bigger and bigger and bigger and inside of an hour, I mean, Christ, it was 15-feet! We were diving and nearly got nailed. We were kinda greedy, cuz we just hit a school of [fish]. Nobody wanted to leave, but lucky we got out. The waves were just smashing.

“We had a friend, when they were making the control towers up there at Nanakuli[81] and he let us know when the surf was up... That was a guy by the name of Franklin Finlayson. His father was the contractor for the building of those towers, see... and he was stationed way up on the ridge up there... He’d give us a call. I mean, winter time. We were all in high school at that time.

“Sometimes we’d go out there in the extreme of the winter storms. The rain would be so bad, you know, there weren’t any paved roads. You had to go through stream beds and things like that to get to Makaha. Sometimes you couldn’t actually get there and we’d have to surf [as far as we could take the cars]...”[82]

“When was it that you guys started to go out to Makaha?” I asked him.

“Oh, about ‘38, I guess; around there – ‘37, something like that. It might have been ‘36, too, cuz... ‘36-’37. Middle ‘30s. Right after we developed the Hot Curl.

“Kelly lost his board there, see. Kelly lost his board on one huge day. It was something else.

“That was before I had the ‘36 Ford. I had a ‘27 Chevrolet. We put the boards in. Kelly and I were riding and we’d gone out there and we saw these waves at Barbers Point – just huge, you know? So, we sit on the back of the seat... sit on that. I was steering with my feet. Kelly and I are yelling – we were so stoked! – and we ran off the road; you know, not paying attention; blew a tire. Another fella was following us; a feller who lived right near Kelly. We patched the tire and got going again and did the same damn thing – we were so excited at the waves! I had no more spare, then. So, then we had to pack the boards – put all the boards in his car – and went out to Makaha, then. We went surfing. And, of course, I guess the waves were too big for our boards, you know. Kelly lost his. Fifteen, eighteen feet, maybe twenty. I don’t know; hard to tell. But, they were big, very big.

“See, with those boards – the thing about the Hot Curl board – by that time, we liked to ride high on the wave and as the thing steepens and you’re higher here–” Wally gestured with hands. “— we used to drop through the air, 6 or 8 feet. And, if you hang onto your board and don’t fall off, you’re lucky enough and maymake it across the bowl.

“Especially Makaha; Sunset, the same thing. You just drop through the air, you know, 4, 5, 6 feet sometimes, because we tried to get across – slide. And our boards weren’t that fast in those days. We didn’t have sharp edges. We had our ‘calculated drag,’ you know, so the flow of the water would drag just enough to keep your tail from spinning, see. Actually, when you have anydrag, it’s going to slow your forward speed down...”[83]

For Woody Brown, Makaha “was a better surf than the NorthShore. We had nice, long lines! Again, it broke out on that point. There’s a peak, see, and then you could slide all the way across the bay.

“I’ve seen 25 feet, there, and you could make every damn one! In fact, we were making every one. We kept moving more over to the point, more in the boneyard. We kept moving over and still we were making ‘em! Move further; still make ‘em! And, move waay‘till we were way out in front of that point and:  still make ‘em across!

“And I’ve seen other days when you couldn’t make one, no matter where you sat. It all depends on the angle the waves come in; how they hit the shallow water. That determines the shape of it, mostly. Size is up or down. Naturally, if it’s in further, the shape of the reef’s different than it is out, but mostly it’s the angle they come in at.”

I asked Woody how long after Dickie Cross’sdeath was it that people began to surf the NorthShoreagain. “Oh, a long, long time. Nobody surfed there for another 5, maybe 8, 10 years.

“We went Makaha, see. Everybody went Makaha, first. Then, the guys started going the NorthShore. Then, there was Makaha and the NorthShore. But, Makaha was first.”[84]

From the mid-’40s into the early 1950s, Woody Brown, Wally Froiseth, John Kelly, Fran Heath, Henry Lum, George Downing, Russ Takaki and a handful of others surfed big waves at Waikiki, the North Shore, and Makaha on progressively advanced equipment. Woody singled out one guy: “Henry Lum,” recalled Woody, was such a “skinny Chinaman and so frail; couldn’t have weighed more’n a hundred pounds. He’d go out in those big waves [at Makaha]. Boy, he was so weak and skinny, you know. Wally and I said, ‘Well, I guess we’re not gonna see Henry again.’ Twenty foot waves! He convinced us he wanted to go out. He could surf alright, but, you know, he was so frail! But, he always seemed to live through it. We rescued him a’coupla times. In the white water you get exhausted, eh? But, he did alright. He kept going. I give him credit, boy; a lot of guts, that guy.”[85]

Even with the discovery of the NorthShore, most of the Hot Curl guys preferred Makaha when the winter swells rolled in. I asked Wally Froiseth about this.

“That’s the thing about WaimeaBay,” Wally said, referring to the kind of wave it was. “I never really liked it, cuz it’s just a big drop. Nothing. No challenge to me. A challenge is, like, Makaha. We’d go out the Point and not only have the guts to take the wave when it’s at its peak – you ride across that wall and when you get to the bowl, the bowl is sometimes bigger than the Point! And, you’re going into the bowl from the end. You’re going into the bowl, not coming out of the bowl!

“Ricky Grigg [who came out in 1958] was all NorthShore. ‘Aw, Wallace! What the hell you guys stay at Makaha for?’

“So, one day he came over Makaha, at the Point. It was big. We was all, from the Point, just getting nailed; making only 1 out of 10, you know. ‘Goddamn! Now, I understand,’ he said, later on. ‘This goddamn wave’s a challenge!’ The NorthShore, the takeoff is a great thing...”[86]

“The only guy of the group down here at Waikikithat’d have out was Duke,” Wally credited. “He came out a few times... He went out there cuz the word spread from our gang; our group. Otherwise, I don’t think he would have ever gone. But, the word was around and that was the thing to do if you liked big surf.

“But... I saw him about a dozen times out there. I can remember three definite times. It wasn’t huge, but it was pretty good size. No question, he could surf.”[87]

“What happened with going Makaha in those early days,” Wally continued, “is that we’d talk about Makaha, you know. ‘Gosh!’ We’d try to get other guys to go, cuz nobody went. We were the only guys who went. There was nobody else that went. It was barren, anyway. It’s like the NorthShore...

“So, we’d lose the guys; in two ways. One way, we’d take ‘em out there, brag about it and everything. We’d go out there and there’s nothing. Flat. ‘Ah! You guys are bullshittin!’’ You know, so then we come back. And then, the second way, we’d take them out there and it’s so goddamn big, they’d be scared shitless! So, they wouldn’t go surfing. They’d just sit on the beach. So, we’d lose ‘em...”[88]

“We started going to Makaha all the time,” Fran Heath remembered. “We’d try to bring other guys out with us, but one of three things would happen. If the surf was good, they might go out with us and have a helluva hard time out there. If it was really good, they’d usually end up sitting on the beach. Of course, if it was flat, they’d give us a hard time about our ‘exaggerations.’”[89]

There are four distinct breaks at Makaha: the Point, the Bowl, Blowhole and Inside Reef. Rideable at any size, Makaha becomes a challenge over ten feet.

“The first time I rode Makaha it was about an 8’ day,” recalled legendary surfer and beach boy Rabbit Kekai. “One time it got big and Georgie [Downing] and them, they went out, and they came back and said, ‘Hey Rabbit, try there, breaking big, the point.’ So that’s when we’d go. We used to ride the point a lot. Woody Brown, Wally [Froiseth], George, Henry Lum... they were what you call the regulars, and I used to tag along. And after you go there a couple of times you just get the bug.”[90]

On the mode and type of transportation from Honoluluto the non-urbanized surfing areas – town-to-country – Rabbit remembered, “all of us had ‘36 Ford Phaeatons. Downing, Wally, myself. You see one of those cars in Nat Young’s [History of Surfing] book with the boards sticking out. Wally sayd it’s his car. I told Wally that’s my car (laughing). Cause they’re all the same, same.”[91]

In the late 1940s, the Hot Curl guys were gradually joined by U.S. Mainland haoles like Joe Quigg, Tommy Zahn, Matt Kivlin, Melonhead, Dave Rochlen and Buzzy Trent.[92]

“Tommy Zahn used to surf with us,” Woody told me. “I remember him at Waikikiand he had a balsa board. It was a very light balsa board. See, my board was 80 pounds for those big waves. He had a little board. It couldn’t have weighed more than about 30 pounds; all balsa, nothing else. But, it was no good at all at Waikiki, see, with that tradewind blowing.

“We were out one day in pretty big waves; about 20 feet at Waikiki, there. It’s called Papa Nui. It’s a big blue water break between Queens and Canoes, way out. So, we were out there catching and he couldn’t catch ‘em. Every time he’d try to catch ‘em, the wind would blow him right off the top of the wave. But, with my board, I’d just pop in and go.”[93]

As for Buzzy Trent, “He went out Makaha with me,” Woody recalled. “You know, with Wally and I the first time. He’d never been out at Makaha before. ‘Wow!’ he said and his eyes were big. He asked, ‘We’re going out there?’

“‘Sure, sure!’ So, he was game. We paddled out and, boy, we’re sitting there waiting for the wave and these monstrousswells just go by. But, they weren’t big enough to catch, you know. And Buzzy’s eyes bulged. ‘You mean, we’re gonna catch these?’ I’ll never forget that! ‘You mean, we’re gonna catch these?’ But, he did. He got into it.”[94]

“Buzzy came over from the Mainland and he talked about big waves,” Woody retold the story to Ben Marcus, “and we said, ‘Come with us.’ We went to Makaha and it was a pretty good day, maybe 20 feet. I’ll never forget his expression. Buzzy saw these waves, and all you could see were two big eyes, and he said, ‘You mean we’re going to catch these?’ And we said, ‘Sure, Buzzy. Let’s go!’ But he got into it. He got into the swing.”[95]

“Buzzy Trent,” Russ Takaki said the name with a reverence I’d only heard in reference to the older Hot Curl guys. “Oh, yeah! We surfed a lot, togedah. He used to like Makaha, also.”[96]

In addition to Buzzy Trent, Woody also had praise for surfing’s first commercial filmmaker, who released his first surf movie in 1953. “Oh, boy, I used to admire Bud Browne. He’d sit right in the boneyard, where these 20 foot waves are gonna crack right down on him, so he could get close and see us going across in front of him, eh! But, that was swell! We’d make it, but he’d get the axe. He’d be swimming right there with a camera and he’d be right there where the wave pounded him; rolled him around every time. Oh! I used to admire him, boy! And, he’s a frail kind of a guy, you know. You see him and he’s not a big bruiser.”[97]

“Makaha point surf... [was] the ultimate challenge,” attested Peter Cole who came to Makaha in the early 1950s. “When these waves wrap around Kaena Point from the north, they reach their peak in the bowl and are nearly impossible to make.”[98]

“Woody Brown... He was a big wave rider only!” Californiasurfer Walter Hoffman, who came over in 1948, recalled. “The biggest wave I ever saw ridden was by him at Makaha in the early days. God, that wave was fabulous! He... lived right above the Tavern with his wife Ma Brown… a really neat guy, a real gentleman.”[99]



In 1953, Honoluluphotographer Thomas “Skip” Tsuzuki took the famous Associated Press photo of Buzzy Trent, Woody and George Downing riding a 15-foot wave at Makaha that went world wide. “That’s the first big wave that was ever photographed that had world wide distribution,” Woody recalled. “After that, of course, people started getting gung ho over big waves. That’s probably when they started going the NorthShore. That stirred everybody up. They started going everywhere there was big waves.” Woody clarified that, “When we were riding Makaha, other surfers were starting to go there; about the time Buzzy Trent came over to Makaha. After that, he started going over to the NorthShorewith those guys, too.”[100]

About the famous AP photo of Trent, Brown and Downing, Woody repeated to Ben Marcus that “That was the first big-wave photograph ever made and it stirred up a furor on the Mainland. All those guys came over and there were the movies, and then they rode WaimeaBay and the magazines started up. But that was after my time.”[101]

Woody picked up the nickname of “Spider” because, as he put it, “I surf with my arms all out, half squatting down, and with my long legs I look like a big spider riding a board.”[102] His stance was evident in the Tsukuki photograph. On that ride, Woody was the only one who made it all the way across.

George Downing confirmed Woody’s ride, saying that he “was the only one that made the wave. That was point break at Makaha. Where Woody was, he was on the perfect place on the wave.”[103]

California surfers started coming over, after that picture,” Woody told me. “That went to the Mainland and – boy – that drove everybody crazy. They couldn’t believe that. So, they all wanted to come out here and see for themselves. But, I didn’t know any of those guys. I didn’t go with ‘em then. I just went with Wally and them. I just never got to know ‘em. For instance, Joe Quigg nice guy, gentle, quiet guy.

“We were kind of separated into two bunches, then. Wally, Kelly and me and those guys – we would go to Makaha. California guys went more for the NorthShore. I don’t know why; probably because the waves were more peaks and you could play around on the peak, where Makaha had this wall and, man, you had to have a good, fast board and had to really trim it to get going; to get across. That, maybe, didn’t appeal to them.”[104]



Catamarans


Woody did more than just surf in Hawaii. More than anyone in the Twentieth Century, he was the man who brought the functional design of the ancient Polynesian double-hulled canoe design into the modern era and worldwide popularity. “He’s an innovator,” surfing veteran Don Okey declared of Woody, citing the catamaran Woody built in 1946. “That started the whole craze of catamarans.”[105]

Woody said he based his twin-hulled craft on the design first created by Polynesian sailors. Woody met some Tongans while surveying on Christmas Island following the end of World War II. “There was this canoe there, ya know, the outrigger canoe the Melanesian boys made. It was so fast! Oh, we passed a Navy motor launch, just on the fly; go by ‘em so fast! I said, ‘Hey!’ I sailed sailboats and there was nothing like this anywhere. ‘I’m gonna build one like this when I get home.’

“So, I did. I met this Hawaiian boy, Alfred Kumali, and he was interested, too. So, we said, ‘Let’s build one.’ So, we went to the BishopMuseum. We studied all the old canoes of Oceana.

“Captain Cook [who lead the first European expeditions to Polynesiain the late 1700s] said, ‘Well, they’re nice canoes, but they’re all bent out of shape. They don’t know how to make ‘em straight. They’re all bent crooked.’ He just didn’t understand it was an asymmetric hull. They made them that way on purpose! So, the Polynesians understood hydrodynamics, which we’d never heard of! Captain Cook never heard of that. The Polynesians were so far ahead of Captain Cook and yet he just said, ‘They’re dumb, they don’t know anything.’ We’re so arrogant and conceited, aren’t we?”[106]

Woody had sailed with the Tongans in their double-hulled canoes and found the design attractive and fast. “When I came back to Hawaii, I was all jazzed on this double hull,” Woody told Ben Marcus. Out in a Hawaiian field, he and Alfred Kumalai “built a 16-footer and called it the Manu Kai, which means Sea Bird. I did about 15 knots in that thing, and passed all the so-called American racing boats, which couldn’t go faster than 7 or 8 knots. I’d go by them like they were parked, and they didn’t like that much. They didn’t let me into the yacht club.”[107]

“He was the first to bring them down here,” Rabbit Kekai recalled of Woody’s catamarans. “They were about 14’ and had lateen sails. I used to sail it off Diamond Head where the ‘leahi’ wind blew, and when we’d get knocked down over there, he’d get so mad.”[108]

Woody’s second catamaran was a 38-footer, which he also named Manu Kai. “Woody built the first big catamaran, the Manu Kai, in his backyard,” remembered Rabbit Kekai. 

“Everybody pitched in. We rolled the damn thing down the highway and it took about sixty guys to lift that cat, walk about ten feet then put it down. Rest. All the way down to a lagoon where we put it in the water. Then Woody sailed it to Waikikifor the first time. He somehow got licensed to be the first guy out there.”[109] The cat could do more than 20 knots and was widely regarded as the fastest sailboat in the world. “Had Brown jumped into the patent process and made an empire of his invention,” speculated surf writer Ben Marcus, “he would have been filthy rich. Instead, he made a simple living selling his plans, building larger boats for believers and taking stoked tourists for rides.”[110] The second, bigger Manu Kai is now generally considered to have been the first modern, ocean-going catamaran.[111]

Actually, sailing catamarans were “invented” and patented by Nathanael Herreshoff in 1877. After sailing on the Manu Kai with Woody, surfer Hobie Alter went on to hold a design patent for his “Hobie Cat” and made a fortune as a result.[112]

I mentioned to Woody that his surfing must have been less after he got into catamarans. 

“Yeah, a lot less,” he replied. “Because you’re tired, you know? You don’t have time, see. Cuz I was just barely making a living. I used to have to work. Sunday was such a good day that I didn’t want to take off. Time I could take off was when the surf would come up and we couldn’t go on the beach with a cat; then I’d go out surfing. But, that wasn’t too often. So, my surfing was kind of cut down.”[113]

One of the Mainland surfers who came over in the late 1940s was Joe Quigg, most noted for his development of the “Malibu Board” and his craftsmanship in building paddleboards. Quigg was one of the many surfers who worked for Woody on the catamarans and he remembers it as a romantic era. “We’d pull up on the beach at Waikiki and tourists would throw money at us and jump in. Woody would be stuffing money in his shirt and down his shorts and anywhere he could. He’d go to the bank in the afternoon and dump all this sandy money out of his pockets. It was a great business.”[114]

His catamaran career kept Woody in business for 40 years. It was an ideal living for a waterman who lived for speed.

Duke Kahanamoku even, “bought one of my little catamarans,” Woody replied when I asked him how well he had known the Duke. “He used to go racing with it. He was a member of the yacht club. So, I got to know him pretty well, but I never got to surf with him too much because by the time I came along, he was getting kind of old, already. He didn’t care to go out Castle, anymore. He’d stay in there at first break.”[115]

On June 5, 1955, Woody launched Waikiki Surf, which he had built with Rudy Choy. Five days later, they sailed it from Honolulu to Santa Monica, arriving 15 days and 12 hours later, for an average of 180 miles a day over 2,700 nautical miles.[116]

The voyage was meant to basically prove the seaworthiness of the cat design,[117] but did not come easy. “Whoo! We ran into a big storm,” Woody told me – like Wally had also told me – getting quite animated at the recollection, “that had 70 mile-an-hour winds and 30 foot waves. I had to tie all my crew downwith a rope, cuz if they ever washed overboard, there was no way you could turn around to pick ‘em up. You’re just going with the wind and keep the boat straight, because the waves were so big, if you ever got hit sideways, it would roll you right over. Pretty hairy!”[118]

With Woody and Rudy Choy were Wally Froiseth and Rich Muirhead. “When the storms came –” Woody backtracked in his recollection, “when the barometer started going down real fast – I told the guys, ‘Oh, boy, there’s a big storm pretty close, somewhere.’ The barometer kept going down and the swells kept on getting bigger and the wind’s picking up. So, I said, ‘Hey, hey, to hell with this course. Let’s just turn and go away because if the wind is blowing this way –’ I knew from the way the high pressures spiral – they spiral away –‘the storm center must be right over here and is traveling about like this. We better make it over this way; instead of going the charted course.’

“Of course, the financier of the trip said, ‘Oh, we’re not going to California!’ I said, ‘No, the hell with Californiaright now. We want to get away from the storm because we don’t know how strong it’s getting.’ The waves were getting huge, the wind was getting strong, and the barometer was going down faster ‘n hell! So, I knew there was a bad storm out there.

“This dumb guy who owned the boat – see, I didn’t have enough money to do this, so this young guy came and said, ‘Look, I’ll pay for it. I’ll buy the boat and I’ll pay for all the trip.’ Alright! But, he was such a disagreeable, such a terrible person! When I changed course, he went, ‘What the hell are you doing?’ I said, ‘Well, the barometer –’

“‘We don’t need no barometer!’ was his attitude and reply.

“Then, I kept cutting the sails down and getting the sails smaller as the wind picked up. And, the guy goes, ‘Oh, no, don’t put the sail down! We’ll never get to California!’ I said, ‘Look, if you don’t take it down, now, you’re not going to be able to get it down, cuz it’s pushed against the rigging and mast and everything; cuz we’re running with the wind. You can’t go anywhere else but with the wind, now, see, it’s gotten so bad.’

“At first, when I went down, they didn’t understand. But, then, after it picked up and got worse and worse, you couldn’t go anywhere but with it. Waves are 30 feet and breaking, like surfing waves! A 30 foot wave would roll that catamaran over like a toy. I had to keep it right, you know, straight-off, and ride with it. So, when they began to understand, the crew didn’t grumble.

“But, this one fella: ‘Oh, don’t take the sail down!’ I said, ‘Look, if you don’t get it now – see how tight it’s stretched against the rigging? – you’re not going to be able to get it down!’

“‘Oh, I’ll get it down. Don’t worry, I’ll get it down!’

“So, I figured, the only way this guy’s gonna learn is the hard way. So, I said, ‘Alright. OK. You can leave it up, but, you’regonna take it down. I ain’t gonna help. You’re gonna do it yourself.’

“‘Oh, I’ll do it.’

“Ha! Pretty soon, things began to get wild and out-of-hand and he got scared. ‘I’m gonna take it down, now,’ he said.

“‘Yeah, go ahead and take it down,’ I replied. I wouldn’t help him. He and the other guys had a hell of a time taking it down. A little more and they couldn’thave taken it down. Then, we’d be out of control.”[119]

After safely arriving in Santa Monica, Woody and company tried to enter her for the TransPac -- the trans Pacific race from Los Angeles to Hawaii. The entry was not allowed but Waikiki Surf sailed with the fleet of yachts and would have won the race on corrected time by many hours even after having had to reduce speed due to a crack in the port wing section.

After working with Woody on his catamarans, Alfred Kumali and Rudy Choy teamed up with Warren Seaman to take “the ideas of Woody a step farther into commercial building… a bigger and better type of cat,” surfer Gary Howe remembers. “Along with my surfing I raced and sailed on some of those CSK cats and had some of my best and most enjoyable times sailing those boats. I sailed on a 36 foot CSK here in California for many years and I was the driver of that boat much of the time. There are a lot of stories about those old boats and in Surfing for Life Woody talks about Manu Kai the beach cat and there are some scenes in the film of it going along at a pretty good clip.”[120]

“CSK” stood for“Choy, Seaman, Kumali… the designers and builders who actually got the modern catamaran world going back in the old days. Woody Brown was the one who first started it in Hawaii with a modern boat, not the old Hawaiian style of cat…those cats [that Woody and CSK built] under sail surf like mad and often for quite a long time on a good swell.”[121]

While continuing with his catamaran business, Woody returned to gliding in the late 1960s and on into the ‘70s. In 1971, at age 59, he rebuilt a war surplus glider and set a soaring record of 12,675 feet above Mokule‘ia. “I flew all the way around the whole island of O‘ahu,” he told me, saying he’d gotten as high as 23,000 feet, without oxygen, which most people need above 12,000 feet. “I was up above everycloud in the sky, looking down on top of them all! With no motor! Isn’t that amazing? Quite a thrill.”[122]

After setting records for distance, altitude and goal flight during his glider pilot years, Woody eventually sold his glider in the early ‘80s. “I couldn’t take care of it. It was just too much. I’d had enough, anyway; let the young boys have it.”[123]



Maui


During his more than fifty years living on the Hawaiian Islands, Woody made his home at least three separate times on the island of Maui.

“Hookipa used to be big waves. I used to get 20-25 foot waves there and slide all the way across that bay. It would break in a big peak on the Kahului side. And it would be a big peak out in the blue water, and you’d catch that and then you could make this wall all the way across, over toward the point. Then, of course, it would fold across inside, but you could pull out before then. Now, since I’ve been here [the third time; since 1987], I haven’t seen that. It’s all just breaking here and there and it’s not a big line like that anymore. It’s all broke down. It’s a lousysurf, now. And I think the reason is because the reef is growing up. In 50 years, it’s bound to grow. It’s shallow everywhere. There’s not a peak; there’s not a point of reef sticking out anymore. All the inner reef where you were going across, where it was deep, now is grown up so it just breaks anywhere across.

“I think that’s what’s happening on the coral islands, here. Now, for instance, Mala Wharf. That’s the best surf on the Lahaina side. That surf there, I’ve rode out there from all the way to the pier and had to pull out at the pier to keep from hitting the pier! Well, nowadays that’s unheard of. Nobody could ever begin to do anything like that because it folds across before you get there.

“Now, we had the tidal wave [from hurricane Iniki, 1990] and all and you still couldn’t make it even in that tidal wave which was over 20 feet high when it came in over there; 25 feet, at least. I was standing in on shore and you couldn’t make ‘em across to the pier.

“But, talk about big, big! I saw the curl go right over that pier and the building that was on top of the pier and the pier’s – what – 15 feet, at least, above the water, and then the building’s another 10 feet on top of that. And this curl went right over the building and the building and pier just disappeared! After that was over, the tidal wave passed, the building was gone and most of the pier. Yet, you still couldn’t make ‘em. See what I mean? The bottom has just changed shape.

“So, the answer is: you gotta look for new places where there’s a new point out somewhere; where it hasn’t grown up like that. But, the old places are all kind of obliterated because the coral’s grown up.

“Like I say, Hookipa used to be a wonderfulsurf. Oh, my goodness! It had a channel going out and I remember the rip current going out this channel was sofantastic, you didn’t have to paddle, all you had to do was go in front of this channel and, boy, next second you were outthere! But, now, there’s hardly any channel. It breaks across the channel and everything.

“I used to have back trouble. My discs or something were collapsed and I’d get paralyzed and couldn’t move. I was out there at Hookipa, alone one day in those big waves, and all of a sudden I couldn’t move! I just couldn’t move! I thought, ‘Oh, my God, what am I gonna do?’ Cuz I couldn’t even paddle! And I laid there on my stomach and gradually I could make my hands move a little bit.

“Hookipa was the first surfing place on the island. They even built lockers for the boys. It’s now a windsurfing place. It’s not so much a surfing place, anymore.” The Hookipa Surfboard Club was founded in 1935 by Teruo Uchimura, the older brother of Woody’s first Maui surfing partner, Don Uchimura.[124] It was the club that got the sheds and lockers built for surfers at Hookipa.

“There’s little tiny waves out here [on Maui]. They just break here and there, now. There’s no shape to ‘em. But, this place [Hookipa], oh, God! I’ve seen this place sobig! Well, 40-50-60 feet. From up there on the mountain, I’ve seen blue lines going out into the ocean as far as you could see! You could see these swells going in, these blue swells. So, you know how big that must be! I mean, hell – five miles out you see the swells from the beach. Oh, boy! That’s a hundred, two hundred feet of water they’re breaking in. You couldn’t surf it. You couldn’t live through it. But, it was there. They were black!

“I’ve seen KahuluiHarbor– I’ve seen outside the harbor break completely over the breakwater. You couldn’t see the breakwater. And, just black! Black lines! And from the road, there, where it goes by where I am, only a little more up toward the breakwater, you could look out and you’re looking up at ‘em, like this!” Woody paused to lift his head and eyes upward. “And, it looks like they’re just going to come right on in over the land and everything. They’re just black lines. I mean black! Scare the hell out of you. You couldn’t even think of going out.

“And then they wrecked KahuluiHarbor [in the 1970s]. That used to be a good surf; 10-12 feet would come in through the edges of the breakwater. Then they narrowed the entrance and built more breakwater. They dredged it out for a bigger turning basin and it just wrecked the surf! It used to be, again, a big peak out in the entrance there. You’d slide all the way left into the bay over toward where I live now.

“I was surfing there, first in ‘41. I remember Don Uchimura was the first surfer, here, and when I came over I met him and we went together and we went out in those big KahuluiHarbor waves. They were 10-12 feet waves and you could make every one. Beautiful! And now, oh! Now there’s a shelf. They dredged it so it’s deep right up to the shallow place. The swells come in and they don’t look too big. When they get to this, they just suck out and go over and, boy, you just have to be in the right spot or you get a dirty lickin’! They’re not more than 8 feet, maybe, at the most. You can get some fairly good rides. It’s much better than when they first dredged it; you couldn’t ride at all then; impossible. But, now, I guess this edge has worn down. The action of the sea has rounded it off a little bit and you can ride it, now. I go out there and surf all the time. But, the wind is always there. You have to go real early; 6 o’clock, before the wind comes up.”[125]

Eventually, “Like so many surfers,” wrote Nat Young, Woody “turned to the Bible in later life and found understanding in his personal translations of the holy book.”[126] In 1980, he wrote The Gospel of Love, A Revelation of the Second Coming. In the book, Woody took pride in his approach to life. “I have always had a talent for taking a complicated subject and making it simple,” he wrote.[127]

After spending the day on surfari, surfing and interviewing Woody, I was compelled to point out his essential positivism and asked him about it. “You’ve stayed pretty idealistic over your lifetime. Where do you think you got that from?”

“That’s a good question, isn’t it?” Woody replied. “I’ve seen my past lives, you know. I’ve seen from the way they were – the way I lived them – sets you up for what you are, here, now.

“So, I can understand, now, why I did the things I did in this life, because my character that I made in my previous lives set me up for it. Of course, maybe the experiences are new, but I mean your general attitude to things, you know, the character which you’ve earned in the other lives.

“So, I wasn’t surprised when I began to study and learn about it, why I did what I did or why I wanted to do the things that I did; for instance, flying. See, I was very unhappy as a child because I couldn’t figure out why men wanted to kill each other. I’d ask, ‘Why are there wars? What are people fighting about?’ Nobody could answer, because there’s enough of everything in the world for everybody. Nobody really knew! I couldn’t get any answers, see?

“So, I got really down, because I couldn’t figure out why the hell everybody was fighting. There was enough for everybody! So, I was very unhappy and despondent as a young child. So, I just wanted to get away. I liked the country; way out in the country, away from people, away from civilization. I didn’t like the city. New York City: I hated it! I had to go to school there and I just hated it, there.

“So, after awhile, I realized that it was from my other life that I liked to be up in the sky and get away, cuz I was getting away from the world. Up there, you’re just free. Nothing in the way. No fighting, no hating. Everything is beautiful when you get away up there; especially in the glider, with no motor, no ‘Brute Force and Bloody Ignorance.’

“And surfing the same way! I came to realize that’s why I like surfing, too, cuz I can get away from it all; get out in the ocean where it’s all open and free and you’re working with nature instead of fighting it.

“So, I began to understand these things. And I realized in my other life I was a hell-fire preacher and damned a lot of poor souls to hell fire and that sort of thing. And, then, I was a sea captain, once. Because, how could I take that catamaran out in the ocean. I didn’t know anything about oceans or being a captain like that. Yet, well, we sailed it across the ocean.”

“What other lives do you remember?”

“Well, those two are just the only outstanding ones. I know I was a hell-fire preacher because that’s why now I don’t want to go near churches. I know I’ve had my belly full of that. I have a vague recollection of being in the Philippinesbefore. I have a feeling, a vague kind of a feeling, that I was there on a dirt road and there was royalty there. I was with a king or royalty somehow; just a vague sort of feeling about it, so maybe I was in the Philippinesbefore.

“So, how did I know all those things, unless I’d been through it before?”[128]

In 1986, Woody retired to Maui, but his second wife Rachel died of diabetes soon afterward. Grieving, Woody went to the Philippines. I asked him why he went to the Philippines. “To get me a new wife!” he proudly responded. “Some Philippine people I knew said, ‘Oh, we know this nice family over there. They have a couple of daughters. The daughters don’t want to marry Filipinos, they want to marry Americans. Come over here and what.’ So, they said, ‘We’ll give the name if you want to go over there.’ So, I thought, ‘What the hell, sure, I’ll go over there.’

“And these two girls there, you know how it is, they said, ‘Age don’t matter.’ They were too young! Way too young. But, they said, ‘Aw, age doesn’t make any difference.’ So, I said, ‘Well, if it don’t matter to you, it don’t matter to me!’ But, that’s a mistake because there is that age gap, you know. We think so differently, older people. Younger people, they have so much ambition; keep going every second. Older people get worn out with that! So, there is a block, there; an obstacle. Not such a good idea, that wide an age gap. But, I didn’t know that and neither did she! We had to learn these things.”[129]

When I met Woody at age 82 in 1994, he lived on Maui for the third time in this life, with his third wife Macrene, age 28, and their son, Woodbridge Parker Brown Jr., age 6. The family had lived in Kahului, Maui, since 1987.

Woody was a vegetarian for most all his life. “I never ate meat much, you know. Even when I was a kid at the time, my mother and step father ate meat, but my grandmother formed the Anti-Vivisection Investigation League and passed bills before Congress to prevent doctors from experimenting on animals and stuff. She started associations where they took care of animals and what; preventing cruelty to animals. And so, I was raised with her and she wouldn’t eat meat at all, you see. She wouldn’t kill anything. So, I had the two contrasts, there. And so, I would eat some meat; but then I’d see her and talked with her and saw her point of view. So, after awhile, when I got to age 17, I stopped eating meat altogether. I lived with that all my life.

“But, I would eat meat occasionally. Now, my English wife Betty, on the Mainland... before she died, she was raised as a theosophist. That’s eastern religion brought over here into an American version, sort of. She wouldn’t eat meat. And all her family, they were all fanatics. Her brother’s wife – I’ll never forget – we were all eating a meal and somebody said, ‘Oh, it’s vegetarian, but the gravy’s from a chicken.’ She left the table and puked in the bathroom; that kind of fanaticism [about not eating meat]. I said to my wife, ‘Hey, we’ll eat meat once in awhile just so we don’t get like that.’ So, we’d eat meat once a week.

“When I came to Hawaii, I speared fish and ate fish the way the Hawaiians do. But, then after awhile when I was up in Kula, farming there, I began to see religion more and how we got to learn to stop killing each other and killing every thing. Man just loves to kill everything. And I began to realize, ‘Hey, that thing is suffering just the same as you.’ I don’t want someone killing me. What if a spaceman came down and wanted to roast us? How would you feel? And so the animal feels the same way. It doesn’t want to be roasted in an oven. So, finally, I told my second wife, ‘I’m gonna give up meat completely, even fish.’ And that was hard because, you know, that was the only meat I ate up to that time.
“We’re raised to think we have to have meat to have health. So, it was hard for me to give up the fish. I stuck with it, though, and I still don’t eat fish, today. Maybe that’s not for everybody.”

Woody elaborated on his vegetarianism. “Even if it wasn’t healthy for me, if I could do it to the extent where I wouldn’t die, then ‘I’ll do without it, whether it’s healthy or not.’ That was my attitude. But, then I came to find out that you can be just as healthy without meat. There’s other things you can eat; nuts and beans and all kinds of things that give you protein.”[130]

“When you eat meat you’re eating fear and pain and death,” Woody told Ben Marcus. “I’d rather eat life.”[131]

In 1993, Woody took part in two significant reunions. One was in La Jolla and the other was on O‘ahu. “Yeah, we had a little get-together in Honolulu. Henry [Lum] called them all. He took us all to dinner; to a nice restaurant. Everybody got together – Fran Heath, Wally Froiseth, John Kelly, Russ Takaki, Rabbit Kekai; all the old guys. I hadn’t seen some people in 50 years! Same thing when I went to the Mainland. I hadn’t seen some of ‘em in 50 years.”

Longtime friends and surfers Jack “Woody” Ekstrom and Don Okey made it possible, in 1993, for Woody to make the first extended trip to his old stomping grounds of San Diego for the first time since he left in 1940. Okey and Ekstrom got contributions from north San Diego county surf shops and businesses, along with friends and fans. “All these people doing this for me, I feel real humble,” Woody said in San Diego during the visit. “I’ll never forget this.”[132]

Of Woody during these times of reunion, it was written that “He just skips around like a kid.”[133]

“I notice all the surfers live to a ripe old age,” was Woody’s response.[134]

In 1994, I asked Woody where his favorite surf spots were on Maui. “Oh, well, nowadays I go in the harbor [Kahului]. I’ve got a nice little left wall across there and it hangs up. It just holds up and you think, ‘how can it hold up like that?’ You’re going across, going across. It’s wonderful. Of course, sometimes it doesn’t hold up; it collapses. When it gets too big, you can’t ride there. It breaks all the way across. Up to about 8 feet, why, it’s good; 6-8 feet. Beautiful wave.

MalaWharfis probably the best one on the south side of the island. There’s a very fast wave. You’re just barely makin’ it all the way. The only trouble is, it’s a real shallow coral inside and you’re tempted. It’s just such a gorgeous curl, you just don’t want to pull out, see, and you get caught. Then, you’re in this water that’s knee-deep, where the wave’s breaking on ya; sharp coral. Oh, boy. But, I’m learning to just pull out; never mind the nice little curl. ‘You’ve had a good ride; get out!’ Cuz, I take such a beating in there. It ain’t worth it.

On this side of the island [north shore], I guess Paukukalois now about the best. That has a beach and a little way to get out; an open area where you can get out. I like a place where I don’t have to fight my way out through five lines of white water. By the time I get out there under those kind of conditions, I’m so bloody tired, I don’t want to surf!

“Paukukalo. Don and I were the first ones to find that. That’s a bigger surf than KahuluiHarbor. See, that’s out in the ocean and gets 10-12 feet. They’re good shape, sometimes. You can make every one. Last time I was there, oh, beautiful shape! I made every one clear into the beach. They were about 10 feet, which is about the most I want right now, you know, because I don’t have the wind to fight that white water. I get sucked in and I can’t get out and I get sucked in on the rocks and I gotta fight the rocks and climb out over them with the board and all that stuff. It’s just not worth it to me. So, I go places where they break and they die off inside; where the water’s deeper. Cunha’s at Waikiki is like that. The board just floats around this deep hole. So, that’s alright. There, I can always paddle out and enjoy myself.”[135]

When Woody and I surfed together, surf was scarce on the Lahaina side, where the wind wasn’t blowing. We found some 2-footers at a beachside park, south of Lahaina. “This little park, it’s pretty nice,” Woody said.  “It’s on the reef, but it’s pretty deep. It’s about 3 feet over the reef, so you can ride in and if you fall, you’re not gonna get hurt.”[136]

It was only during the last decade of his life that Woody got the kind of credit he deserved as one of the foremost of the big wave pioneers. Noteworthy were two U.S. video documentaries: Surfing for Life,(1999) and Of Wind and Waves: the Life of Woody Brown (2006), both produced by David L. Brown (no relation).[137]

The lack of recognition didn’t bother him. “I’ve never really cared what people thought about me, one way or the other,” Woody told Ben Marcus. “I was just interested in doing things. Whether it was flying or sailing or making surfboards, I just always wanted to improve things.”[138]

Woody compared his improvements in surfboards in the early days with what’s out there, today. “What our boards lackedwas turning ability. What the new boards have been able to do is achieve turning ability. That was a natural evolution, because, as more people came out to surf, there wasn’t room to go across the curl like that. Here’s a bunch of guys and there’s one guy who’s gonna slide across like that and he’s gonna cut everybody else out. And, if you’re way over there on the end, there’s no wave, hardly. So, you had to catch it over here. And then, everybody else doesn’t have a chance.

“When there’s a thousand guys out, why, you know, they’re all dropping in. There’s no chance. So, obviously, the kind of board you want is the kind of board where you can say, ‘This is my little place and I can ride right here and you can ride right over there.’ It was a natural evolution because of overcrowded conditions.

“I couldn’t ride my big boards at Queens at all, cuz I’d just mow everybody down.

“The big guns, today, they’re more like my boards were, before. When the wave’s 20 feet high, twice as high as this building, man, you just want to get across! You don’t want to get caught in that white water. No way!”[139]

Boards may have improved with steady evolutionary changes, but attitudinal changes toward surfing were often slow in coming. “Surfing didn’t really start to come into a nice attitude to where people respected it, only until the last fifteen years of so! When they started having professional meets and they started giving prizes away, then, surfing became of value. ‘Gee, you got a thousand dollars, that’s great. You’re a great guy, you surfer.’ So, that’s changed.

“It’s only within recent years that surfing’s gotten respect. Years ago, we were looked down upon by everybody. Yet, here were these brave guys going out in 30 foot waves and nobody gave ‘em any credit for that or any respect. ‘You’re just a damn bunch of good for nothing bums.’”[140]

“I have to admit I lived in the best time. I couldn’t have had a better life. I mean, I was very lucky, all the way around. I had flying when it was at its most romantic time, when every flight was an experiment. Then, with the surfing, the same thing; learning to make the Hot Curl boards and riding the big waves and coming into a little respect, you know, with people. I was just lucky. I saw the old Hawaiian people and how they used to live. I got the tail end of the true Hawaii. I’m so thankful and appreciative for that.”[141]

“From all I’ve experienced in life and surfing and religion,” Woody had told Ben Marcus, “there’s one great lesson I’ve learned that I would like to pass on to all surfers today: When you go out surfing, go out there to enjoy it, to share with your fellow man. Not to compete with him, but to share. If you share the joy, the joy is 10 times greater than if you just have it for your own selfish self. That’s how we started out and that’s what I want to bring back.”[142]

In my case, Woody left me with two last thoughts: one was ecological. “Boy, look at the cars on this poor little island, where there used to be one car all day! Hard to believe, isn’t it? And, it’s getting worse! The last two, three years I’ve been here, it’s nearly doubled. Unreal!

“We’re destroying the world by polluting the water, the ocean, the sky and air, and cutting the forests down so there’s no rain, just floods,” Woody said. “Pretty soon, it’ll be a desert; the world. It’ll take time. It won’t be a sudden thing, but, gee, we’re wrecking everything, everywhere. If we keep going like this, why we’re going to make a desert of the world.”[143]

The second message was to read his book, The Gospel of Love and let him know what I thought about it. “You’ve got to have faith in some thing,” Woody advised, adding in his animated way, “We gradually learn as we go through life. Boy, I hope I’m learning! I don’t want to come back here anymore. I’ve had enough of this.

“I’ve hopefully learned what I came here for, so I don’t have to come back here anymore. Once you’ve learned what you’re here for – what your mission is – once you’ve accomplished that mission, there’s no need to come back here. You can stay in the spirit world.”[144]

Woody passed on, in 2008, aged 96.


Come ride the waves, the surf is high,
and hear the song the surfers cry.

Slide out on the shoulder and finish the ride,
Your heart’s on fire, your soul’s filled with pride.

Taste the salt, the stinging spray,
Know the price a surfer must pay.[145]



Woody and I talkin' story in Pa'ia, 1994




[1] Marcus, Ben. “Woody Brown: ‘I’d Rather Eat Life,’” Surfer, Vol. 34, No. 11, November 1993, p. 58.
[2] Marcus, Ben, 1993, pp. 58-59.
[3] Young, Nat. History of Surfing, ©1983, Palm Beach Press, 40 Ocean Road, Palm Beach, N.S.W. 2108, Australia, p. 60.
[4] Marcus, 1993, p. 59.
[6] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[7] Most sources have Woody first in La Jolla in 1936, but he recalled for me that it was 1935.
[8] Tash, Joe. “Surfer, 81, Riding Wave of Enthusiasm,” San Diego Union-Tribune, November 1993, p. B-9.
[9] Woody said he was 100 feet above the mountain ridge when the collision took place.
[10] Gault-Williams. Interview with Woody Brown, November 22, 1994. Woody said they were still on the towline when this happened, approximately 200 feet above ground.
[11] Stecyk, Craig and Pezman, Steve. “Rabbit Kekai -- Talking Story,” The Surfer’s Journal, Volume 3, Number 4, Winter 1994, ©1994, p. 75.
[12] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[13] Marcus, 1993, p. 60. In reality, though, San Diego surfing started with George Freeth in 1915. SeeGault-Williams, “George Freeth: Bronzed Mercury,” ©2013.
[14] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[15] Marcus, 1993, p. 60.
[16] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[17] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[18] Marcus, 1993, p. 60.
[19] Young, 1983, p. 60.
[20] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[21] Young, 1983, p. 60.
[22] Marcus, 1993, p. 60.
[23] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[24] Marcus, 1993, p. 60.
[25] Woody believed his grandfather saw to the disposal of his La Jolla property.
[26] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[27] Marcus, 1993, pp. 60-61.
[28] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[29] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[30] Stecyk and Pezman, 1994, p. 75.
[31] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[32] Froiseth, Wally. Notations/corrections to draft, May 25, 1996, p. 14.
[33] Finney and Houston identified four locations on the North Shore of O`ahu: Pekue, Mokule`ia; Pua-’ena, Waialua; Waimea, Waimea River Mouth; and Pau Malu, Pau Malu Bay, aka Sunset Beach. See Finney and Houston, 1966, pp. 28-29.
[34] Kala-hue-wehe is an old Hawaiian word for the surf breaks off Waikiki. Tom Blake used this word a lot. Woody confirmed its meaning.
[35] Patterson, Otto B. Surf-riding, Its Thrills and Techniques, ©1960, C.E. Tuttle Company, Rutland, Vermont, p. 123. See also Finney and Houston, pp. 38-39.
[36] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[37] Gault-Williams. Interview with Woody Brown, November 22,1994.
[38] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[39] Gault-Williams. Interviews with Woody Brown, November 22, 1994. According to Tom Blake’s written descriptions, Duke’s board was not quite that long, nor that heavy.
[40] Marcus, 1993, p. 61. Ben has Woody saying the board was 70 pounds.
[41] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[42] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[43] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[44] Young, 1983, p. 60.
[45] Stecyk and Pezman, 1994, p. 75.
[46] That is, the beginning of the Twentieth Century on into the Twenty-first.
[47] Gault-Williams. Interview with Fran Heath, April 2, 1996. See also Gault-Williams, “Fran Heath: The Forgotten Hot Curler,” Longboard, Volume 5, Number 1, March/April 1997.
[48] Gault-Williams. Interview with Fran Heath, April 2, 1996. See also Gault-Williams, “Fran Heath: The Forgotten Hot Curler,” Longboard, Volume 5, Number 1, March/April 1997.
[49] Gault-Williams. Interview with Fran Heath, April 2, 1996. See also Gault-Williams, “Fran Heath: The Forgotten Hot Curler,” Longboard, Volume 5, Number 1, March/April 1997.
[50] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[51] Stecyk, The Surfer’s Journal, Winter 1993-94, p. 38.
[52] Gault-Williams. Interview with Wally Froiseth, April 3, 1996. Wally offered 1938 as the date since he was still in high school. This was verified by Fran Heath, who had the original receipt for the board that became the first hot curl. See also“Gene ‘Tarzan’ Smith” chapter in LEGENDARY SURFERS Volume 3: The 1930s, ©2012.
[53] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[54]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[55] Stecyk and Pezman, “Rabbit Kekai -- Talking Story,” 1994, p. 72.
[56]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[57] Jenkins, Bruce. “The Death of Dickie Cross,” Surfer magazine, October 1993, p. 53 & 87.
[58]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[59] Jenkins, 1993, p. 53 & 87.
[60] Young, 1983, p. 60.
[61]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[62] Surfer magazine, Vol. 33, No. 12.
[63]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[64] Jenkins, 1993, p. 53 & 87.
[65]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[66] Jenkins, 1993, p. 53 & 87.
[67]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[68] Jenkins, 1993, p. 53 & 87.
[69]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[70] Young, 1983, p. 60.
[71] Jenkins, 1993, p. 53 & 87.
[72]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[73] Jenkins, 1993, p. 53 & 87.
[74]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[75] Marcus, 1993, p. 61.
[76]Surfer, October 1993, p. 87.
[77] Gault-Williams, Malcolm. “Fran Heath: The Forgotten Hot Curler,” Longboard, Volume 5, Number 1, March/April 1997, p. 36. Based on the interview with Fran Heath, April 2, 1996.
[78]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[79] Gault-Williams, “Fran Heath: The Forgotten Hot Curler,” Longboard, 1997, p. 37.
[80]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[81]  Nana-kuli, Wai`anae, O`ahu.  Lit., look at knee (said to be named in honor of the tattooed knee of Ka`opulupulu, a priest whose chief, Ka-hahana, turned a deaf [kuli] ear to his advise, and, when asked about his knee, told of his relationship with the chief, thus rebuking him); or look deaf (said because people in the area had not enough food to offer passersby; hence they looked at them and pretended to be deaf.
[82]  Gault-Williams. Interview with Wally Froiseth, April 3, 1996. Wally has that famous picture of him, Russ Takaki, Roy Folk and Rabbit Kekai, taken “before anybody was going Makaha. Nobody was going Makaha at that time.” 1936 Ford Phaeton featured. “That Australian kid,” Nat Young used the picture in his book.
[83]  Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[84]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[85] Gault-Williams, “Woody Brown: Pilot, Surfer, Sailor,” The Surfer’s Journal, 1996. See also aerial picture of Henry, Wally, Buzzy and Woody at Makaha, Winter 1953 in Hoffman, 1993, p. 92.
[86] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[87] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[88] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[89] Gault-Williams, “Fran Heath: The Forgotten Hot Curler,” Longboard, 1997, p. 37.
[90] Stecyk Craig and Pezman, Steve. “Rabbit Kekai -- Talking Story,” The Surfer’s Journal, Volume 3, Number 4, Winter 1994, p. 72.
[91] Stecyk and Pezman, “Rabbit Kekai -- Talking Story,” 1994, p. 72.
[92] Stecyk and Pezman, 1994, p. 68.
[93] Duke Kahanamoku named Papa Nui. See Blake, Hawaiian Surfboard, 1935.
[94]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[95] Marcus, 1993, p. 99.
[96] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[97] Gault-Williams. Interview with Woody Brown, November 22, 1994.
[98] Browne, Bud. Surfing The 50’s, a videotape collection of the best of his 1950s surf films, ©1994. Peter Cole narration.
[99] Hoffman, 1993, p. 95. See photo of Woody with pilot’s sunglasses on.
[100] Gault-Williams. Interview with Woody Brown, November 22, 1994.
[101] Marcus, 1993, p. 99.
[103] Shikina, Robert. “Waterman Blazed Trail to Waves of NorthShore,” Star Bulletin, Vol. 13, Issue 111, Sunday, April 20, 2008.
[104] Gault-Williams. Interview with Woody Brown, November 22, 1994.
[105] Tash, 1993, p. B-9.
[106] Gault-Williams. Interviews with Woody Brown, November 22, 1994.
[107] Marcus, 1993, p. 61, has Woody going to Christmas Island in 1943, but this is doubtful, due to visa/passport restrictions during the war. See also Young, p. 60, who has Woody going to Christmas Island after the war. John Kelly, in Bud Browne’s Surfing The 50’s, mentioned Rudy Choy as another of Woody’s catamaran contemporaries.
[108] Stecyk and Pezman, 1994, p. 75.
[109] Stecyk and Pezman, 1994, p. 75.
[110] Marcus, 1993, p. 61 and 99.
[112]https://en.wikipedia.org/wiki/Woody_Brown_(surfer)viewed December 22, 2015. A design patent is different from a utility patent. See also American Catamarans©1957, at http://www.ayrs.org/repository/AYRS010.pdfwhich has some great diagrams of the Manu Kai and history of catamarans, in general.
[113] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[114] Marcus, 1993, p. 99.
[115] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[116]American Catamarans©1957, at http://www.ayrs.org/repository/AYRS010.pdf, p. 27. In previous writings about Woody, I have this date as being in 1957, not 1955.
[117] Young, 1983, p. 60.
[118] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[119] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[120]Email from Gary Howe, November 28, 2003
[121]Email from Gary Howe, November 29, 2003. Note various spellings for Kumali depending on source info.
[122] Woody told me that gliders had a glide angle of 20:1 when he began flying. He improved his gliders’ angle to 30:1. Today, Woody said, gliders have gliding angles of 50:1.
[123] Goal flight: “That is, you say before you take off, you tell ‘em where you’re gonna land. You have to go to that particular spot and land there,” Woody said. “I flew ‘em further than anyone in the world had ever.”
[124]Surfer, Volume 36, Number 1, January 1995, “People Who Surf” column, featuring “Don Uchimura, 75, Maui, Hawaii,” by Gary Stellern, p. 110.
[125] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[126] Young, 1983, p. 60.
[127] Marcus, 1993, p. 58 and 99.
[128] About the Philipine previous life, Woody felt it in 1986-87, when he was in the Philippines. “That’s how I got the wife I got.”
[129] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[130] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[131] Marcus, 1993, p. 58.
[132] Tash, 1993, p. B-1 and B-9.
[133] Tash, 1993, p. B-9.
[134]  Tash, 1993, p. B-9.
[135] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[136] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[138] Marcus, 1993, p. 99.
[139] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[140] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[141] Gault-Williams. Interviews with Woody Brown, November 22,1994.
[142] Marcus, 1993, p. 60.
[143] Woody referenced the Sahara desert that is such due to man’s negative impact on the fragile ecology of North Africa.
[144] Woody has since written two more books of biblical interpretations, unpublished.
[145] Blake, Thomas E. Hawaiian Surfing: The Ancient and Royal Pastime, ©1961, Northland Press, Flagstaff, Arizona. Poetry attributed to “W. Brown.” Woody confirmed to me that  it was his (interviews, November 1994). He also added: “Yeah, I’m gettin’ ya all jazzed up, here, talkin’ like this and then we can’t go and doanything!” Woody had a very animated way of talking. On a Pa‘ia porch, Woody referred to the tales of big wave riding his was spinning for me, after we surfed two foot mushers on Maui’s south side. “That’s a dirty trick! That’s what I call a mean, nasty trick!

LS 1 and 2 Out-of-Print

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Unfortunately, the first two volumes of the LEGENDARY SURFERS series are out-of-print. Volume 1, covering 2500 BC to 1910 AD, was originally published in 2005 as a paperback. Volume 2, covering the life of Tom Blake and the surf world of the 1910s and '20s was published in 2007, also as a paperback.



I have plans, this year, to re-release these two volumes, as eBooks, at a vastly reduced price from the original paperbacks. Please have patience while I make the transition. Both will most likely include new material along with the old.

LEGENDARY SURFERS, Volume 3, published in 2012, covers the 1930s, is in print, and likely to stay that way for a good while. It is available at: http://www.lulu.com/spotlight/legendarysurfers


-- Aloha,

Malcolm Gault-Williams

Russ Takaki (1919-2011)

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In the mid-to-late 1940s, Russ Takaki became the first Asian American big wave rider. Of course, in those days it wasn’t looked at like that. Russ was just one of the half dozen Hot Curl surfers who were challenging the waves all over O‘ahu; nothing more, nothing less.

(Russ Takaki, Rabitt Kekai, Wally Froiseth; Makaha, 1949)

Yet, Russ was not the first Asian American surfer or even first Japanese American surfer – not by a long shot. Back in the pre-World War II era, there was a Waikiki Beach Boy named Akamine. “A Japanese guy,” Hot Curl surfer Wally Froiseth told me, “one of the few Japanese guys at that time – probably the only one who surfed... He used to spin the solid board around, you know; 360. No skeg, flat bottom. It was easy to do, but, we [young kids] couldn’t do it.”[1]

Then, there was Don Uchimura, on Maui. “I remember Don Uchimura was the first surfer here,” in 1941, Woody Browntold me. “When I came over I met him and we went... out in those big Kahului harbor waves,” before the harbor was dredged and the break lost its kick. Woody and Don were the first ones to surf Maui’s Paukukalo, which got up to 10-12 feet.”[2] But this kind of range was under what Woody and Russ would ride later on in the 1940s at Makaha.

Russ Takaki was born on the Big Island of Hawaii on June 24, 1919. “I was actually born and raised in da sugar cane fields of Kohala, Hawaii,” Russ told me with a laugh that demonstrated his nisei pride.[3] Although he and his parents were full blooded Japanese, there was not much contact with their relatives in Japan. Spreading the family further out, when Russ turned 15, his family sent him to the Mid-Pacific Institute, on O‘ahu, to go to school. After that, he went on to the University at Manoa.”[4]

His second year at school on O‘ahu is when he got into surfing. He was 18 and living in the Ka-imu-ki area of Honolulu, between Kahala and Waikiki.

“I surfed some, before I went into the army,” he told me of the period just “befo’ da second world wahr,” “but not much, you know, [while] in school.”[5] The boards he rode in those days were made out of Californiaredwood. There was no rocker, no sophisticated plan shape, and the tails were wide.

“We called them redwood planks,” Russ recalled. “Long. Must have been about 10-to-11 feet long and pretty heavy boa’d; must have been about 24 inches wide; 70-80 pounds.”[6]

The same year Russ started to surf was the year the Hot Curl surfboard was born: 1937, a, but he didn’t really get going until after World War II, when he returned from the army in 1946, and met up with Wally and the rest of the guys. “He [Wally] lived in a house dat his mother owned in Waikiki,” Russ explained. “I happened to rent an apa’tment, you know, nea’by. We used to shape our own boa’ds, after the wahr. Wally was the guy who was good in shaping.”[7]

It didn’t take Russ long to adapt to the Hot Curl designs formulated before war hit the Pacific Theatre. I asked him when he made the switch from a redwood plank to a Hot Curl.

“Right after the wahr, when Wally sta’ted shaping boa’ds. He already shaped Hot Curl boa’ds, you know.” Russ paused. “It’s amazing – as I look back, now – how those Hot Curl boa’ds could hold the wave of those big ones.”[8]

I asked Russ who he remembered most in those days surfing after the war. He was quick to note the arrival of Woody Brown on the scene at the beginning of the war. Woody added hydrodynamic modifications to the Hot Curl design to make them better. Also on the scene was a much younger George Downing, just starting to come into his own.

“Woody Brown, Geo’ge Downing, some of those long-time beach boys like – oh, they’ah all gone, now, though, you know – like Turkey Love was one of ‘em... Chick Daniels, of course, the Kahanamoku’s...”[9]

For Russ Takaki, the years 1948-49 at Makaha were the most memorable ones. He would continue to surf the place until the early 1980s.[10]

I asked Russ if he was in that early migration from Makaha to the NorthShore:
“Yeah,” Russ responsded like, of course, but that wasn’t his focus. “Mostly Makaha. We used to like Makaha the best.”

When did you guys head over to the NorthShore?

“Well, off and on, in the ‘50s, we used to go NorthShore, too. Ah – Sunset, Hale‘iwa, Laniakea, but – I didn’t go that often to that side. Aroun’ dat time I sta’ted my family, you know, with t’ree kids. [And then,] I didn’t surf dat much [after that].”[11]

Through the 1950s and the waves of assaults on the North Shore by Coast haoles, the Hot Curl surfers continued to ride waves at Makaha and, occasionally, the North Shore. When they weren’t surfing, they were doing other competitive water sports and logging time in the water doing those things that helped put food on the table.

“We used to dive for turtles off Waikikiway back when it was legal to hunt for turtles,” Russ recalled. “I had a 4-man canoe and we used ta use dat, you know, to go out, anchor and go fishing. Lotsa times we went for turtles. Then we would go for squid, too, sometimes.

“Wally was very allergic to squid, until – interestingly – until he was about age 50. And he would breakout in rash even when he would spear it, you know. After age 50, all of a sudden, somehow, the allergy disappeared and now he can even eat squid. Amazing, eh? Unusual.”[12]

“For a while, Wally made racing paddle boards,” Russ continued. “We used to have – every Christmas. Even now, they still run it – every Christmas day we had a surfboard paddling race from Moana Hotel out to a bouy maybe half-a-mile, three quarters of a mile out, then around the Diamond Head bouy and back to Moana Beach.

“I know Wally made [a] couple of real good racing surfboards. He was a champion paddler in his day, too, you know. I think that was mostly before the wahr. After the wahr, it was Geo’ge Downing, now, that was da [paddling] champ.”[13]

I asked Russ what was the best board he’d ever had? The one he liked the most?

“Oh, I don’t know. I kinda t’ink that it was around 11 feet long. It had a balsa strip down the middle, about 21 inches [wide] and redwood sides, you know. Wally shaped it. It was a Hot Curl board. I really liked that. I had it for years.”[14]

When did he have that board?

“I t’ink, maybe, from around 1948, when Wally made it. That board was super light for that time. It was only ‘bout 50 pounds. That’s supah light fo’ dat time. Most boa’ds were 80-90 pounds or 70 at least.

“I know it was right around 50 [pounds] because when we were ready to come home, after sailing the yacht to California, we were able to get three surfboa’ds as baggage and the limit was 54 pounds. Because mine was under 54 – Wally’s and Downing’s [too]. Wally’s was a little heavier [than mine] – they allowed us to bring our boa’ds back as baggage.”[15]

In 1951, when he met and married his wife, Russ started shifting his focus from surfing to his own budding family.

“She kinda – at that time – hung around the beach,” Russ said of his wife. “She was from Indiana; passed away, now, quite a while ago.”

I asked if, while he was bringing his family up, was he able to pass-on surfing to his kids?

“Yeah. All my three daughters surfed for a while.”

I asked Russ how long after starting his family did he continue to surf?

“Oh, I think I laid off 5, 6, 7, 8 years. Something like dat. And then went back surfing mostly Makaha with Wally and some of da udduh guys.”

Russ spent most all his adult work life working in Honolulu with juvenile delinquents and adult criminals – “what we called ‘Adult Parole,’” he told me. He got into this field after the World War. By the time of our interview in 1997, he had already been retired for 25 years, having ended his work in 1972.[16]

“Wally has had various jobs, you know,” Russ continued talking about how they made their living when they weren’t surfing, “but the last 25 years or so, he was with the Navy fire department, you know, for the island of O‘ahu and when he retired, he was a fire chief. He’s a very intelligent fella, you know.

“... he went out to Castle with that board [an all-koa Hot Curl we’d been talking about earlier in the interview]. You know, that weighs a hundred and – what – 75 pounds? Whatever. He’s a guy full of ideas. Try anything. Good craftsman.

“He made his own koa racing canoe. That was finished about two years ago, now. He had a log from wayback given to him by a friend in Kona and then about 2-2 1/2 years ago, he worked on it, worked on it and it’s a beautiful t’ing. It’s used for the racing, now.”[17]

“We used ta go spearfishing quite a bit, at one time,” Russ continued, talking about his friends Blue Makua, George Downing and Noah Kalama as well as Wally in the late 1960s, early 1970s. “We got chased in by a shark, once (laughs). Pretty scary.

“Just past Sandy Beach. It’s all cleared up, now. When we used ta go fishing, there, there was lots of big kiawetrees. We’d park on the highway and walk through the kiawe trees and go spearfishing. One time – there were four or five of us – and that shark really chased us in. We had a line of fish and he just kept making passes at us. We were taking turns holding the line and the fish, you know. It [the shark episode began when it] was my turn [to hold the fish line] and when one fella came up, he say: ‘Who’s got da line?’

“I say: ‘I have. I’m coming.’ I thought he had a fish.

“He said: ‘No, no. Mano.’ Mano means shark in Hawaiian.

“I said: ‘Oh, wow!’

“Da shark kept making passes, one way, [then] the other way. Finally, I gave it [the line] to – you heard’a Blue Makua? Well, he passed away, last year. Anyway, Blue tells me: ‘You scared?’

“‘Oh, yeah! Here, you hold the line.’

He held it! And we worked our way in and, you know, it got to be OK. [But, it was] pretty scary.”[18]

I asked Russ what other memorable moments he remembered best and he immediately mentioned the day President Kennedy was assasinated, November 22, 1963:

“John Kelly and I were driving toward the NorthShorewhen – ah – President Kennedy was assassinated. It just happened that he and I were, you know, going surfing. It just happened that very morning was when the President was assasinated.” The two heard the news of it over radio and it had a wierd effect on them.

“We just riding along and, oh, we just didn’t feel like surfing,” Russ said. “It was just such a tragedy. But, ah, we went out, as I recall. We went out [at SunsetBeach], anyway.”[19]

I asked him about moments in surfing that really stood out?

“There was another time John Kelly and I had gone to Sunset. It was kind of a blown-out day. The wind was too strong. It was huge, huge, ext’a huge. Actually, nobody had gone out [that day] because da conditions weren’t that good and the waves were too big.

“But, Kelly – you know – being the kind of guy [he was] – he influenced me. ‘Oh, let’s go anyway and get at least one ride.’ So, I went out wit’ him. Oh, we got clobbered. We nevah got a single ride.”

Russ paused, not wanting to make a big thing about it, but I knew it was a stark moment for him. “I really thought I was gonna drown,” he admitted. “But, ah, fortunately, I made it to shore, you know. That was as close as I [ever] came to going under.” Russ paused again, and then added as if to explain it: “Some people are crazy, Malcolm.”[20]

A little later, I asked what was the average big surf he’d surf back when he was active?

“We used to call it aroun’ 15 feet. But, you know, the way we judged the height of waves [then was] entirely different from da way the judgement is made, today. We used ta go by da face of the wave, looking at the wave, you know [from the beach], not from the back [from the ocean]. So, you know, when we say 15 feet, maybe people nowadays might call it 10, eh? Some’ting like dat.”[21]

Toward the end of our time together, I asked Russ who had influenced him the most?

“I think Wally and Geo’ge Downing,” he responded right away. “Downing is probably 10-12 years younger than I am. But, ah, by the time he was, you know, late teenager – 18-20 – he was one’a da best.

“Wally built me a board with a slot [like George Downing’s]. You know, I would take the skeg off. When I was ready to go out, I’d put the skeg in with a thin sheet of paper, you know, to hold it in place. It worked well. That was, I guess, late ‘50s, early ‘60s, I think. Yeah.”[22]

So, you were riding Hot Curls up until the late 1950s?

“By dat time – late ‘50s – didn’t we have foam boa’ds? In fact, Wally made a mold and blew his own blanks; not that many, just for his friends and his own use.”[23]

Who do you stay in contact with?

“Wally. I see Downing every once in a while. Most of the guys I don’t really see. Peter Cole – you heard’a him? ... Anyway, I run into him once in a great while... I don’t know if he still surfs. If he does, he must go NorthShore. Probably.

“I haven’t seen Fred Van Dyke for a while...”[24]

Even at age 78, Russ regularly took trips off the Islands. Shortly before I interviewed him in 1997, he’d been to the West Coast, Canadaand Japan. When I mentioned to him that one of my past girlfriends had been Japanese and excommunicated by her family for moving to the United States, Russ offered this candid opinion:

“You know, from my observation – well, we’ve travelled to Japan3, 4 times now, you know, on tour trips. But, as a group, Japanese people are very racially prejudiced. I can say that because, you know, I’m Japanese. But, I look at them differently from the way I look at myself. I’m, you know, born and raised here,” he ended with a laugh.[25]

A particular favorite of his was Las Vegas, where he and members of his family vacation “a couple of times a year,” he told me with another laugh.

And, is the first Asian American big wave rider still surfing?

“Yeah,” Russ responded without hesitation. “Mostly Waikiki, now. I don’t want ta tackle da big stuff – NorthShore– anymore. Too old for dat.

“I go out early in the morning; right at daybreak. Then, you know, there’s only 4-5, half dozen of us. So, it’s nice. I surf mebbee hour an a half. Dat’s enough.”[26]

Russ passed on in 2011 at the age of 92.


Postscript: Wally had a few words to say about Russ, at the memorial to Russ, in 2011:







[1] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.Akamine was probably who Woody refered to as a Korean kid.
[2] Gault-Williams. Interview with Woody Brown, November 22, 1994.
[3] Gault-Williams. Interview with Russ Takaki, March 16, 1997. “Nisei is a Japanese term meaning second generation living in lands outside of Japan.
[4] Gault-Williams. Interview with Russ Takaki, March 16, 1997.
[5] Gault-Williams. Interview with Russ Takaki, March 16, 1997.
[6] Gault-Williams. Interview with Russ Takaki, March 16, 1997.
[7] Gault-Williams. Interview with Russ Takaki, March 16, 1997.
[8] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[9] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[10] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[11] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[12] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[13] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997. Also specified in Russ’ notations on the draft of the interview, July 1997.
[14] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[15] Gault-Williams. Interview with Russ Takaki, March 16, 1997. Russ was certain the trip was in 1949. The board must have been at least from that same year, if not earlier.
[16] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[17] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[18] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[19] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[20] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[21] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[22] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[23] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[24] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[25] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.
[26] Gault-Williams, Malcolm. Interview with Russ Takaki, March 16, 1997.

George Downing

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No matter the accomplishments of John Kelly, Fran Heath, Wally Froiseth and even Woody Brown, the hot curl surfer who most influenced later surfers is George Downing. 

(George Downing at Makaha, 1954, courtesy of SURFER magazine)


George Downing has been an innovative board shaper, Waikiki beachboy, mentor, contest director and all-around waterman. A regularfoot surfer from Honolulu, he won the Makaha International in 1954, 1961, and 1965 and has been the longtime competition director of the Quiksilver in Memory of Eddie Aikau event at WaimeaBay.[1] He coached the Hawaiian team to victory in the 1968 World Surfing Championships and set numerous paddling records from 100 yards to one mile.[2] Yet, his impact on our sport is much more than the record might show.

Born in 1930, the son of a marine machinist, George Downing began surfing Waikiki at age nine and spent his teenage years living with hot curl surfer Wally Froiseth.[3]

“Well, I was married to his aunt,” at the time, Wally told me. “I was living down Waikiki. So, one summer, his aunt asked me, ‘Hey, ah, what about if my nephew comes down and stays with us for the summer?’

“The war was on. I got caught at Johnson Islandwhen the war started, then I came back and we got married; ‘42-’43, around there. And Georgie was about – I don’t know – 11-12 years old, whatever it was.

“So, he stayed that summer, but he never left! What happened is, I eventually got divorced from – you know – his aunt. But, he stayed with me all the time. I put him through school, you know, cuz his father and mother kinda had problems. So, he stayed with me and I tried to keep him so he’d graduate. I was willing to put him through college, but he never did want to go. In fact, it was a hell of a time just keeping him in high school.

“So, he just stayed with me and he really wanted to surf. I told him, at that time, ‘If you really want to surf, that’s good. But, you got to be sincere. You gotta do it with your heart and soul, eh? Otherwise, I don’t want to bother. I don’t want to just teach you one year and next year you go and do something else.’ I told him I didn’t have time for that, eh? I wanted to surf too much, myself! Anyway, he stuck with it and eventually he got better than me!”[4]

Wally taught George how to make surfboards and introduced him to Makaha. Along with Russ Takaki, they became the first known surfers to ride Laniakea, on the North Shore of O‘ahu in 1946, and HonoluaBay, on Maui, in 1947.[5]

To earn money, George worked as a deck hand, taking tourists for rides on Woody Brown’s Manu-Kai, co-designed and built with Alfred Kumalae.[6]

When Wally took Downing under his wing, big-wave riding was still in its infancy; “their day trips to Makaha and the NorthShore,” wrote surf writer Jason Borte, “were forays into uncharted territory. Downing not only rode monster surf, he became its consummate student, intent on understanding and refining tactics and equipment. His scientific design research helped him create one of the earliest quivers with subtle variations in length, rocker and volume. He also created the first system of changeable fins.”[7]

“George Downing was not only in on many of the earliest forays into big wave riding in the 20th century,” wrote surf writer Christian Beamish, “but also contributed design discoveries that broke the barrier to 20-foot surf and beyond.”[8]

“One of his earliest shaping projects,” continued Beamish, “was to take a redwood plank given to him by ‘Uncle Brownie’ at Waikikiin 1943 and make a more maneuverable ‘hot curl’ design, with help from his friend Froiseth... By changing the vee through the tail section to a semi-round shape, Downing was able to run a flatter bottom forward, and found what he referred to as ‘the board of my dreams.’ Dubbing the board ‘Pepe,’ Downing rode it all over the South and NorthShores of Oahu, noting its amazing speed. The lessons he learned in altering the tail section of Pepe would lead to experiments with skegs (including the creation of a fin box) that would transform notions of what was possible on a surfboard.”[9]

“In a time before surf trips even existed,” continued Beamish, George “sailed to California and spent two months in 1947 surfing up and down the coast on his beloved Pepe. An unfortunate collision with the Malibu pier damaged the nose section of the board, but led Downing to learn about new materials called fiberglass and resin from a like-minded designer—the enigmatic Bob Simmons. Upon his return to Hawaii, Downing continued a systematic approach to gaining the knowledge that would allow him and his friends to ride ever-larger surf. He began observing reef structure and early weather charting technology to better understand the effect of swell size and direction. He and buddy Walter Hoffman took turns wearing a face mask while the other would ride past overhead so they could note how the water flowed off the bottom of the boards they rode. His surfing life has been direct and experiential.”[10]

It was somewhere between 1947 and 1949, when George, Wally and Russ Takaki crewed a Transpac sailboat to California where they bought a Model A Ford for $25 and toured Southern California from the Tijuana Sloughs, to WindandSea and Malibu.[11]

George built his first glassed, all-balsa pintail in 1951. Dubbing it “The Rocket,” it featured a fin box with moveable fin. The fin box was of redwood, where the wooden fin could be wedged in and moved foreward or aft. Using a trial and error approach, he determined the correct setting and glassed it into permanent position. He later explained that the use of fiberglass made an even bigger contribution when used for attaching fins because it spread the load of the fin torque across the greater bottom area, allowing for deeper fins and greater maneuverability.[12]

On this 10-footer, Downing was able to ride bigger waves than anybody before him and “by the mid-50’s he and Froiseth, along with Woody Brown and Californian-born surfers Walter Hoffman and Buzzy Trent, had cracked the 20-foot barrier at Makaha.” Going even bigger, “Downing, Trent and Froiseth were the standout riders on a glassy Makaha afternoon on January 13, 1958, when the waves were roaring in at 30 foot.”[13]

“Hot curls were difficult to get started (paddling),” Downing remembered of the redwood boards that preceded the balsa, “but once you got going, you’d really move along. Down the line you’d go fast. Your limitations were that once you got locked into it, you could just ease down and back up again and still maintain a lot of forward momentum. In ‘51 when I built my first glassed balsa with a much flatter bottom and with a skeg... the only thing it allowed me to do different was I could go for the top and trim down a lot easier, and the transition to getting back on the rail again was real quick, you had enough forward speed and you could climb back up into the hook. Whereas on the redwood hot curl board, once you’d drop, you’d have a hard time coming back up. The board just wanted to stay there.”[14]

While at Makaha, Downing developed a patent dismount. “George’s technique of bailing off the tail of the board,” commented Peter Cole, “diminished any chance of being hit by the board.”[15]

“If you say there were a hundred surfers here in the state [by this time],” Downing said of the hot curl guys, “only a fraction of those people were like these guys who had the interest, had the brotherhood with each other. They looked out for one another; they had this feeling of togetherness. This is the kind of energy that made the hot curl... it was during that period that Wally, Fran, Kelly and I were into exploring the other sides of the island. We surfed all the other shores looking for more size and power. The bigger the face we could find to ride on those boards, the greater (the unwetted surface and therefore) the freedom we had on them.”[16]

Skegs – aka “fins” – had finally caught on, “allowing surfboards to be much shorter and lighter.”[17]

I once mentioned to Woody Brown that it seemed like it took a long time for the skeg to catch on. “Yeah,” he admitted. “In fact, I didn’t want a skeg. I rebelled against it. We had shaped boards so they wouldn’t slide ass, you know. And I said, ‘What the hell do you want a skeg for?’

“‘Oh,’ they said, ‘It makes it better.’ So, I rode a board with a skeg on it and it didn’t seem to make a difference. So, then George Downing and I made a super board for big waves at Makaha. We had learned to flatten out the rumps a bit. See, you have to have a vee. If you don’t have a skeg, you gotta have a vee or a round tail and then it won’t slide ass. That holds it. But, the shallower you make the vee, the faster it is! The trouble is, you flatten the vee, then it gets loose and then it wants to slide ass.

“So, we made one with a pretty flat back end, with little curves on the sides. And so Georgie said, ‘I’ll make a slot, so we can put a skeg in or take it out. We can try it and see the difference.’ So, we went Makaha. They were about 15 foot peaks that day. He went out there without the skeg, first, and he rode it. It rode beautiful; fine, oh, just no trouble at all. Georgie came in and said, ‘Well, let’s put the skeg in and just try it, anyway. See the difference. See what it’s about.’ So, he puts the skeg in and went back out.

“It looked like he was riding the same, but he came back in and said, ‘Hey, Woody, it’s much better with a skeg.’ So, from that point on, he started putting skegs on ‘em. I asked, ‘How is it better?’ He said, ‘Well, it’s not any faster, but it’s more solid and you can turn it real easy with a skeg,’ which we couldn’t do before. Our boards were real stiff turning.

“That was the only trouble with the old boards. They were fast – my boards were faster ‘n hell – but, oh, you couldn’t turn it. I couldn’t use my boards in small waves, with other guys out, cuz I’d just mow everybody down. Once I set it in at just kind of an angle like that, I couldn’t turn. All I could do was drop down or climb up a little bit. But, as far as turning, I couldn’t turn it. So, you couldn’t ride small waves with it. But, it had the speed on the big waves! Man, I could get across where nobody could get across! Which sounds right. Nobody wants to get caught in 20 feet of white water.”[18]

Surf writer Matt Warshaw wrote that Downing “made a study of surfing, analyzing weather maps to better understand swell formation, snorkeling over reefs on windless days to learn how their topography affected the surf, calculating wave intervals, observing wind patterns and ocean currents, and absorbing all there was to know about surfboard theory and construction.”[19]

“All of Downing’s research and theories made him peerless in the water,” wrote Jason Borte. “Before him, survival was the only mission, but his speed-driven bottom turns and arcs at huge Makaha redefined what was possible. Inspired by images of Downing and Froiseth, among others, the first wave of Californians made their assault on the Islands.”[20]

Downing is modest about his design contributions:

“I think we have been deprived of the opportunity to see the Hawaiian race in its fulfillment,” emphasized Downing, “to where we also could get involved in it. It’s only through certain things that we did, that we even got a glimpse of what they had going. One example would be the Hawaiian ideas on the canoes. Every time that we’d get to a place where we’d think that our ingenuity had given us some kind of unique knowledge, we would find that they had already been there before us, they knew exactly, and we were just trailing, hanging on the tail of something that had already been developed.”[21]

In 1954, the Makaha International Surfing Championship became “the first major surfing event in the sport’s modern history. George was the first Men’s Champion and then the first repeat winner in years 1961 and 1965. He traveled to Peruin 1955 as a surfing emissary, winning their Championship and establishing life-long relationships with hard-playing, wealthy Peruvian surfers. In all facets of his life in the ocean: paddleboard racing, canoe paddling and surfing, surfing big waves and small, instructing, renting surfboards, sailing and diving, George has always been known as calculating, thoughtful, and strategic in studying and understanding the forces he is dealing with before coming up with a tactic to win with. This knowledge he’s passed down to his children and now grandchildren. In addition to his unique big wave-riding prowess, all through the war and post-war period, George won the Diamond Head paddleboard races, becoming a standard bearer for that skill, and the fastest paddleboard racer in all distance categories who… still happens to hold the record for the 100-yard sprint.”[22]

In 1960, George took over operation of the WaikikiBeachCenter, serving tourists with rentals and lessons.[23] He later created “the venerable Downing Surfboards,” wrote Christian Beamish, “which his son Keone continues, and has worked to prevent the corporatization of the Waikiki beach concessions.”[24]

Downing was named contest director for the Quicksilver in Memory of Eddie Aikau contest in 1985.[25] He subsequently created the format for the contest at WaimeaBay, “showcasing the rebirth of big wave riding and offering the biggest winner’s check in surfing history. The unique event protocol of not being held in less than 20’ conditions causes it to happen with unpredictable frequency, which lends each actual competition added gravitas. George has steered The Eddie through the normal entanglements which he has as skillfully navigated as he once did the channel at Laniakea, knowing that the rip current there runs out underneath the incoming waves, thus you must not dive down, stay in the white water to get in. At least several times each season George makes the on-or-off call that itself causes ripples around the world. From November through February, he remains focused on the swell buoys. On mornings pregnant with possibility, he and his pickup truck can be found in the gray of first light, overlooking the Bay, with George keenly confirming his diagnosis so as to make the early call that is necessary either way. The event that George has nurtured for over two-and-a-half decades has helped reestablish the preeminence of riding big waves within the surfing culture.”[26]

“Longtime friend, Steve Pezman, noted, ‘Downing is very analytical in his surfing. He thinks about what’s going to happen and how he’s going to play the game. George combines athletic skills with innate and acquired knowledge of surfboard design.’”[27]

WaimeaBay, on O‘ahu’s NorthShore became the new capital of big-wave surfing in the 1950s. Because “Downing preferred the long walls of Makaha,” wrote Matt Warshaw, “to the short but explosive drops at Waimea – where the cameras were – his profile in the sport was lower than it might have been… Downing was the last of the great upright surfers, dropping to a modified crouch when necessary, but preferring to ride in a straight-backed, low-shoulder, palms down stance. He was the stylistic link between the pose-and-go Waikiki surfers of the prewar era and the kinetic high-performance riders of the ‘60s.”[28]

“He has been referred to the world’s most-knowledgeable surfers as ‘the teacher,’” continued Warshaw. “’60s big-wave rider Ricky Grigg called him ‘the guru.’ Downing mentored dozens of top Hawaiian surfers over the decades, including Joey Cabell, Reno Abellira, and Michael Ho. He worked as a Waikikibeachboy from the early ‘40s to the late ‘70s, giving surf lessons, coaching outrigger canoe teams, and running a beach concession stand.”[29]

From a tiny office in the back of Downing Hawaii, the family store his son Keone manages, “The Governor” (as Keone calls him) conducts behind-the-scenes campaigns to preserve Hawaii’s most treasured beaches, reefs and surf breaks that are continually under threat of “development.” In this role, also, George has appointed himself as a protector to special friends vulnerable to land sharks.[30]

Even with all his activity and influence in the sport and culture of surfing, George has kept himself as a private individual. Amazingly, he had not been profiled or interviewed at length in the surf media until 2011’s video documentary The Still Point. This lack of attention has been due more to his aloofness than a lapse on the part of surf writers and documentarians. Matt Warshaw gave this example: “A note on the final page of Australian Nat Young’s 1983 History of Surfing notes that ‘George Downing has been omitted [from this book] at his request, although he has played a significant part in the sport.’”[31]

I remember when I interviewed Wally Froiseth in the mid-1990s. I once suggested to him that I might interview George. Wally indicated that I’d be wasting my time. He wouldn’t be interviewed. For that lucky person who is able to gain George’s confidence and writes about him at length, that person would make a major contribution to surfing’s history and the Downing legacy.


George Downing appeared in a small number of surf movies from the 1950s and 1960s, including Surf (1958), Cat on a Hot Foam Board (1959), Cavalcade of Surf (1962) and Gun Ho! (1963). He was also featured on Duke Kahanamoku’s World of Surfing, a 1968 CBS special.

George Downing interview, The Still Point, 2011, part 1:

George Downing interview, The Still Point, 2011, part 2:






[1] Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016.
[2]“George Downing enters the Surfers’ Hall of Fame,” SurferToday.com, 22 June 2011, at http://www.surfertoday.com/surfing/5758-george-downing-enters-the-surfers-hall-of-fame, viewed 29 January 2016.
[3] Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016.
[4] Gault-Williams. Interview with Wally Froiseth, April 3, 1996.
[5]Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016.
[6]DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.
[7] Borte, Jason. Bio of George Downing for Surfline.com, October 2000.
[8] Beamish, Christian. “SURFER Celebrates the 50 Greatest Surfers of All Time,” posted July 22, 2010 at http://www.surfermag.com/features/number_42_george_downing/ - Downing #42
[9] Beamish, Christian. “SURFER Celebrates the 50 Greatest Surfers of All Time,” posted July 22, 2010 at http://www.surfermag.com/features/number_42_george_downing/ - Downing #42
[10] Beamish, Christian. “SURFER Celebrates the 50 Greatest Surfers of All Time,” posted July 22, 2010 at http://www.surfermag.com/features/number_42_george_downing/ - Downing #42. Beamish has the year as 1947, but various years are cited by different people. Most sources have it as 1948.
[11]DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.
[12]DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.
[13]Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016. Matt has the year of “The Rocket” as 1950.
[14] Stecyk, C.R.  “Hot Curl,” The Surfer’s Journal, Volume 3, Number 2, Summer 1994, pp. 67-68. George Downing quoted.
[15] Browne, Bud. Surfing The 50’s, a videotape of the best of his 1950s surf films, ©1994. Peter Cole’s testimony.
[16] Stecyk, and Pezman, 1994, p. 69.
[17] Marcus, 1993, p. 99.
[18]Gault-Williams. Interview with Woody Brown, November 22, 1994.
[19]Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016.
[20] Borte, Jason. Bio of George Downing for Surfline.com, October 2000.
[21] Stecyk, “Hot Curl,” The Surfer’s Journal, Summer 1994, p. 68. George Downing.
[22]DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.
[23]DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.
[24] Beamish, Christian. “SURFER Celebrates the 50 Greatest Surfers of All Time,” posted July 22, 2010 at http://www.surfermag.com/features/number_42_george_downing/- Downing #42. Steve Pezman quoted.
[25]Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016.
[26]DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.
[27] Beamish, Christian. “SURFER Celebrates the 50 Greatest Surfers of All Time,” posted July 22, 2010 at http://www.surfermag.com/features/number_42_george_downing/- Downing #42. Steve Pezman quoted.
[28]Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016.
[29]Warshaw, Matt. EOS, at:  http://encyclopediaofsurfing.com/entries/downing-george, viewed 28 January 2016.
[30] DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.
[31] DowningSurf.com, http://www.downingsurf.com/?page_id=45, viewed 28 January 2016.

Hotcurl Legends

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Hotcurl Legends
by Malcolm Gault-Williams


This Portable Document Format (PDF) ebooklet tells the story of the Hot Curl surfers, beginning in the 1930s, going on into the 1950s.  Much of the material is taken from personal interviews with Hot Curl surfers Woody Brown, Wally Froiseth, Fran Heath and Russ Takaki.  Some of these interviews were later published, in edited form, in The Surfer’s Journal and Longboard  magazines.

While all of the information in this ebooklet is available in separate chapters at the LEGENDARY SURFERS website (hosted by the Surfing Heritage and Culture Center) and also is contained in Volume 4 of LEGENDARY SURFERS, what is different about this ebooklet is that the Hotcurl story is laid out chronologically and has the advantages of the medium, itself; being a digital file:

-- This “ebook” is completely portable on electronic devices, in a format compatible for reading on any ebook reader. Unlike the content on the website, the content in the ebook is not dependent on a connection to the Internet, unless you want to follow the embedded links to more source material.

-- The 60 pages (30,252 words, 1.5 MB) contain text, hyperlinks, and two pages of footnotes. Again, to follow the links, you'll need to be connected to the Internet.

-- Because the ebook is basically an electronic file, it can be easily shared with friends and family. I have not set any restrictions on its replication as long as normal copyright rules are respected. This ebook makes a great gift from you to other surfers you know who appreciate a more detailed look into the history of surfing and Hotcurls in particular.


Contents of What You Will Receive:




  • THE KAHALA/BLACK POINT BOYS
  • Fran Heath
  • John Kelly
  • Wally Froiseth
  • THE  EMPTY LOT BOYS
  • EARLY INFLUENCES
  • CODE OF THE SURF DRUNK
  • THE 1ST HOT CURL SURFBOARDS
  • RESENTMENTS
  • SOUTH SHORE BLUEBIRDS
  • '30S SURFERS
  • MAKAHA
  • NORTH SHORE
  • WORLD WAR II
  • WOODY BROWN ARRIVES
  • RUSS TAKAKI JOINS IN, 1946
  • GOIN' MAKAHA
  • MAINLAND TRIP, SUMMER 1949
  • BIG WAVE SURFING CATCHES ON
  • NORTH SHORE ASSAULTS
  • SURFBOARDS, PADDLEBOARDS, CANOES
  • CAT TRIP 1957
  • THE HOT CURL GUYS IN LATER YEARS
  • Fran Heath
  • John Kelly
  • Woody “Spider” Brown
  • Russ Takaki
  • Wally Froiseth
  • HOT CURLS IN THE CELLAR
  • ISLAND STYLE LEGACY
  • SOURCES

    • Hotcurl Legends is just $2.95, ordered via PayPal. Since I do all order fulfillment myself, please be patient with an occasional delay in getting your ebooklet to you. If there is ever a problem with your order, you can always reach me via the comments section at the bottom of this webpage. Please note that if the PayPal icon does not appear below, you are probably reading this from a mobile device and will need to go to the LEGENDARY SURFERS website itself:


      I sincerely hope you enjoy this chronological history of the Hotcurl surfboard and its most noted riders, originally put together in 2002 under the title "Legends of The Hotcurl".




      Don James (1912-1996)

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      (This chapter of Volume Four of LEGENDARY SURFERS is largely taken from Don James’ photo book Surfing San Onofre to Point Dume, 1936-42. Appreciations to Tom Adler and Craig Stecyk for permission to quote liberally from the book.)



      Don James was a Californiasurfer who became a dentist and one of surfing’s earliest quality photographers. He was around early enough to have surfed with some of California’s surfing pioneers and was around long enough to shoot pictures of surfers and the surfing lifestyle throughout the 1940s. Significantly, he surfed in Southern California during World War II and told a lot about what those days were like for him personally, and for Southern Californiasurfers in-general.

      “When I saw Tom Blake’s surfing photos in National Geographic that was it,” Don recalled. “We’d go to the library and pore over Blake’s stuff. My dad had an old Kodak folding camera, and I grabbed it and started taking photos. Our group hung out at the Del Mar Club in Santa Monica, and we worshipped the older guys like Bob Butts, Bob Moore, Pete Peterson, Paul Stater, Chauncy Grandstrom, and Johnny McMahon. We were the only teenagers around. I began shooting pictures to show our parents and teachers what was going on. You know, ‘Hey mom, look, it’s not so bad, it’s actually neat!’”[1]

      One of his early surfing buddies was Fred Beckner. Don recalled some of their times together with older surfers his parents had entrusted them with, at “the camp” at San Onofre:

      “Fred Beckner had immense appetites and no predisposition toward suppressing them,” recalled James of the period circa 1937. “This was brought home to me when Fred would coerce my other ‘guardians’ into leaving me alone in the camp [at San Onofre] and driving off to the Rendezvous Ballroom in Balboa in the hope of meeting girls. Camp life and its isolation were apparently too much for Freddy, and he would bellow his verbose mating howl and demand transport to civilization. Each time they abandoned me in such a manner, I would wonder if they were ever coming back. They always did, with eight hours being the average duration of their absence. I’m not certain that this was what my mother had in mind when she entrusted her son into their care.”[2]

      Another friend who used to go with him to San Onofre was Chuck Eddy.

      “Chuck Eddy loved to cook but had the frightening habit of making whatever crawled, flew, or burrowed its way into the campsite into an entrée. I was unable to attend school for a week because I had fallen off the bus on which I had hitched a ride and broken my leg. To save the nickel fare I snapped my femur; talk about false economy! We camped for eight days at Onofre and never saw another soul. The closest resident was Senator Cotton, who lived a couple of miles up the coast in a mansion at San Mateo Point.”[3]

      About his friends and starting to use a camera at the beach, Don explained: “There were little groups of people who surfed, but they didn’t necessarily know of one another. Altogether there were probably less than a couple of hundred guys [surfing] in the entire state. The photos were a way to let people know what we were up to. We were involved in this great activity and totally stoked up. I guess there was also a little ego gratification involved. It was a good deal to display them and impress a pretty girl. At our high school, we were the only kids like us; everyone else played football.”[4]

      “We were members of a loose-knit group called the Del Mar Surfing Club that didn’t really have meetings. There was a patch and that was about it. [In contrast] The PVSC was very organized; guys had color-coordinated sweats with their name on them. The DelMar people used to think that surfing was definitely not a team sport. Maybe we were just jealous of those plush outfits. There were some very hot riders in the PVSC, like Doc [Ball], Cliff Tucker, Tulie Clark, Leroy Grannis, and Hoppy Swarts. All in all we were friendly toward each other and had some great times together.”[5]

      Next to the Del Mar Club was “the old Bay Street lifeguard headquarters, where during the off-season guards would illegally bunk to save money. There wasn’t much available at the beach in terms of steady employment back then. Before the Santa Monicamunicipal guard service was formed in the thirties, surfers worked sporadically at the beach clubs as guards, but that was about it.”[6]

      “Life in the Depression was hard,” Don James admitted, “but it encouraged us to appreciate what we had and to live simple lives. My dad scrambled to keep us afloat. It was never too bad for me because there was always the beach to turn to.”[7]

      For a time, circa 1938, Don was employed at the posh Bel Air Bay Club,[8] where he often got burnt by the sun.

      “We never thought about skin protection from the ravages of ultraviolet radiation. A severe sunburn was considered a sign of good health.”[9]

      Around 1938, “The surf fashion craze of the extremely wide bell bottom pant” came into vogue. “We used to buy them in Santa Monica at Brauns and then have a tailor let them out. They got progressively wider and wider, and eventually they caught on with the pachucos in the barrio. Once that happened, they were out at the beach.”[10]

      In 1938, Pete Peterson shaped Don a board. Commenting on a photo Don took of Pete working on the board with planer, Don wrote: “This is Pete shaping my first Peterson board in his garage on 17th Street. To earn this shape job, I labored for Peterson for a full year as his lawn boy, babysitter, and aide-de-camp.”[11]

      Around 1939, Don did a fair amount of hanging out at SorrentoBeach. In a caption to a 1939 photo of a bunch of his friends leaning against a wall there, James wrote: “Sorrento was located in Santa Monica at the base of the California Incline road. A couple of decades later I would live just up the beach next door to fellow surfer Peter Lawford. Our idyllic life would be destroyed whenever Peter’s brother-in-law, [U.S. President] John F. Kennedy, would come to visit. JFK delighted in going for a swim in the surf, ditching his secret service guards in the process, and then resting against this very same wall while watching the melee as they frantically searched for him.”[12]

      On December 7, 1941, at Topanga Point, Don took a shot of Ed Fearon, Jack Quigg and him. “It was a balmy Sunday and the news about the Japanese attack upon Pearl Harbor was coming in over the radio. We were paying sixty dollars a month for rent, which was split three ways, and life was good. Suddenly, everything had changed. We all knew we were going off to war.”[13]

      The changes were well documented, particularly a photograph his friend Doc Ball later took – lighthearted on the surface but with overtones of impending doom – “shows a Palos Verdes Surfing Club member in a drunken stupor being helped to his feet and taken to a waiting car. The reason for such overindulgent merriment was that the young healthy surfer, in the prime of life, was to enter the armed forces the next day. With WWII raging, everyone knew that his chances of ever surfing or seeing his friends again were uncertain.”[14]

      During the war, Don had a girlfriend at USC. “On our last date we went to Laguna for the day. Unfortunately, my car broke down, and it took until nightfall to get it going. As we started back, she said that her parents would be pretty upset about her coming home later than they expected. I knew I really was in trouble when the car’s headlights suddenly went out. Wartime blackout conditions were in effect, and it was so dark that there was absolutely no way to drive any further. We were stuck out there alone on the Old Coast Road, and there wasn’t a soul or a telephone around. I let her stay in the car, and I slept outside on the ground. When we finally got to her house the next morning, it was very dramatic. Her parents had called the police and demanded that I be arrested. I never saw her again.”[15]

      By 1942, Don “was an apprentice seaman in dental school… to impress the girls [we were currently going out with], [my friend Frank] Donahue decided to organize a tour of the submarine he was serving on. At first it didn’t seem like such a great idea, but as I recall by the third pitcher of martinis, it was sheer genius. Frank procured a laundry bag full of uniforms somehow, and we all snuck on the base wearing them. The actual tour of the sub was uneventful, but since Donahue had disguised me in an officer’s uniform, everywhere we went sailors saluted me. When Frank started the engines, all hell broke loose and the sub’s security detachment arrived with their weapons drawn. Somehow they bought my Lieutenant JG-bit and then pretended not to notice that our ordinary seamen weren’t really men at all. Donahue’s bravado was unparalleled. In succeeding years, Frank would roll through one amazing adventure after another. Probably his greatest legitimate escapade was capturing and ‘fresh-water training’ live sharks for Howard Hughes’s RKO movie studio. Donahue would go out and catch the sharks at dawn, come ashore and load them into a trailer, and then haul them up to Hollywood in time for the day’s shoot.”[16]

      “Frank Donahue always had something going. During college, Frank realized that the movie studios needed young men to populate the spate of war films they were producing.”[17]

      Don joined in, too. His work in Hollywoodincluded: doubling for Cary Grant in Mister Lucky and roles in Back to Bataan [1945] and The Moon is Blue. There were others, but his work in the movie industry was not his focus. “I don’t remember the names of most of those films, they were just a way to earn money. They gave you $35 to start, and with salary adjustments for stunt work, you could pocket a hundred bucks a day.”[18]

      His focus was dentistry.

      “I got interested in becoming a dentist because of Dr. Barney Wilkes and Dr. John Heath Ball,” Don wrote. 

      “They were two outstanding men who surfed a lot and did something to help others. I was exposed to the lifeguards on the Santa Monicaforce, and the way they conducted themselves always impressed me. They were the first organized professional group of guards around, and they worked hard to establish a respect for surfing. I learned about the Hawaiian concepts of aloha and doing for others first from people like Johnny McMahon, Tony Guerrero, Duke Kahanamoku, Pua Kealoha, Hackshaw Paia, and, of course, Lorrin Harrison and Pete Peterson.”[19]

      “It was Pete who gave me my first job,” recalled Don James, “and he later took Cap Watkins aside and said, ‘Look, the kid needs to be a doctor and we’ve got to help him.’ That got me on as a Santa Monica guard. I’d attend school all day and work for the city all night on the pier. I had a scholarship from the Navy, so my grades had to be good. One failure and you were out of the program immediately. Being a lifeguard enabled me to get through dental school, so I owe it all to Peterson and Watkins. If the university or the government had ever found out I was working another job, they would have washed me out straight away.”[20]

      By 1943, Don James was in dental school, “tooling around in Frank Donahue’s old ‘40 Chevy convertible. Girls were everywhere during the war years, and we all felt a little guilty having so much fun with the fighting going on. My time in the navy came later – in ‘44, I remember swimming at Okinawa in an area I thought was secured. I knew that we were still mopping up elsewhere on the island, but the ocean looked so inviting that I just had to jump in. I was offshore diving on a sunken Japanese ship when the water started splashing all around me. The air buzzed and I realized that a sniper was zeroing in on me. I hid behind a rock and waited several hours for nightfall so I could skulk back in. During those long hours I recalled the guilt we all shared that day in Laguna. I would have gladly traded places with that worried aspiring young dentist back at Oak Street. I no longer felt guilty; right then I felt stupid and lucky.”[21]

      “The times had a desperate air. Anything went in a nervous laissez-faire sort of way.”[22]

      “During World War II, San Onofre was taken over by the military and declared off-limits to civilians. We began to frequent the Laguna area since the diving was great. I graduated from dental school [in 1944] … and went into the navy.”[23]

      “I’ve never really done anything extraordinary; maybe I happened to be where things occurred a few times, maybe I happened to do a couple of things first.”[24]

      “Don had little desire to make claims of preeminence in the photographic field,” wrote Craig Stecyk, “but for the record, among the photographic innovations that he either pioneered or greatly expanded the use of, for documenting the sport of surfing, are these: extreme telephoto lenses, large and micro-mini formats, camera boards, extreme wide angles, water housings, tubal perspectives, gyroscopic mounts, single-lens reflex systems, motor-drive sequences, helicopter perspectives, boat perspectives, and telephoto water shots.”[25]

      “For many of his younger patients,” continued Stecyk, “and for two generations of surfing magazine readers, Don James was an example that terminal adolescence wasn’t a requirement for being a true, hardcore surfer. Perhaps that was his most significant achievement.”[26]

      (Don James, Ed Fearon and Bud Rice)






      [1] James, Don. Surfing San Onofre to Point Dume, 1936-1942: Photographs by Don James, ©1996 by Tom Adler. Introduction by C. R. Stecyk, p. 11.
      [2] James, Don. Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 133. Don James written caption to image on p. 78.
      [3] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 133. Don James written caption to image on p. 78.
      [4] James, Surfing San Onofre to Point Dume, 1936-1942,, ©1996 p. 10.                                         
      [5] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 130. Don James written caption to image on p. 65.
      [6] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 123. Don James written caption to image of Pete and Cap Watkins on p. 30.
      [7] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 11. See also p. 122 and plate on p. 22.
      [8] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 13.
      [9] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 130. Don James written caption to image on p. 66.
      [10] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, pp. 130-131. Don James written caption to image on p. 67.
      [11] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 122. Don James quoted. See plate on p. 23.
      [12] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 137. Don James written caption to image on p. 100.
      [13] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 138. Don James written caption to image on p. 105.
      [14] Lynch, Gary, “Doc Ball, Legendary Lensman,” April 10, 1990.
      [15] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, pp. 135-136. Don James written caption to image on p. 93.
      [16] James, Don. Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 140. Don James written caption to image on p. 115.
      [17] James, Don. Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 140. Don James written caption to image on p. 114.
      [18] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 14. Don James quoted.
      [19] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 18. Don James quoted.
      [20] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, pp. 18-19. Don James quoted.
      [21] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 138. Don James written caption to image on p. 107.
      [22] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 140. Don James written caption to image on p. 118, writing about 1943.
      [23] James, Don. Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 139. Don James written caption to image on p. 113.
      [24] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 17. Don James quoted.
      [25] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 17.
      [26] James, Surfing San Onofre to Point Dume, 1936-1942, ©1996, p. 19.
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